Contemporary architecture in the context of "MAXXI"

Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaudí's incomplete Sagrada Família and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque.

The earliest large churches date from Late Antiquity. As Christianity and the construction of churches spread across the world, their manner of building was dependent upon local materials and local techniques. Different styles of architecture developed and their fashion spread, carried by the establishment of monastic orders, by the posting of bishops from one region to another and by the travelling of master stonemasons who served as architects. The successive styles of the great church buildings of Europe are known as Early Christian, Byzantine, Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical, and various Revival styles of the late 18th to early 20th centuries, and then Modern. Underlying each of the academic styles are the regional characteristics. Some of these characteristics are so typical of a particular country or region that they appear, regardless of style, in the architecture of churches designed many centuries apart.

The architecture of the United Kingdom, or British architecture, consists of a combination of architectural styles, dating as far back to Roman architecture, to the present day 21st century contemporary. England has seen the most influential developments, though Ireland, Scotland, and Wales have each fostered unique styles and played leading roles in the international history of architecture. Although there are prehistoric and classical structures in the United Kingdom, British architectural history effectively begins with the first Anglo-Saxon Christian churches, built soon after Augustine of Canterbury arrived in Great Britain in 597. Norman architecture was built on a vast scale throughout Great Britain and Ireland from the 11th century onwards in the form of castles and churches to help impose Norman authority upon their dominions. English Gothic architecture, which flourished between 1180 until around 1520, was initially imported from France, but quickly developed its own unique qualities.

Throughout the United Kingdom, secular medieval architecture has left a legacy of large stone castles, with a concentration being found lining both sides of the Anglo-Scottish border, dating from the Wars of Scottish Independence of the 14th century. The invention of gunpowder and cannons made castles redundant, and the English Renaissance that followed facilitated development of new artistic styles for domestic architecture: Tudor style, English Baroque, Queen Anne Style, and Palladian. Georgian, Scots Baronial and Neoclassical architecture advanced after the Scottish Enlightenment, and since the 1930s various modernist forms appeared, though traditionalist resistance movements continue with support from Charles, Prince of Wales.

The Europa building is the seat of the European Council and Council of the European Union, located on the Rue de la Loi/Wetstraat in the European Quarter of Brussels, Belgium. Its defining feature is the multi-storey "lantern-shaped" construct holding the main meeting rooms; a representation of which has been adopted by both the European Council and Council of the EU as their official emblems.

The Europa building is situated on the former site of the partially demolished and renovated Bloc A of the Résidence Palace, a complex of luxurious apartment blocks. Its exterior combines the listed Art Deco façade of the original 1920s building with the contemporary design of the architect Philippe Samyn. The building is linked via two skyways and a service tunnel to the adjacent Justus Lipsius building, which provides for additional office space, meeting rooms and press facilities.

New Classical architecture, also known as New Classicism or Contemporary Classical architecture, is a contemporary movement that builds upon the principles of Classical architecture. It is sometimes considered the modern continuation of Neoclassical architecture, even though other styles might be cited as well, such as Gothic, Baroque, Renaissance or even non-Western styles – often referenced and recreated from a postmodern perspective rather than as strict revivals.

The design and construction of buildings in evolving classical styles continued throughout the 20th and 21st centuries, even as modernist and other non-classical theories broke with the classical language of architecture. The New Classical movement is also tied to a resurgence in new traditional architecture, which emphasizes craftsmanship rooted in local building traditions and materials.

Sir Brian Clarke Hon FRIBA CF (2 July 1953 – 1 July 2025) was a British painter, architectural artist, designer and printmaker, known for his large-scale stained glass and mosaic projects, symbolist paintings, set designs, and collaborations with major figures in modern and contemporary architecture.

Born to a working-class family in Oldham, in the north of England, and a full-time art student on scholarship by age 13, Clarke came to prominence in the late 1970s as a painter and figure of the Punk movement and designer of stained glass. By 1980, he had become a major figure in international contemporary art, the subject of several television documentaries and a café society regular. He was known for his architectonic art, prolific output in various media, friendships with key cultural figures, and polemical lectures and interviews.