The conservation and restoration of cultural property focuses on protection and care of cultural property (tangible cultural heritage), including artworks, architecture, archaeology, and museum collections. Conservation activities include preventive conservation, examination, documentation, research, treatment, and education. This field is closely allied with conservation science, curators and registrars.
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👉 Conservation and restoration of cultural property in the context of Structured-light 3D scanner
A structured-light 3D scanner is a device used to capture the three-dimensional shape of an object by projecting light patterns, such as grids or stripes, onto its surface. The deformation of these patterns is recorded by cameras and processed using specialized algorithms to generate a detailed 3D model.
Structured-light 3D scanning is widely employed in fields such as industrial design, quality control, cultural heritage preservation, augmented reality gaming, and medical imaging. Compared to laser-based 3D scanning, structured-light scanners use non-coherent light sources, such as LEDs or projectors, which enable faster data acquisition and eliminate potential safety concerns associated with lasers. However, the accuracy of structured-light scanning can be influenced by external factors, including ambient lighting conditions and the reflective properties of the scanned object.
In this Dossier
- ⭐ Core Definition: Conservation and restoration of cultural property
- 👉 Conservation and restoration of cultural property in the context of Structured-light 3D scanner
- Conservation and restoration of cultural property in the context of Preservation (library and archive)
- Conservation and restoration of cultural property in the context of Conservation science (cultural heritage)
- Conservation and restoration of cultural property in the context of Conservation and restoration of books, manuscripts, documents and ephemera
- Conservation and restoration of cultural property in the context of Preventive conservation (disambiguation)
- Conservation and restoration of cultural property in the context of International Council on Monuments and Sites
Conservation and restoration of cultural property in the context of Preservation (library and archive)
In conservation, library and archival science, preservation is a set of preventive conservation activities aimed at prolonging the life of a record, book, or object while making as few changes as possible. Preservation activities vary widely and may include monitoring the condition of items, maintaining the temperature and humidity in collection storage areas, writing a plan in case of emergencies, digitizing items, writing relevant metadata, and increasing accessibility. Preservation, in this definition, is practiced in a library or an archive by a conservator, librarian, archivist, or other professional when they perceive a collection or record is in need of maintenance.
Preservation should be distinguished from interventive conservation and restoration, which refers to the treatment and repair of individual items to slow the process of decay, or restore them to a usable state. "Preventive conservation" is used interchangeably with "preservation".
Conservation and restoration of cultural property in the context of Conservation science (cultural heritage)
With respect to cultural property, conservation science is the interdisciplinary study of the conservation of art, architecture, technical art history and other cultural works through the use of scientific inquiry. General areas of research include the technology and structure of artistic and historic works. In other words, the materials and techniques from which cultural, artistic and historic objects are made. There are three broad categories of conservation science with respect to cultural heritage: understanding the materials and techniques used by artists, study of the causes of deterioration, and improving techniques and materials for examination and treatment. Conservation science includes aspects of materials science, chemistry, physics, biology, and engineering, as well as art history and anthropology. Institutions such as the Getty Conservation Institute specialize in publishing and disseminating information relating to both tools used for and outcomes of conservation science research, as well as recent discoveries in the field.
Conservation and restoration of cultural property in the context of Conservation and restoration of books, manuscripts, documents and ephemera
The conservation and restoration of books, manuscripts, documents and ephemera is an activity dedicated to extending the life of items of historical and personal value made primarily from paper, parchment, and leather. When applied to cultural heritage, conservation activities are generally undertaken by a conservator. The primary goal of conservation is to extend the lifespan of the object as well as maintaining its integrity by keeping all additions reversible. Conservation of books and paper involves techniques of bookbinding, restoration, paper chemistry, and other material technologies including preservation and archival techniques.
Book and paper conservation seeks to prevent and, in some cases, reverse damage due to handling, inherent vice, and the environment. Conservators determine proper methods of storage for books and documents, including boxes and shelving to prevent further damage and promote long term storage. Carefully chosen methods and techniques of active conservation can both reverse damage and prevent further damage in batches or single-item treatments based on the value of the book or document.
Conservation and restoration of cultural property in the context of Preventive conservation (disambiguation)
Preventive conservation may refer to:
Conservation and restoration of cultural property in the context of International Council on Monuments and Sites
The International Council on Monuments and Sites (ICOMOS; French: Conseil international des monuments et des sites) is a professional association that works for the conservation and protection of cultural heritage places around the world. Now headquartered in Charenton-le-Pont, France, ICOMOS was founded in 1965 in Warsaw as a result of the Venice Charter of 1964 and offers advice to UNESCO on World Heritage Sites.
The idea behind ICOMOS dates to the Athens Conference on the restoration of historic buildings in 1931, organized by the International Museums Office. The Athens Charter of 1931 introduced the concept of international heritage. In 1964, the Second Congress of Architects and Specialists of Historic Buildings, meeting in Venice, adopted 13 resolutions. The first created the International Charter on the Conservation and Restoration of Monuments and Sites, better known as Venice Charter; the second, put forward by UNESCO, created ICOMOS to carry out this charter.