Concert in the context of Sound engineer


Concert in the context of Sound engineer

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Concert in the context of Conducting

Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way that reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as facial expression and eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal.

The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, although in earlier periods of classical music history, leading an ensemble while playing an instrument was common. In Baroque music, the group would typically be led by the harpsichordist or first violinist (concertmaster), an approach that in modern times has been revived by several music directors for music from this period. Conducting while playing a piano or synthesizer may also be done with musical theatre pit orchestras. Instrumentalists may perform challenging works while conducting - for instance, it is not uncommon to see a pianist perform a concerto while also conducting the orchestra. Communication is typically non-verbal during a performance. However, in rehearsals, frequent interruptions allow the conductor to give verbal directions as to how music should be performed.

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Concert in the context of Musical analysis

Musical analysis is the study of musical structure in either compositions or performances. According to music theorist Ian Bent, music analysis "is the means of answering directly the question 'How does it work?'". The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to analyst, and according to the purpose of the analysis. According to Bent, "its emergence as an approach and method can be traced back to the 1750s. However it existed as a scholarly tool, albeit an auxiliary one, from the Middle Ages onwards."

The principle of analysis has been variously criticized, especially by composers, such as Edgard Varèse's claim that, "to explain by means of [analysis] is to decompose, to mutilate the spirit of a work".

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Concert in the context of Theater (structure)

A theater, theatre or playhouse, is a structure where theatrical works, performing arts, and musical concerts are presented. The theater building serves to define the performance and audience spaces. The facility usually is organized to provide support areas for performers, the technical crew and the audience members, as well as the stage where the performance takes place.

There are as many types of theaters as there are types of performance. Theaters may be built specifically for certain types of productions, they may serve for more general performance needs or they may be adapted or converted for use as a theater. They may range from open-air amphitheaters to ornate, cathedral-like structures to simple, undecorated rooms or black box theaters. A thrust stage as well as an arena stage are just a few more examples of the multitude of stages where plays can occur. A theatre used for opera performances is called an opera house. A theater is not required for performance (as in environmental theater or street theater), this article is about structures used specifically for performance. Some theaters may have a fixed acting area (in most theaters this is known as the stage), while some theaters, such as black box theaters have movable seating allowing the production to create a performance area suitable for the production.

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Concert in the context of Audio engineering

An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer…"

Sound engineering is increasingly viewed as a creative profession and art form, where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check, and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games, and corporate events.

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Concert in the context of Town square

A town square (or public square, urban square, city square or simply square), also called a plaza or piazza, is an open public space commonly found in the heart of a traditional town or city, and which is used for community gatherings. Related concepts are the civic center, the market square and the village green.

Most squares are hardscapes suitable for open markets, concerts, political rallies, and other events that require firm ground. They are not necessarily a true geometric square.

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Concert in the context of Music industry

The music industry are individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts.

The industry also includes a range of professionals who assist singers and musicians with their music careers. These include talent managers, artists and repertoire managers, business managers, entertainment lawyers; those who broadcast audio or video music content (satellite, Internet radio stations, broadcast radio and TV stations); music journalists and music critics; DJs; music educators and teachers; manufacturers of musical instruments and music equipment; as well as many others. In addition to the businesses and artists there are organizations that also play an important role, including musician's unions (e.g. American Federation of Musicians), not-for-profit performance-rights organizations (e.g. American Society of Composers, Authors and Publishers) and other associations (e.g. International Alliance for Women in Music, a non-profit organization that advocates for women composers and musicians).

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Concert in the context of Hamar Olympic Hall

Vikingskipet ("The Viking Ship"), officially known as Hamar Olympic Hall (Norwegian: Hamar olympiahall), is an indoor multi-use sport and event venue in Hamar, Norway. It was built as the speed skating rink for the 1994 Winter Olympics, and has since also hosted events and tournaments in ice speedway, motorcycle speedway, rally, association football, bandy, ice sledge speed racing, flying disc and track cycling. The arena is also used for concerts, trade fair and the annual computer party The Gathering. It is the home arena of Hamar IL bandy team. The venue is owned by Hamar Municipality, and along with Hamar Olympic Amphitheatre is run by the municipal Hamar Olympiske Anlegg. Vikingskipet has a capacity for 10,600 spectators during sporting events and 20,000 during concerts.

The arena was designed by Niels Torp, and Biong & Biong, and opened on 19 December 1992. The complex cost 230 million Norwegian krone (NOK). The construction location was controversial, as it is located at Åkervika, a Ramsar site. It is Norway's national venue for speed skating and bandy, and holds annual ISU Speed Skating World Cup races, as well as regular world championships. It has among other things hosted tournaments of the World Allround Speed Skating Championships, European Speed Skating Championships, World Single Distance Championships, World Sprint Speed Skating Championships, UCI Track Cycling World Championships, Speedway Grand Prix and World Rally Championship.

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Concert in the context of Electronic dance music

Electronic dance music (EDM), also referred to as dance music or club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres.

During the late 1980s to early 1990s, following the emergence of electronic music instruments, rave culture, pirate radio, party crews, underground festivals, and an upsurge of interest in club culture, EDM achieved mainstream popularity in Europe and Japan. However, rave culture was not as broadly popular in the United States; it was not typically seen outside of the regional scenes in New York City, Florida, the Midwest, and California. Although the pioneer genres of electro, Chicago house and Detroit techno were influential both in Europe and the United States, mainstream media outlets and the record industry in the United States remained openly hostile to it until the 1990s and beyond. There was also a perceived association between EDM and drug culture, which led governments at state and city levels to enact laws and policies intended to halt the spread of rave culture.

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Concert in the context of Opéra Bastille

The Opéra Bastille (French: [ɔpeʁa bastij] , "Bastille Opera House") is a modern opera house in the 12th arrondissement of Paris, France. Inaugurated in 1989 as part of President François Mitterrand's Grands Travaux, it became the main facility of the Paris National Opera, France's principal opera company, alongside the older Palais Garnier; most opera performances are shown at the Bastille along with some ballet performances and symphony concerts, while Palais Garnier presents a mix of opera and ballet performances.

Designed by Uruguayan-Canadian architect Carlos Ott, it is situated facing Place de la Bastille. It can seat 2,723 people in total, with a main theatre, concert hall and studio theatre, making it the largest opera house in Europe.

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Concert in the context of Dance music

Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient history (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.

Modern popular dance music initially emerged from late 19th century's Western ballroom and social dance music. During the early 20th century, ballroom dancing gained popularity among the working class who attended public dance halls. Dance music became enormously popular during the 1920s. In the 1930s, known as the Swing era, Swing music was the popular dance music in America. In the 1950s, rock and roll became the popular dance music. The late 1960s saw the rise of soul and R&B music. Dominican and Cuban New Yorkers created the popular salsa dance in the late 1960s which stemmed from the Latin music genre of salsa. The rise of disco in the early 1970s led to dance music becoming popular with the public. By the late 1970s, electronic dance music was developing. This music, made using electronics, is a style of popular music commonly played in nightclubs, radio stations, shows and raves. Many subgenres of electronic dance music have evolved.

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Concert in the context of Session musician

A session musician (also known as studio musician or backing musician) is a musician hired to perform in a recording session or a live performance. The term sideman is also used in the case of live performances, such as accompanying a recording artist on a tour. Session musicians are usually not permanent or official members of a musical ensemble or band.

Many session musicians specialize in playing common rhythm section instruments such as guitar, piano, bass, or drums. Others are specialists, and play brass, woodwinds, and strings. Many session musicians play multiple instruments, which lets them play in a wider range of musical situations, genres, and styles. Examples of "doubling" include double bass and electric bass, acoustic guitar and mandolin, piano and accordion, and saxophone and other woodwind instruments.

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