Duccio in the context of "Disciple (Christianity)"

Tempera (Italian: [ˈtɛmpera]) is a permanent, fast-drying painting medium consisting of pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. There are several types of tempera paint, but the one containing egg yolk is called egg tempera. Tempera paint made from the milk protein is Casein paint. If the binder is synthetic PVA, the result is polyvinyl acetate tempera. A distemper paint consisting of pigment and binders such as cornstarch, gum arabic and other gums is called poster paint in certain parts of the world, and it is also often confusingly referred to as "tempera paint", although the binders in this paint are different from traditional egg tempera paints and the visual effect is more like gouache.

The term Tempera also refers to the paintings done in any kind of these tempera mediums.

The life of Jesus is primarily outlined in the four canonical gospels, which includes his genealogy and nativity, public ministry, passion, prophecy, resurrection and ascension. Other parts of the New Testament — such as the Pauline epistles which were likely written within 20 to 30 years of each other, and which include references to key episodes in the life of Jesus, such as the Last Supper, and the Acts of the Apostles (1:1–11), which includes more references to the Ascension episode than the canonical gospels also expound upon the life of Jesus. In addition to these biblical texts, there are extra-biblical texts that make reference to certain events in the life of Jesus, such as Josephus on Jesus and Tacitus on Christ.

In the gospels, the ministry of Jesus starts with his Baptism by John the Baptist. Jesus came to the Jordan River where he was baptized by John the Baptist, after which he fasted for forty days and nights in the Judaean Desert. This early period also includes the first miracle of Jesus in the Marriage at Cana.

In the New Testament, chapters 14–17 of the Gospel of John are known as the Farewell Discourse given by Jesus to eleven of his disciples immediately after the conclusion of the Last Supper in Jerusalem, the night before his crucifixion.

The discourse is generally seen as having distinct components. First, Jesus tells the disciples that he will be going away to the Father, and that he will send the Holy Spirit to guide the disciples. Jesus bestows peace on the disciples and commands them to love one another. The expression of the unity of love between Jesus and his Father, in the Spirit, as it applies to his disciples in the love of Christ, is a key theme in the discourse, manifested by several reiterations of the New Commandment: "love one another as I have loved you".

The Maestà, or Maestà of Duccio, is an altarpiece composed of many separate paintings commissioned from Duccio di Buoninsegna by the city of Siena in Tuscany in 1308 and is his major work. Duccio's Maestà was the first altarpiece to have both a front and back side. The front panels make up a large enthroned Madonna and Child with saints and angels, and a predella of the Childhood of Christ with prophets.

The reverse showed, in forty-three small panels, scenes from the Life of the Virgin and the Life of Christ, and were topped by and additional six panels showing angels. Several panels are now dispersed or lost. The base of the panel has an inscription that reads (in translation): "Holy Mother of God, be thou the cause of peace for Siena and life to Duccio because he painted thee thus." Though it took a generation for its effect to be truly felt, Duccio's Maestà set Italian painting on a course leading away from the hieratic representations of the Italo-Byzantine style and towards more direct presentations of reality, as developed by leading figures such as Giotto—believed to have been Duccio's pupil—during the Trecento.

Jesus at Herod's court refers to an episode in the New Testament which describes Jesus being sent to Herod Antipas in Jerusalem, prior to his crucifixion. This episode is described in Luke 23 (23:7–15).