Commentary on the Apocalypse in the context of "Beatus of Liébana"

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⭐ Core Definition: Commentary on the Apocalypse

The Commentary on the Apocalypse (Commentaria in Apocalypsin) is a Latin commentary on the biblical Book of Revelation written around 776 by the Spanish monk and theologian Beatus of Liébana (c. 730–after 785). The surviving texts differ somewhat, and the work is mainly famous for the spectacular illustrations in a group of illustrated manuscripts, mostly produced on the Iberian Peninsula over the following five centuries. There are 29 surviving illustrated manuscripts (many incomplete or fragments) dating from the 9th to the 13th centuries, as well as other unillustrated and later manuscripts. Significant copies include the Morgan, Saint-Sever, Gerona, Osma, Madrid (Vitr 14-1), and Tábara Beatus codices.

Most unusually for a theological work, the imagery seems to have been included from the start, and is considered to be the work of Beatus himself, although the earliest surviving manuscripts date from about a century after he wrote the book. After about another century, around 950, the size and number of illustrations was expanded. Manuscripts of the work are typically referred to just as a Beatus. They included a Beatus map, a version of the medieval type of world map called the T and O map with added details; this is supposed to have been created by Beatus. It has only survived in some copies.

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👉 Commentary on the Apocalypse in the context of Beatus of Liébana

Beatus of Liébana (Spanish: Beato; c. 730 – c. after 785) was a monk, theologian, and author of the Commentary on the Apocalypse, mostly a compendium of previous authorities' views on the biblical Book of Revelation or Apocalypse of John. This had a local influence, mostly in the Iberian Peninsula, up to about the 13th century, but is today remembered mainly for the 27 surviving manuscript copies that are heavily illustrated in an often spectacular series of miniatures that are outstanding monuments of Mozarabic art. Examples include the Morgan Beatus and Saint-Sever Beatus; these are covered further at the article on the book. Most unusually for a work of Christian theology, it appears that Beatus always intended his book to be illustrated, and he is attributed with the original designs, and possibly the execution, of the first illustrations, which have not survived.

Aside from his work, almost nothing is known about Beatus. He was a monk and probably an abbot at the monastery of Santo Toribio de Liébana, Cantabria, in the Kingdom of Asturias, the only region of Spain remaining outside of Muslim control. It is thought that he was probably one the large number of monastic refugees who moved north, to lands remaining under Christian rule after the Muslim conquest of southern and central Spain. Beatus appears to have been well known by his contemporaries. He was a correspondent with the notable Christian scholar, Alcuin, and a confidant of queen Adosinda, daughter of Alfonso I of Asturias and wife of Silo of Asturias. He was present when Adosinda took her vows as a nun in 785, the last record we have of his life. A supposed biography, the Life of Beatus, has been identified as a 17th-century fraud with no historical value.

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Commentary on the Apocalypse in the context of T and O map

A T and O map or O–T or T–O map (orbis terrarum, orb or circle of the lands; with the letter T inside an O), also known as an Isidoran map, is a type of early world map that represents the Afro-Eurasian landmass as a circle (= O) divided into three parts by a T-shaped combination of the Mediterranean sea, the river Tanais (Don) and the Nile. The origins of this diagram are contested, with some scholars hypothesizing an origin in Roman or late antiquity, while others consider it to have originated in 7th or early-8th century Spain.

The earliest surviving example of a T-O map is found in a late-7th or early-8th century copy of Isidore of Seville's (c. 560–636) De natura rerum, which alongside his Etymologiae (c. 625) are two of the most common texts to be accompanied by such a diagram in the Middle Ages. A later manuscript added the names of Noah's sons (Sem, Iafeth and Cham) for each of the three continents (see Biblical terminology for race). A later variation with more detail is the Beatus map drawn by Beatus of Liébana, an 8th-century Spanish monk, in the prologue to his Commentary on the Apocalypse.

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Commentary on the Apocalypse in the context of Beatus map

The Beatus map or Beatine map is one of the most significant cartographic works of the European Early Middle Ages. It was originally drawn by the Spanish monk Beatus of Liébana, based on the accounts given by Isidore of Seville, Ptolemy and the Hebrew Bible. Although the original manuscript is lost, there remain several copies extant, which retain a high fidelity with respect to the original.

The map is shown in the prologue of the second book of Beatus' work Commentary on the Apocalypse. Its main goal is not to show a cartographically exact depiction of the world and its continents, but to illustrate the initial dispersion of the Apostles.

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LINKED FROM (PARENTS)
← T and O map ← Beatus map ← Beatus of Liébana
LINKS TO (CHILDREN)
Morgan Beatus → Book of Revelation → Theologian → Beatus of Liébana → Illustrated manuscript → Iberian Peninsula → Saint-Sever Beatus → Gerona Beatus → Tábara Beatus → Beatus map → Saint-Sever Abbey → Aquitaine → T and O map →