Didacticism is a philosophy that emphasises instructional and informative qualities in literature, art, and design. In art, design, architecture, and landscape, didacticism is a conceptual approach that is driven by the urgent need to explain.
Didacticism is a philosophy that emphasises instructional and informative qualities in literature, art, and design. In art, design, architecture, and landscape, didacticism is a conceptual approach that is driven by the urgent need to explain.
Works and Days (Ancient Greek: Ἔργα καὶ Ἡμέραι, romanized: Érga kaì Hēmérai) is a didactic poem written by ancient Greek poet Hesiod around 700 BC. It is in dactylic hexameter and contains 828 lines. At its center, the Works and Days is a farmer's almanac in which Hesiod instructs his brother Perses in the agricultural arts.
Dialogue (sometimes spelled dialog in American English) is an interactive communication between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature.
Argumentation theory is the interdisciplinary study of how conclusions can be supported or undermined by premises through logical reasoning. With historical origins in logic, dialectic, and rhetoric, argumentation theory includes the arts and sciences of civil debate, dialogue, conversation, and persuasion. It studies rules of inference, logic, and procedural rules in both artificial and real-world settings.
Argumentation includes various forms of dialogue such as deliberation and negotiation which are concerned with collaborative decision-making procedures. It also encompasses eristic dialogue, the branch of social debate in which victory over an opponent is the primary goal, and didactic dialogue used for teaching. This discipline also studies the means by which people can express and rationally resolve or at least manage their disagreements.
Titus Lucretius Carus (/ˈtaɪtəs luːˈkriːʃəs/ TY-təs loo-KREE-shəs; Latin: [ˈtitus luˈkreːti.us ˈkaːrus]; c. 99 – October 15, 55 BC) was a Roman poet and philosopher. His only known work is the philosophical poem De rerum natura, a didactic work about the tenets and philosophy of Epicureanism, which usually is translated into English as On the Nature of Things—and somewhat less often as On the Nature of the Universe. Very little is known about Lucretius's life; the only certainty is that he was either a friend or client of Gaius Memmius, to whom the poem was addressed and dedicated. De rerum natura was a considerable influence on the Augustan poets, particularly Virgil (in his Aeneid and Georgics, and to a lesser extent on the Eclogues) and Horace. The work was almost lost during the Middle Ages, but was rediscovered in 1417 in a monastery in Germany by Poggio Bracciolini. It played an important role both in the development of atomism (Lucretius was an important influence on Pierre Gassendi) and the efforts of various figures of the Enlightenment era to construct a new Christian humanism.
Aratus (/əˈreɪtəs/; Ancient Greek: Ἄρατος ὁ Σολεύς; c. 315/310 – 240 BC) was a Greek didactic poet. His major extant work is his hexameter poem Phenomena (Ancient Greek: Φαινόμενα, Phainómena, "Appearances"; Latin: Phaenomena), the first half of which is a verse setting of a lost work of the same name by Eudoxus of Cnidus. It describes the constellations and other celestial phenomena. The second half is called the Diosemeia (Διοσημεῖα "Forecasts"), and is chiefly about weather lore. Although Aratus was somewhat ignorant of Greek astronomy, his poem was very popular in the Greek and Roman world, as is proven by the large number of commentaries and Latin translations, some of which survive.
Musar literature is didactic Jewish ethical literature which describes virtues and vices and the path towards character improvement. This literature gives the name to the Musar movement in 19th-century Lithuania, but this article considers such literature more broadly.
A letter collection consists of a publication, usually a book, containing a compilation of letters written by a real person. Unlike an epistolary novel, a letter collection belongs to non-fiction literature. As a publication, a letter collection is distinct from an archive, which is a repository of original documents.
Usually, the original letters are written over the course of the lifetime of an important individual, noted either for their social position or their intellectual influence, and consist of messages to specific recipients. They might also be open letters intended for a broad audience. After these letters have served their original purpose, a letter collection gathers them to be republished as a group. Letter collections, as a form of life writing, serve a biographical purpose. They also typically select and organize the letters to serve an aesthetic or didactic aim, as in literary belles-lettres and religious epistles. The editor who chooses, organizes, and sometimes alters the letters plays a major role in the interpretation of the published collection. Letter collections have existed as a form of literature in most times and places where letter-writing played a prominent part of public life. Before the invention of printing, letter collections were recopied and circulated as manuscripts, like all literature.
Pirkei Avot (Hebrew: פִּרְקֵי אָבוֹת, romanized: pirqē aḇoṯ, lit. 'Chapters of the [Fore]fathers'; also transliterated as Pirqei Avoth or Pirkei Avos or Pirke Aboth, also Abhoth), is a compilation of the Jewish theological and ethical teachings and maxims from Rabbinic Jewish tradition. It is part of didactic Jewish ethical literature. Because of its contents, the name is sometimes given as Ethics of the Fathers. Pirkei Avot consists of the Mishnaic minor tractate of Avot, the second-to-last tractate in the order of Nezikin in the Mishnah, plus one additional chapter. Avot is unique in that it is the only tractate of the Mishnah dealing solely with ethical and moral principles; there is relatively little Halakha (Jewish law) in Pirkei Avot.