Clint Eastwood in the context of "Live action"

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⭐ Core Definition: Clint Eastwood

Clinton Eastwood Jr. (born May 31, 1930) is an American actor and film director. After achieving success in the Western TV series Rawhide, Eastwood rose to international fame with his role as the "Man with No Name" in Sergio Leone's Dollars Trilogy of spaghetti Westerns during the mid-1960s and as antihero cop Harry Callahan in the five Dirty Harry films throughout the 1970s and 1980s. These roles, among others, have made Eastwood an enduring cultural icon of masculinity. Elected in 1986, Eastwood served for two years as the mayor of Carmel-by-the-Sea, California.

Eastwood's greatest commercial successes are the adventure comedy Every Which Way but Loose (1978) and its action comedy sequel Any Which Way You Can (1980). Other popular Eastwood films include the Westerns Hang 'Em High (1968), The Outlaw Josey Wales (1976) and Pale Rider (1985), the action-war film Where Eagles Dare (1968), the prison film Escape from Alcatraz (1979), the war film Heartbreak Ridge (1986), the action film In the Line of Fire (1993), and the romantic drama The Bridges of Madison County (1995). More recent works include Gran Torino (2008), The Mule (2018), and Cry Macho (2021). Since 1967, Eastwood's company Malpaso Productions has produced all but four of his American films.

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👉 Clint Eastwood in the context of Live action

Live action is a form of cinematography or videography that uses photography instead of animation. Some works combine live action with animation to create a live-action animated feature film. Live action is used to define film, video games or similar visual media. Photorealistic animation, particularly modern computer animation, is sometimes erroneously described as "live action", as in the case of some media reports about Disney's remake of the traditionally animated The Lion King from 1994. According to the Cambridge English Dictionary, live action involves "real people or animals, not models, or images that are drawn, or produced by computer".

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Clint Eastwood in the context of Film genre

A film genre is a stylistic or thematic category for motion pictures based on similarities either in the narrative elements, aesthetic approach, or the emotional response to the film.

Drawing heavily from the theories of literary-genre criticism, film genres are usually delineated by "conventions, iconography, settings, narratives, characters and actors". One can also classify films by the tone, theme/topic, mood, format, target audience, or budget. These characteristics are most evident in genre films, which are "commercial feature films [that], through repetition and variation, tell familiar stories with familiar characters and familiar situations" in a given genre.

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Clint Eastwood in the context of Spaghetti Western

The spaghetti Western is a broad subgenre of Western films produced in Europe. It emerged in the mid-1960s in the wake of Sergio Leone's filmmaking style and international box-office success. The term was used by foreign critics because most of these Westerns were produced and directed by Italians.

The majority of the films in the spaghetti Western genre were international co-productions by Italy and Spain, and sometimes France, West Germany, Britain, Portugal, Greece, Yugoslavia, and the United States. Over six hundred European Westerns were made between 1960 and 1978, including nearly five hundred in Italy, which dominated the market. Most spaghetti Westerns filmed between 1964 and 1978 were made on low budgets, and shot at Cinecittà Studios and various locations around southern Italy and Spain.

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Clint Eastwood in the context of A Fistful of Dollars

A Fistful of Dollars (Italian: Per un pugno di dollari, "For a Fistful of Dollars") is a 1964 spaghetti Western film directed by Sergio Leone and starring Clint Eastwood in his first leading role, alongside Gian Maria Volonté, Marianne Koch, Wolfgang Lukschy, Sieghardt Rupp, José Calvo, Antonio Prieto and Joseph Egger. The film, an international co-production between Italy, West Germany and Spain, was filmed on a low budget (reported to be US$200,000), and Eastwood was paid $15,000 for his role.

Released in Italy in 1964 and in the United States in 1967, the film initiated the popularity of the spaghetti Western genre. It is considered a landmark in cinema and one of the greatest and most influential films of all time. It was followed by For a Few Dollars More and The Good, the Bad and the Ugly, both also starring Eastwood. Collectively, these three films became known as the Dollars Trilogy, or the Man with No Name Trilogy, after the United Artists publicity campaign referred to Eastwood's characters in all three films as the "Man with No Name". All three films were released in sequence in the United States in 1967, making Eastwood a national celebrity.

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Clint Eastwood in the context of Rawhide (TV series)

Rawhide is an American Western television series starring Eric Fleming and Clint Eastwood. The show aired for eight seasons on the CBS network on Friday nights from January 9, 1959, to September 3, 1965, before moving to Tuesday nights from September 14, 1965, until December 7, 1965, with a total of 217 black-and-white episodes. The series was produced and sometimes directed by Charles Marquis Warren, who also produced early episodes of Gunsmoke. The show is remembered by many for its theme song, "Rawhide".

Spanning 7+12 years, Rawhide was the sixth-longest-running American television Western, exceeded only by Wagon Train, The Virginian, Bonanza, Death Valley Days, and Gunsmoke.

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Clint Eastwood in the context of Man with No Name

The Man with No Name (Italian: Uomo senza nome) is the antihero character portrayed by Clint Eastwood in Sergio Leone's Dollars Trilogy of Italian Spaghetti Western films: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). He is recognizable by his sarape, brown hat, tan cowboy boots, fondness for cigarillos, and the fact that he rarely speaks.

The "Man with No Name" concept was invented by the American distributor United Artists. Eastwood's character does have a name, or nickname, which is different in each film: "Joe", "Manco" and "Blondie", respectively.

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Clint Eastwood in the context of Sergio Leone

Sergio Leone (/liˈni/ lee-OH-nee; Italian: [ˈsɛrdʒo leˈoːne]; 3 January 1929 – 30 April 1989) was an Italian filmmaker, credited as the pioneer of the spaghetti Western genre. He is widely regarded as one of the greatest directors in the history of cinema.

Leone's film-making style includes juxtaposing extreme close-up shots with lengthy long shots. His films include the Dollars Trilogy of Westerns featuring Clint Eastwood: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966); and the Once Upon a Time films: Once Upon a Time in the West (1968), Duck, You Sucker! (1971), and Once Upon a Time in America (1984).

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Clint Eastwood in the context of Antihero

Antihero (sometimes spelled as anti-hero or in two words as anti hero) is a literary term that can be understood as standing in opposition to the traditional hero, i.e., one with high social status, well-liked by the general populace, and given a particular role to play. Although antiheroes may sometimes perform actions that most of the audience considers heroic, they continue because they must, not because they believe they are the right person for the job.

The "Racinian" antihero is defined by three factors. The first is that the antihero is doomed to fail before their adventure begins. The second constitutes the blame of that failure on everyone but themselves. Thirdly, they offer a critique of social morals and reality. To other scholars, an antihero is inherently a hero from a specific point of view, and a villain from another.

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Clint Eastwood in the context of Dirty Harry (character)

Inspector Harold Francis "Dirty Harry" Callahan (born October 3, 1930) is a fictional character and the protagonist of the Dirty Harry film series, which consists of Dirty Harry (1971), Magnum Force (1973), The Enforcer (1976), Sudden Impact (1983), and The Dead Pool (1988). Callahan is portrayed by Clint Eastwood in each film.

From his debut, Callahan became the template for a new kind of film cop: an antihero who does not hesitate to cross professional boundaries in pursuit of his own vision of justice, especially when the law is poorly served by an inept, incompetent bureaucracy.

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