Climate fiction in the context of "Scientific consensus on climate change"

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⭐ Core Definition: Climate fiction

Climate fiction (sometimes shortened to cli-fi) is literature that deals with climate change. Generally speculative in nature but inspired by climate science, works of climate fiction may take place in the world as we know it, in the near future, or in fictional worlds experiencing climate change. The genre frequently includes science fiction and dystopian or utopian themes, imagining potential futures based on research about the impacts of climate change and speculations about how humans may respond to these and the problem of climate change. Climate fiction typically involves anthropogenic climate change and other environmental issues as opposed to weather and disaster more generally. Technologies such as climate engineering or climate adaptation practices often feature prominently in works exploring their impacts on society.

The term "cli-fi" is generally credited to freelance news reporter and climate activist Dan Bloom, who coined it in either 2007 or 2008. References to "climate fiction" appear to have begun in the 2010s, although the term has also been retroactively applied to a number of works. Pioneering 20th century authors of climate fiction include J. G. Ballard and Octavia E. Butler, while dystopian fiction from Margaret Atwood is often cited as an immediate precursor to the genre's emergence. Since 2010, prominent cli-fi authors include Kim Stanley Robinson, Richard Powers, Paolo Bacigalupi, and Barbara Kingsolver. The publication of Robinson's The Ministry for the Future in 2020 helped cement the genre's emergence; the work generated presidential and United Nations mentions and an invitation for Robinson to meet planners at the Pentagon.

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Climate fiction in the context of Science fiction

Science fiction (often shortened to sci-fi or abbreviated SF) is the genre of speculative fiction that imagines advanced and futuristic scientific or technological progress. The elements of science fiction have evolved over time: from space exploration, extraterrestrial life, time travel, and robotics; to parallel universes, dystopian societies, and biological manipulations; and, most lately, to information technology, transhumanism (and posthumanism), and environmental challenges. Science fiction often specifically explores human responses to the consequences of these types of projected or imagined scientific advances.

The precise definition of science fiction has long been disputed among authors, critics, scholars, and readers. It contains many subgenres, including hard science fiction, which emphasizes scientific accuracy, and soft science fiction, which focuses on social sciences. Other notable subgenres are cyberpunk, which explores the interface between technology and society; climate fiction, which addresses environmental issues; and space opera, which emphasizes pure adventure in a universe in which space travel is common.

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Climate fiction in the context of Utopian and dystopian fiction

Utopian and dystopian fiction are subgenres of speculative fiction that explore extreme forms of social and political structures. A utopia is a setting that agrees with the author's ethos, having various attributes of another reality intended to appeal to readers. A dystopia offers the opposite: the portrayal of a setting that completely disagrees with the author's ethos. Some novels depict both types of society to more directly contrast their properties. Both utopias and dystopias are commonly found in science fiction and other types of speculative fiction.

More than 400 utopian works in the English language were published prior to the year 1900, with more than a thousand others appearing during the 20th century. This increase is partially associated with the rise in popularity of science fiction and young adult fiction more generally, but also larger scale social change that brought awareness of larger societal or global issues, such as technology, climate change, and growing human population. Some of these trends have created distinct subgenres such as climate fiction, young adult dystopian novels, and feminist dystopian novels.

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Climate fiction in the context of Science fiction writer

Science fiction is a genre of speculative fiction that deals with imaginative, futuristic and scientific concepts. These concepts may include information technology and robotics, biological manipulations, space exploration, time travel, parallel universes, and extraterrestrial life. The genre often explores human responses to the consequences of projected or imagined scientific advances.

Science fiction is related to fantasy, horror, and superhero fiction, and it contains many subgenres. The genre's precise definition has long been disputed among authors, critics, scholars, and readers. Major subgenres include hard science fiction, which emphasizes scientific accuracy, and soft science fiction, which focuses on social sciences. Other notable subgenres are cyberpunk, which explores the interface between technology and society, climate fiction, which addresses environmental issues, and space opera, which emphasizes pure adventure in a universe in which space travel is common.

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Climate fiction in the context of Science-fiction

Science fiction (often shortened to sci-fi or abbreviated SF) is the genre of speculative fiction that imagines advanced and futuristic scientific or technological progress. The elements of science fiction have evolved over time: from space exploration, extraterrestrial life, time travel, and robotics; to parallel universes, dystopian societies, and biological manipulations; and, most lately, to information technology, transhumanism, posthumanism, and environmental challenges. Science fiction often specifically explores human responses to the consequences of these types of projected or imagined scientific advances.

The precise definition of science fiction has long been disputed among authors, critics, scholars, and readers. It contains many subgenres, including hard science fiction, which emphasizes scientific accuracy, and soft science fiction, which focuses on social sciences. Other notable subgenres are cyberpunk, which explores the interface between technology and society; climate fiction, which addresses environmental issues; and space opera, which emphasizes pure adventure in a universe in which space travel is common.

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Climate fiction in the context of The Ministry for the Future

The Ministry for the Future is a climate fiction ("cli-fi") novel by American science fiction writer Kim Stanley Robinson, published in 2020. Set in the near future, the novel follows a subsidiary body, established under the Paris Agreement, whose mission is to act as an advocate for the world's future generations of citizens as if their rights were as valid as the present generation's. While the ministry pursues various ambitious projects, the effects of climate change are determined to be the most consequential. The plot primarily follows Mary Murphy, the head of the titular Ministry for the Future, and Frank May, an American aid worker traumatized by experiencing a deadly heat wave in India. Many chapters are devoted to other (mostly anonymous) characters' accounts of future events, as well as their ideas about ecology, economics, and other subjects.

With its emphasis on scientific accuracy and nonfiction descriptions of history and social science, the novel is classified as hard science fiction. It also belongs to the growing body of climate fiction. Robinson had previously written other climate fiction novels, such as 2312 and New York 2140. The Ministry for the Future also includes elements of utopian fiction, as it portrays society addressing a problem, and elements of horror fiction, as climate change threatens characters.

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