Cleveland Museum of Art in the context of Wade Park District


Cleveland Museum of Art in the context of Wade Park District

⭐ Core Definition: Cleveland Museum of Art

The Cleveland Museum of Art (CMA) is an art museum in Cleveland, Ohio, United States. Located in the Wade Park District of University Circle, the museum is internationally renowned for its substantial holdings of Asian and Egyptian art and houses a diverse permanent collection of more than 61,000 works of art from around the world. The museum provides free general admission to the public. With a $920 million endowment as of 2023, it is the fourth-wealthiest art museum in the United States. With about 770,000 visitors annually as of 2018, it is one of the most visited art museums in the world.

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Cleveland Museum of Art in the context of Aquila (Roman)

An aquila (Classical Latin: [ˈakᶣɪla]; lit.'eagle') was a prominent symbol used in ancient Rome, especially as the standard of a Roman legion. A legionary known as an aquilifer, the "eagle-bearer", carried this standard. Each legion carried one eagle. It represents the Eagle of Jove (Aëtos), being Jove the "Father of the Roman state".

The eagle had quasi-religious importance to the Roman soldier, far beyond being merely a symbol of his legion. To lose a standard was seen as extremely grave, shameful and dishonorable, and the Roman military went to great lengths both to protect a standard and to recover one if it were to be lost. For example, after the annihilation of three legions in the Teutoburg Forest, the Romans spent decades retaliating for the defeat while also attempting to recover the three lost eagles.

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Cleveland Museum of Art in the context of Jar

A jar is a rigid, cylindrical, or slightly conical container, typically made of glass, ceramic, or plastic, with a wide mouth or opening that can be closed with a lid, screw cap, lug cap, cork stopper, roll-on cap, crimp-on cap, press-on cap, plastic shrink, heat-sealed lidding film, an inner seal, a tamper-evident band, or other suitable means. The English word "jar" originates from the Arabic word jarra, which means an earthen pot or vessel.

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Cleveland Museum of Art in the context of Etruscan art

Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta (especially life-size on sarcophagi or temples), wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced.

Etruscan sculpture in cast bronze was famous and widely exported, but relatively few large examples have survived (the material was too valuable, and recycled later). In contrast to terracotta and bronze, there was relatively little Etruscan sculpture in stone, despite the Etruscans controlling fine sources of marble, including Carrara marble, which seems not to have been exploited until the Romans.

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Cleveland Museum of Art in the context of Bowl (vessel)

A bowl is a typically round dish or container generally used for preparing, serving, storing, or consuming food. The interior of a bowl is characteristically shaped like a spherical cap, with the edges and the bottom, forming a seamless curve. This makes bowls especially suited for holding liquids and loose food, as the contents of the bowl are naturally concentrated in its center by the force of gravity. The exterior of a bowl is typically round but may vary in shape, including rectangular designs.

The size of bowls varies from small bowls used to hold a single serving of food to large bowls, such as punch bowls or salad bowls, that are often used to hold or store more than one portion of food. There is some overlap between bowls, cups, and plates. Very small bowls, such as the tea bowl, are often called cups, while plates with especially deep wells are often called bowls.

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Cleveland Museum of Art in the context of List of copper alloys

Copper alloys are metal alloys that have copper as their principal component. They have high resistance against corrosion. Of the large number of different types, the best known traditional types are bronze, where tin is a significant addition, and brass, using zinc instead. Both of these are imprecise terms. Latten is a further term, mostly used for coins with a very high copper content. Today the term "copper alloy" tends to be substituted for all of these, especially by museums.

Copper deposits are abundant in most parts of the world (globally 70 parts per million), and it has therefore always been a relatively cheap metal. By contrast, tin is relatively rare (2 parts per million), and in Europe and the Mediterranean region, even in prehistoric times, it had to be traded considerable distances and was expensive, sometimes virtually unobtainable. Zinc is even more common at 75 parts per million but is harder to extract from its ores. Bronze with the ideal percentage of tin was therefore expensive, and the proportion of tin was often reduced to save cost. The discovery and exploitation of the Bolivian tin belt in the 19th century made tin far cheaper, although forecasts for future supplies are less positive.

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Cleveland Museum of Art in the context of Jug

A jug is a type of container commonly used to hold and serve liquids, but not normally to drink from directly. It has an opening, sometimes narrow, from which to pour or drink, and has a handle, and usually a pouring lip. Jugs throughout history have been made of metal, ceramic, or glass, and plastic is now common.

In British English, jugs are pouring vessels for holding drinkable liquids, whether beer, water or soft drinks. In North American English these table jugs are usually called pitchers. Ewer is an older word for jugs or pitchers, and there are several others, such as flagon.

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Cleveland Museum of Art in the context of Quipu

Quipu (/ˈkp/ KEE-poo), also spelled khipu (Ayacucho Quechua: kipu, [ˈkipu]; Cusco Quechua: khipu, [kʰipu]), are record-keeping devices fashioned from knotted cords. They were historically used by various cultures in the central Andes of South America, most prominently by the Inca Empire.

A quipu usually consists of cotton or camelid fiber cords, and contains categorized information based on dimensions like color, order, and number. The Inca, in particular, used knots tied in a decimal positional system to store numbers and other values in quipu cords. Depending use and the amount of information stored, quipus can have anywhere from a few to several thousand cords.

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Cleveland Museum of Art in the context of La Vie (painting)

La Vie (Zervos I 179) is a 1903 oil painting by Pablo Picasso. It is widely regarded as the pinnacle of Picasso's Blue Period.

The painting is in the permanent collection of the Cleveland Museum of Art.

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