Cleopatra (1963 film) in the context of "Historical drama film"

The Birds is a 1963 American natural horror film produced and directed by Alfred Hitchcock, released by Universal Pictures and starring Rod Taylor, Jessica Tandy, Suzanne Pleshette, and introducing Tippi Hedren in her film debut. Loosely based on the 1952 short story of the same name by Daphne du Maurier, it focuses on a series of sudden and unexplained violent bird attacks on the people of Bodega Bay, California, over the course of a few days. The screenplay is by Evan Hunter, who was told by Hitchcock to develop new characters and a more elaborate plot while keeping du Maurier's title and concept of unexplained bird attacks.

While it initially received mixed reviews when originally released, its reputation improved over time and it has since been considered to be one of the greatest horror films of all time. At the 36th Academy Awards, Ub Iwerks was nominated for Best Special Effects for his work on the film. The award, however, went to the only other nominee, Emil Kosa Jr., for Cleopatra. Hedren won the Golden Globe Award for New Star of the Year – Actress for her role in the film.

Sword-and-sandal, also known as peplum (pl.: pepla), is a subgenre of largely Italian-made historical, mythological, or biblical epics mostly set in the Greco-Roman antiquity or the Middle Ages. These films attempted to emulate the big-budget Hollywood historical epics of the time, such as Samson and Delilah (1949), Quo Vadis (1951), The Robe (1953), The Ten Commandments (1956), Ben-Hur (1959), Spartacus (1960), and Cleopatra (1963). These films dominated the Italian film industry from 1958 to 1965, eventually being replaced in 1965 by spaghetti Western and Eurospy films.

The term "peplum" (a Latin word referring to the ancient Greek garment peplos) was introduced by French film critics in the 1960s. The terms "peplum" and "sword-and-sandal" were used in a condescending way by film critics. Later, the terms were embraced by fans of the films, similar to the terms "spaghetti Western" or "shoot-'em-ups". In their English versions, peplum films can be immediately differentiated from their Hollywood counterparts by their use of "clumsy and inadequate" English language dubbing. A 100-minute documentary on the history of Italy's peplum genre was produced and directed by Antonio Avati in 1977 titled Kolossal: i magnifici Macisti (aka Kino Kolossal).

In photography, filmmaking and video production, a wide shot (sometimes referred to as a full shot or long shot) is a shot that typically shows the entire object or human figure and is usually intended to place it in some relation to its surroundings. These are typically shot now using wide-angle lenses (an approximately 25 mm lens in 35 mm photography and 10 mm lens in 16 mm photography). However, due to sheer distance, establishing shots and extremely wide shots can use almost any camera type.

Hollywood on the Tiber is a phrase used to describe the period in the 1950s and 1960s when the Italian capital of Rome emerged as a major location for international filmmaking attracting many foreign productions to the Cinecittà studios. It was used in a June 26, 1950 Time magazine article. By contrast to the native Italian film industry, these movies were made in English for global release. Although the market for many of these films was primarily American, they enjoyed widespread popularity in other countries, including Italy.

The commercial success of Quo Vadis (1951) led to a stream of blockbusters produced in Italy by Hollywood studios, which reached its height with 20th Century Fox's Cleopatra in 1963. The phrase "Hollywood on Tiber", a reference to the river that runs through Rome, was coined in 1950 by Time magazine during the making of Quo Vadis.

Sir Reginald Carey Harrison (5 March 1908 – 2 June 1990) was an English actor. Harrison began his career on the stage at the Liverpool Playhouse in 1924. He made his West End debut in 1936 appearing in the Terence Rattigan play French Without Tears, in what was his breakthrough role. He won his first Tony Award for Best Actor in a Play for his performance as Henry VIII in the Broadway play Anne of the Thousand Days in 1949. He returned to Broadway portraying Professor Henry Higgins in My Fair Lady (1956) where he won the Tony Award for Best Actor in a Musical.

In addition to his stage career, Harrison also appeared in numerous films. His first starring role opposite Vivien Leigh was in the romantic comedy Storm in a Teacup (1937). Receiving critical acclaim for his performance in Major Barbara (1941), which was shot in London during the Blitz, his roles since then included Blithe Spirit (1945), Anna and the King of Siam (1946), The Ghost and Mrs. Muir (1947), Cleopatra (1963), My Fair Lady (1964), reprising his stage role as Henry Higgins which won him an Academy Award for Best Actor, and the titular character in Doctor Dolittle (1967).