Classical sculpture in the context of "Cosimo de' Medici"

Socialist realism, also known as socrealism (from Russian соцреализм, sotsrealizm), was the official cultural doctrine of the Soviet Union that mandated an idealized representation of life under socialism in literature and the visual arts. The doctrine was first proclaimed by the First Congress of Soviet Writers in 1934 as approved as the only acceptable method for Soviet cultural production in all media.

The primary official objective of socialist realism was "to depict reality in its revolutionary development" although no formal guidelines concerning style or subject matter were provided. Works of socialist realism were usually characterized by unambiguous narratives or iconography relating to the Marxist–Leninist ideology, such as the emancipation of the proletariat. In visual arts, socialist realism often relied on the conventions of academic art and classical sculpture. Socialist realism was usually devoid of complex artistic meaning or interpretation yet counter sources may provide different interpretations.

Donato di Niccolò di Betto Bardi (c. 1386 – 13 December 1466), known mononymously as Donatello (English: /ˌdɒnəˈtɛloʊ/; Italian: [donaˈtɛllo]), was an Italian sculptor of the Renaissance period. Born in Florence, he studied classical sculpture and used his knowledge to develop an Early Renaissance style of sculpture. He spent time in other cities, where he worked on commissions and taught others; his periods in Rome, Padua, and Siena introduced to other parts of Italy the techniques he had developed in the course of a long and productive career. His David was the first freestanding nude male sculpture since antiquity; like much of his work, it was commissioned by the Medici family.

He worked with stone, bronze, wood, clay, stucco, and wax, and used glass in inventive ways. He had several assistants, with four perhaps being a typical number. Although his best-known works are mostly statues executed in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was architectural reliefs for pulpits, altars and tombs, as well as Madonna and Childs for homes.

Socialist realism, also known as socrealism (from Russian соцреализм, sotsrealizm), is a style of idealized realistic art that was developed in the Soviet Union and was the official cultural doctrine in that country between 1932 and 1988, as well as in other socialist countries after World War II. The doctrine was first proclaimed by the First Congress of Soviet Writers in 1934 as approved as the only acceptable method for Soviet cultural production in all media.

The primary official objective of socialist realism was "to depict reality in its revolutionary development" although no formal guidelines concerning style or subject matter were provided. Works of socialist realism were usually characterized by unambiguous narratives or iconography relating to the Marxist–Leninist ideology, such as the emancipation of the proletariat. In visual arts, socialist realism often relied on the conventions of academic art and classical sculpture. Socialist realism was usually devoid of complex artistic meaning or interpretation yet counter sources may provide different interpretations.