Classical Revival architecture in the context of "New West End Synagogue"

The New York Stock Exchange Building (also NYSE Building) is the headquarters of the New York Stock Exchange (NYSE), located in the Financial District of Lower Manhattan in New York City. It is composed of two connected structures occupying much of the city block bounded by Wall Street, Broad Street, New Street, and Exchange Place. The central section of the block contains the original structure at 18 Broad Street, designed in the Classical Revival style by George B. Post. The northern section contains a 23-story office annex at 11 Wall Street, designed by Trowbridge & Livingston in a similar style.

The marble facade of 18 Broad Street contains colonnades facing east toward Broad Street and west toward New Street, both atop two-story podiums. The Broad Street colonnade, an icon of the NYSE, contains a pediment designed by John Quincy Adams Ward and Paul Wayland Bartlett, depicting commerce and industry. The facade of 11 Wall Street is simpler in design but contains architectural details similar to those at 18 Broad Street. Behind the colonnades at 18 Broad Street is the main trading floor, a 72-foot-tall (22 m) rectangular space. An additional trading floor, nicknamed the Garage, is at 11 Wall Street. There are offices and meeting rooms in the upper stories of 18 Broad Street and 11 Wall Street.

The Apollo Theater (formerly the Hurtig & Seamon's New Theatre; also Apollo Theatre or 125th Street Apollo Theatre) is a multi-use theater at 253 West 125th Street in the Harlem neighborhood of Upper Manhattan in New York City. It is a popular venue for Black American performers and is the home of the TV show Showtime at the Apollo. The theater, which has approximately 1,500 seats across three levels, was designed by George Keister with elements of the neoclassical style. The facade and interior of the theater are New York City designated landmarks and are listed on the National Register of Historic Places. The nonprofit Apollo Theater Foundation (ATF) operates the theater and a recording studio at the Apollo Theater, as well as two smaller auditoriums at the Victoria Theater.

The Apollo was developed by Jules Hurtig and Harry Seamon as a burlesque venue, which opened in 1913 and originally served only white patrons. In 1928, the Minsky brothers leased the theater for burlesque shows. Sydney Cohen acquired the theater in 1934, and it became a venue for black performers. Frank Schiffman and his family operated the theater from 1935 to 1976. A group of black businessmen briefly operated the theater from 1978 to 1979, and former Manhattan borough president Percy Sutton bought it at an auction in 1981. The Apollo reopened in 1985 following a major refurbishment that saw the construction of new recording studios. In September 1991, the New York State Urban Development Corporation bought the Apollo and assigned its operation to the ATF. Further renovations took place in the mid-2000s, and an expansion of the theater commenced in the 2020s.