Classical Greek sculpture in the context of "Ancient Greek sculpture"

⭐ In the context of Ancient Greek art, Classical Greek sculpture is considered…

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⭐ Core Definition: Classical Greek sculpture

Classical Greek sculpture has long been regarded as the highest point in the development of Ancient Greek sculpture. Classical Greece covers only a short period in the history of Ancient Greece, but one of remarkable achievement in several fields. It corresponds to most of the 5th and 4th centuries BC; the most common dates are from the fall of the last Athenian tyrant in 510 BC to the death of Alexander the Great in 323 BC. The Classical period in this sense follows the Greek Dark Ages and Archaic period and is in turn succeeded by the Hellenistic period.

The sculpture of Classical Greece developed an aesthetic that combined idealistic values with a faithful representation of nature, while avoiding overly realistic characterization and the portrayal of emotional extremes, generally maintaining a formal atmosphere of balance and harmony. Even when the character is immersed in battle scenes, their expression shows to be hardly affected by the violence of the events.

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👉 Classical Greek sculpture in the context of Ancient Greek sculpture

The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: Archaic Greek sculpture (from about 650 to 480 BC), Classical (480–323 BC) and Hellenistic thereafter. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials.

The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Since they pictured their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude of Apollo or Heracles shows only slight differences in treatment from a sculpture of that year's Olympic boxing champion. The statue (originally single, but by the Hellenistic period often in groups) was the dominant form, although reliefs, often so "high" that they were almost free-standing, were also important.

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Classical Greek sculpture in the context of Hellenistic sculpture

Hellenistic sculpture represents one of the most important expressions of Hellenistic culture, and the final stage in the evolution of Ancient Greek sculpture. The definition of its chronological duration, as well as its characteristics and meaning, have been the subject of much discussion among art historians, and it seems that a consensus is far from being reached. The Hellenistic period is usually considered to comprise the interval between the death of Alexander the Great in 323 BC, and the conquest of Egypt by the Romans in 30 BC. Its generic characteristics are defined by eclecticism, secularism, and historicism, building on the heritage of classical Greek sculpture and assimilating Eastern influences.

Among his original contributions to the Greek tradition of sculpture were the development of new techniques, the refinement of the representation of human anatomy and emotional expression, and a change in the goals and approaches to art, abandoning the generic for the specific. This translated into the abandonment of the classical idealism of an ethical and pedagogical character in exchange for an emphasis on everyday human aspects and the directing of production toward purely aesthetic and, occasionally, propagandistic ends. The attention paid to man and his inner life, his emotions, his common problems and longings, resulted in a realist style that tended to reinforce the dramatic, the prosaic, and the moving, and with this appeared the first individualized and verisimilitude portraits in Western art. At the same time, a great expansion of the subject matter occurred, with the inclusion of depictions of old age and childhood, of minor non-Olympian deities and secondary characters from Greek mythology, and of figures of the people in their activities.

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