Classical Athens

Ancient Greek comedy (Ancient Greek: κωμῳδία, romanized: kōmōidía) was one of the final three principal dramatic forms in the theatre of classical Greece; the others being tragedy and the satyr play. Greek comedy was distinguished from tragedy by its happy endings and use of comically exaggerated character archetypes, the latter feature being the origin of the modern concept of the comedy. Athenian comedy is conventionally divided into three periods; Old Comedy survives today largely in the form of the eleven extant plays of Aristophanes; Middle Comedy is largely lost and preserved only in relatively short fragments by authors such as Athenaeus of Naucratis; New Comedy is known primarily from the substantial papyrus fragments of Menander. A burlesque dramatic form that blended tragic and comic elements, known as phlyax play or hilarotragedy, developed in the Greek colonies of Magna Graecia by the late 4th century BC.

The philosopher Aristotle wrote in his Poetics (c. 335 BC) that comedy is a representation of laughable people and involves some kind of blunder or ugliness which does not cause pain or disaster. C. A. Trypanis wrote that comedy is the last of the great species of poetry Greece gave to the world.

The siege of Melos occurred in 416 BC, during the Peloponnesian War between Athens and Sparta, when the Athenians attacked Melos, an island in the Aegean Sea roughly 110 kilometres (68 miles) east of mainland Greece. Though the Melians had ancestral ties to Sparta, they were neutral in the war. Athens invaded Melos in the summer of 416 BC and demanded that the Melians surrender and pay tribute to Athens or face annihilation. The Melians refused, so the Athenians laid siege to their city. Melos surrendered in the winter, and the Athenians executed the men of Melos and enslaved the women and children.

This siege is best remembered for the Melian Dialogue, a dramatization of the negotiations between the Athenians and the Melians before the siege, written by the classical Athenian historian Thucydides. In the negotiations, the Athenians offer no moral justification for their invasion, but instead bluntly tell the Melians that Athens need Melos for its own ends and that the only thing Melians stand to gain in submitting without a fight was self-preservation.

Andromache (Ancient Greek: Ἀνδρομάχη) is an Athenian tragedy by Euripides. It dramatises Andromache's life as a slave, years after the events of the Trojan War, and her conflict with her master's new wife, Hermione. The date of its first performance is unknown. Some scholars place the date sometime between 428 and 425 BC. Müller places it between 420 and 417 BC. A Byzantine scholion to the play suggests that its first production was staged outside Athens, though modern scholarship regards this claim as dubious.

Kourotrophos (Greek: κουροτρόφος 'child nurturer') is the name that was given in ancient Greece to gods and goddesses whose properties included their ability to protect young people. Numerous gods are referred to by the epithet such as Athena, Leto, Apollo, Hermes, Hecate, Aphrodite, Artemis, Eileithyia, Demeter, Gaia, Cephissus and Asclepius.They were usually depicted holding an infant in their arms. Deianeria and Ariadne were occasional shown on vases with their children, Hyllus and Staphylos and Oenopion respectively, but there is no evidence that there was a cult around them as kourotrophic figures.

Kourotrophos was also the name of a goddess or goddesses worshiped independently in shrines of their own. For example, Kourotrophos was a deity of the city of Athens but was not among the major Olympian deities. She appeared as the protector of children and young people and a sanctuary built on her name in honor of the cult, the Kourotropheion. Kourotrophos was a major figure of cult, appearing in sacrifice groups connected with fertility and child care.

The Republic (Ancient Greek: Πολιτεία, romanized: Politeia; Latin: De Republica) is a Socratic dialogue authored by Plato around 375 BC, concerning justice (dikaiosúnē), the order and character of the just city-state, and the just man. It is Plato's best-known work, and one of the world's most influential works of philosophy and political theory, both intellectually and historically.

In the dialogue, Socrates discusses with various Athenians and foreigners the meaning of justice and whether the just man is happier than the unjust man. He considers the natures of existing regimes and then proposes a series of hypothetical cities in comparison, culminating in Kallipolis (Καλλίπολις), a utopian city-state ruled by a class of philosopher-kings. They also discuss ageing, love, theory of forms, the immortality of the soul, and the role of the philosopher and of poetry in society. The dialogue's setting seems to be the time of the Peloponnesian War.

Macedonia (/ˌmæsɪˈdoʊniə/ MASS-ih-DOH-nee-ə; Greek: Μακεδονία, Makedonía), also called Macedon (/ˈmæsɪdɒn/ MASS-ih-don), was an ancient kingdom on the periphery of Archaic and Classical Greece, which later became the dominant state of Hellenistic Greece. The kingdom was founded and initially ruled by the royal Argead dynasty, which was followed by the Antipatrid and Antigonid dynasties. Home to the ancient Macedonians, the earliest kingdom was centred on the northeastern part of the Greek peninsula, and bordered by Epirus to the southwest, Illyria to the northwest, Paeonia to the north, Thrace to the east and Thessaly to the south.

Before the 4th century BC, Macedonia was a small kingdom with its capital at Aigai, outside of the area dominated by the great city-states of Athens, Sparta and Thebes, and briefly subordinate to the Achaemenid Empire. During the reign of the Argead king Philip II (359–336 BC), Macedonia (with its capital at Pella) subdued mainland Greece and the Thracian Odrysian kingdom through conquest and diplomacy. With a reformed army containing phalanxes wielding the sarissa pike, Philip II defeated the old powers of Athens and Thebes in the Battle of Chaeronea in 338 BC. Philip II's son Alexander the Great, leading a federation of Greek states, accomplished his father's objective of commanding the whole of Greece when he destroyed Thebes after the city revolted. During Alexander's subsequent campaign of conquest, he overthrew the Achaemenid Empire and conquered territory that stretched as far as the Indus River. For a brief period, his Macedonian Empire was the most powerful in the world – the definitive Hellenistic state, inaugurating the transition to a new period of Ancient Greek civilization. Greek arts and literature flourished in the new conquered lands and advances in philosophy, engineering, and science spread across the empire and beyond. Of particular importance were the contributions of Aristotle, tutor to Alexander, whose writings became a keystone of Western philosophy.

The Old Navarino castle (Greek: Παλαιό Ναυαρίνο) is a 13th-century Frankish fortress near Pylos, Greece. It is one of two castles guarding the bay on which it sits; the other is the Ottoman-built New Navarino. It is frequently known simply as Palaiokastro or Paliokastro (Greek: Παλαιόκαστρο or Παλιόκαστρο, "old castle"). It occupies the site of the Athenian fort at the 425 BC Battle of Pylos.

A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure," for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.

Originating in the theatre of ancient Greece 2500 years ago, where only a fraction of the works of Aeschylus, Sophocles and Euripides survive, as well as many fragments from other poets, and the later Roman tragedies of Seneca; through its singular articulations in the works of Shakespeare, Lope de Vega, Jean Racine, and Friedrich Schiller to the more recent naturalistic tragedy of Henrik Ibsen and August Strindberg; Nurul Momen's Nemesis' tragic vengeance & Samuel Beckett's modernist meditations on death, loss and suffering; Heiner Müller postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. A long line of philosophers—which includes Plato, Aristotle, Saint Augustine, Voltaire, Hume, Diderot, Hegel, Schopenhauer, Kierkegaard, Nietzsche, Freud, Benjamin, Camus, Lacan, and Deleuze—have analysed, speculated upon, and criticised the genre.

Rhesus (Ancient Greek: Ῥῆσος, Rhēsos) is an Athenian tragedy that belongs to the transmitted plays of Euripides. Its authorship has been disputed since antiquity, and the issue has invested modern scholarship since the 17th century when the play's authenticity was challenged, first by Joseph Scaliger and subsequently by others, partly on aesthetic grounds and partly on account of peculiarities in the play's vocabulary, style and technique. The conventional attribution to Euripides remains controversial.

Rhesus takes place during the Trojan War, on the night when Odysseus and Diomedes make their way covertly into the Trojan camp. The same event is narrated in book 10 of Homer's epic poem, the Iliad.