Classic in the context of "Adjective"

The Western canon is the embodiment of high-culture literature, music, philosophy, and works of art that are highly cherished across the Western world, such works having achieved the status of classics.

Recent discussions upon the matter emphasise cultural diversity within the canon. The canons of music and visual arts have been broadened to encompass often overlooked periods, whilst recent media like cinema grapple with a precarious position. Criticism arises, with some viewing changes as prioritising activism over aesthetic values, often associated with critical theory, as well as postmodernism. Another critique highlights a narrow interpretation of the West, dominated by British and American culture, at least under contemporary circumstances, prompting demands for a more diversified canon amongst the hemisphere.

Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection and restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the Discobolus Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images." Classicism, as Clark noted, implies a canon of widely accepted ideal forms, whether in the Western canon that he was examining in The Nude (1956).

Classicism is a force which is often present in post-medieval European and European influenced traditions; however, some periods felt themselves more connected to the classical ideals than others, particularly the Age of Enlightenment, when Neoclassicism was an important movement in the visual arts.

Oliver Goldsmith (10 November 1728 – 4 April 1774) was an Anglo-Irish poet, novelist, playwright, and hack writer. He produced literary works in a variety of genres and is regarded among the most versatile writers of the Georgian era. His works are known for their realistic depictions of British society, and his comedy plays for the English stage are considered second in importance only to those of playwright William Shakespeare. Credited with introducing sentimentalism in English literature in 18th-century Great Britain, several of Goldsmith's publications are popular classics of the period, including his only novel, The Vicar of Wakefield (1766), and the comedy play She Stoops to Conquer (1771).

He wrote the play The Good-Natur'd Man (1768) and is additionally thought by commentators such as Washington Irving to have written the children's novel The History of Little Goody Two-Shoes (1765), one of the earliest classical works of children's literature. Goldsmith also produced a number of poems during his career, such as The Deserted Village (1770), and contributed to the flourishing of idyllic poetry during the Georgian era.