Cinematography in the context of "Timelapse"

A screenplay, or script, is a written work produced for a film, television show (also known as a teleplay), or video game by screenwriters (cf. stage play). Screenplays can be original works or adaptations from existing pieces of writing. A screenplay is a form of narration in which the movements, actions, expressions and dialogue of the characters are described in a certain format. Visual or cinematographic cues may be given, as well as scene descriptions and scene changes.

In photography and cinematography, a multiple exposure is the superimposition of two or more exposures to create a single image, and double exposure has a corresponding meaning in respect of two images. The exposure values may or may not be identical to each other.

The film industry or motion picture industry comprises the technological and commercial institutions of filmmaking, i.e., film production companies, film studios, cinematography, animation, film production, screenwriting, pre-production, post-production, film festivals, distribution, and actors. Though the expense involved in making film almost immediately led film production to concentrate under the auspices of standing production companies, advances in affordable filmmaking equipment, as well as an expansion of opportunities to acquire investment capital from outside the film industry itself, have allowed independent film production to evolve.

In 2019, the global box office was worth $42.2 billion. When including box office and home entertainment revenue, the global film industry was worth $136 billion in 2018. Hollywood is the world's oldest national film industry, and largest in terms of box-office gross revenue.

The aspect ratio of an image is the ratio of its width to its height. It is expressed as two numbers separated by a colon, in the format width:height. Common aspect ratios are 1.85:1 and 2.39:1 in cinematography, 4:3 and 16:9 in television, and 3:2 in still photography. The 1:1 aspect ratio is used for square images, often seen on social media platforms like Instagram, and 21:9 is an "ultrawide" aspect ratio popular for gaming and desktop monitors.

Humanities, Arts, and Social Sciences (HASS) (or Arts, Humanities and Social Sciences, AHSS), also known as social studies, is a broad term that groups together the academic disciplines of humanities, arts and social sciences. It is viewed as an academic counterpart to Science, Technology, Engineering, and Mathematics (STEM) in the United States, Canada, India, Australia, and other countries. HASS graduates comprise the majority of the workforce in many developed countries (e.g. 64% in Australia). However, HASS courses often receive lower governmental funding and may have lower reputations within universities. There is a measured relationship between citizens' HASS awareness with more accurate threat perceptions, high community activity, and cultural engagement at the local level. In recent years, a return to a holistic reintegration of HASS and STEM disciplines has been promoted in the U.S. by the National Academies of Sciences, Engineering, and Medicine.

Some of the disciplines it covers are philosophy, theology, sociology, communication sciences, social psychology, human geography, demography, anthropology, social work, linguistics, history, archaeology, politics, economics, law, pedagogy, journalism, literature, musicology, administration, accounting, commerce, music, dance, painting, sculpture, graphic design, theater, cinematography, interior design, industrial design, criticism, art history, cultural studies, tourism, gastronomy, among others.

Live action is a form of cinematography or videography that uses photography instead of animation. Some works combine live action with animation to create a live-action animated feature film. Live action is used to define film, video games or similar visual media. Photorealistic animation, particularly modern computer animation, is sometimes erroneously described as "live action", as in the case of some media reports about Disney's remake of the traditionally animated The Lion King from 1994. According to the Cambridge English Dictionary, live action involves "real people or animals, not models, or images that are drawn, or produced by computer".

Where Eagles Dare is a 1968 action adventure war film directed by Brian G. Hutton and starring Richard Burton, Clint Eastwood and Mary Ure. Set during World War II, it follows a Special Operations Executive team charged with saving a captured American General from the fictional Schloß Adler fortress, except the mission turns out not to be as it seems. It was filmed in Panavision using the Metrocolor process, and was distributed by Metro-Goldwyn-Mayer. Alistair MacLean wrote the screenplay, his first, at the same time that he wrote the novel of the same name. Both became commercial successes.

The film involved some of the top filmmakers of the day and was shot on location in Austria. Hollywood stuntman Yakima Canutt was the second unit director and shot most of the action scenes; British stuntman Alf Joint doubled for Burton in many sequences, including the fight on top of the cable car; award-winning conductor and composer Ron Goodwin wrote the film score; and future Oscar nominee Arthur Ibbetson worked on the cinematography.

The Good, the Bad and the Ugly (Italian: Il buono, il brutto, il cattivo, lit. 'The good, the ugly, the bad') is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as "the Good", Lee Van Cleef as "the Bad", and Eli Wallach as "the Ugly". Its screenplay was written by Age & Scarpelli, Luciano Vincenzoni, and Leone (with additional screenplay material and dialogue provided by an uncredited Sergio Donati), based on a story by Vincenzoni and Leone. Director of photography Tonino Delli Colli was responsible for the film's sweeping widescreen cinematography, and Ennio Morricone composed the film's score. It was an Italian-led production with co-producers in Spain, West Germany, and the United States. Most of the filming took place in Spain, notably, though not exclusively, in the Tabernas Desert in Almería; in the Arlanza River valley near Hortigüela; and at the purpose-built Sad Hill Cemetery near Santo Domingo de Silos.

The film is known for Leone's use of long shots and close-up cinematography, as well as his distinctive use of violence, tension, and highly stylised gunfights. The plot revolves around three gunslingers competing to find a fortune in a buried cache of Confederate gold amid the violent chaos of the American Civil War (specifically the Battle of Glorieta Pass of the New Mexico campaign in 1862) while participating in many battles, confrontations, and duels along the way. The film was the third collaboration between Leone and Eastwood, and the second of those with Van Cleef.

Mise-en-scène (French pronunciation: [miz ɑ̃ sɛn] ; English: "placing on stage" or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, both in the visual arts through storyboarding, visual themes, and cinematography and in narrative-storytelling through directions. The term is also commonly used to refer to single scenes that are representative of a film.

Mise-en-scène has been called film criticism's "grand undefined term". Ed Sikov has attempted to define it as "the totality of expressive content within the image". It has been criticized for its focus on the dramatic design aspects rather than the plot itself, as those who utilize mise-en-scène tend to look at what is "put before the camera" rather than the story. The use of mise-en-scène is significant as it allows the director to convey messages to the viewer through what is placed in the scene, not just the scripted lines spoken and acted in the scene. Mise-en-scène allows the director to not only convey their message but also implement their aesthetic; as such, each director has their own unique mise-en-scène. Mise-en-scène refers to everything in front of the camera, including the set design, lighting, and actors, and the ultimate way that this influences how the scene comes together for the audience.

Anamorphic format is a cinematography technique that captures widescreen images using recording media with narrower native aspect ratios. Originally developed for 35 mm film to create widescreen presentations without sacrificing image area, the technique has since been adapted to various film gauges, digital sensors, and video formats.

Rather than cropping or matting the image and discarding visual information, anamorphic capture employs cylindrical lenses to horizontally compress or "squeeze" the image during recording. A complementary lens is then used during projection to expand the image back to its intended widescreen proportions. By utilizing the full height of the film frame or sensor, this method retains more image resolution than cropped non-anamorphic widescreen formats. Anamorphic lenses have more complex optics than standard spherical lenses, which require more light and can introduce distinctive distortions and lens flares. However, these artefacts are sometimes deliberately embraced for their aesthetic appeal.