Cinematographer in the context of "Anthony Dod Mantle"

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👉 Cinematographer in the context of Anthony Dod Mantle

Anthony Dod Mantle (born 14 April 1955) is an English cinematographer, known as a pioneer of digital filmmaking through his collaborations with directors Lars von Trier, Thomas Vinterberg, Danny Boyle, and Kevin Macdonald.

During the 1990s, he was a figure in the Dogme 95 movement.

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Cinematographer in the context of 3-perf and 2-perf pulldown

Negative pulldown is the manner in which an image is exposed on a film stock, described by the number of film perforations spanned by an individual frame. It can also describe whether the image captured on the negative is oriented horizontally or vertically. Changing the number of exposed perforations allows a cinematographer to change both the aspect ratio of the image and the size of the area on the film stock that the image occupies (which affects image clarity).

The most common negative pulldowns for 35 mm film are 4-perf and 3-perf, the latter of which is usually used in conjunction with Super 35. 2-perf, used in Techniscope in the 1960s, is enjoying a slight resurgence due to the birth of digital intermediate techniques eliminating the need for optical lab work. Vertical pulldown is overwhelmingly the dominant axis of motion in cinematography, although horizontal pulldown is used in IMAX, VistaVision, and in 35 mm consumer and professional still cameras.

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Cinematographer in the context of Cinematography

Cinematography (from Ancient Greek κίνημα (kínēma) 'movement' and γράφειν (gráphein) 'to write, draw, paint, etc.') is the art of motion picture (and more recently, electronic video camera) photography.

Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside the movie camera. These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically "developed" into a visible image. The images on the film stock are projected for viewing in the same motion picture.

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Cinematographer in the context of Academy Award for Best Cinematography

The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work on one particular motion picture.

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Cinematographer in the context of Production designer

A production designer is the individual responsible for the overall aesthetic of a film and television story. The production design gives the viewers a sense of the visual media's narrative, tone, setting, time period, the plot location, and character actions and feelings. Working directly with the director, cinematographer, and producer, production designers have a key creative role in the creation of motion pictures and television.

Production designers are commonly confused with art directors as the roles have similar responsibilities. Production designers decide the visual concept and deal with the many and varied logistics of filmmaking including, schedules, budgets, and staffing. Art directors head an art department, and manage the process of making the visuals, which is done by concept artists, graphic designers, set designers, costume designers, lighting designers, etc. The production designer and the art director lead a team of individuals to assist with the visual component of the film. Depending on the size of the production the rest of the team can include runners, graphic designers, drafts people, props makers, and set builders. Productions Designers create a framework for the visual aesthetic of a project and work in partnership and collaboration with the Set Decorator & Set Decorating department to execute the desired look.

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Cinematographer in the context of Vasil Amashukeli

Vasil Amashukeli (Georgian: ვასილ ამაშუკელი) (14 March 1886 in Kutaisi – 1 December 1977 in Tbilisi) was an early Georgian film director and cinematographer who worked in the Cinema of Azerbaijan and Georgia.

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Cinematographer in the context of Claude Renoir

Claude Renoir (December 4, 1913 – September 5, 1993) was a French cinematographer. He was the son of actor Pierre Renoir, the grandson of painter Pierre-Auguste Renoir, and the nephew of director Jean Renoir.

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Cinematographer in the context of Robert Burks

Leslie Robert Burks A.S.C. (July 4, 1909 – May 11, 1968) was an American cinematographer known for his collaborations with Alfred Hitchcock.

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Cinematographer in the context of Arthur Ibbetson

Arthur Ibbetson BSC (8 September 1922 in Bishop Auckland, England – 19 October 1997 in Hillingdon, Middlesex, England) was a British cinematographer.

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Cinematographer in the context of Ben Davis (cinematographer)

Benjamin Davis (born 6 September 1961) is a British cinematographer. His major works include Kick-Ass (2010), Hannibal Rising (2007) and the Marvel Studios films Guardians of the Galaxy (2014), Avengers: Age of Ultron (2015), Doctor Strange (2016), Captain Marvel (2019), and Eternals (2021). He has collaborated with Matthew Vaughn on four films and Martin McDonagh on three films, including Three Billboards Outside Ebbing, Missouri (2017).

Davis started his career at Samuelsons Camera House, now a part of the motion picture equipment company Panavision. He worked as clapper loader, focus puller, and camera operator in both feature films and commercials. During this period, he worked with Billy Williams, Douglas Slocombe and Roger Deakins. He began his career as a cinematographer shooting spots. His first major feature film as a cinematographer was the 2002 British film Miranda.

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