King's Men (playing company) in the context of "William Shakespeare"

The Tragedy of Macbeth, often shortened to Macbeth (/məkˈbɛθ/), is a tragedy by William Shakespeare, estimated to have been first performed in 1606. It dramatises the physically violent and damaging psychological effects of political ambitions and power. It was first published in the Folio of 1623, possibly from a prompt book, and is Shakespeare's shortest tragedy. Scholars believe Macbeth, of all the plays that Shakespeare wrote during the reign of King James I, contains the most allusions to James, patron of Shakespeare's acting company.

In the play, a brave Scottish general named Macbeth receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by his latent ambition and spurred to violence by his wife, Macbeth murders King Duncan and takes the Scottish throne for himself. Then, racked with guilt and paranoia, he commits further murders to protect himself from enmity and suspicion, becoming a tyrannical ruler in the process. The violence perpetrated by the power-hungry couple leads to their insanity and finally to their deaths.

Charles Hart (bap. 1625 – 18 August 1683) was a prominent English Restoration actor.

A Charles Hart was christened on 11 December 1625, in the parish of St. Giles Cripplegate, in London. It is not absolutely certain that this was the actor, though the name was not common at the time.. He was most likely the son of William Hart, a minor actor with the King's Men. Hart began his career as a boy player with the King's Men; he was an apprentice of Richard Robinson, longtime member of that company. Hart established his reputation by playing the role of the Duchess in The Cardinal, the tragedy by James Shirley, in 1641. James Wright says in Historia Histrionica that: "Hart and Clun, were bred up Boys at the Blackfriers; and Acted Womens Parts, Hart was [Richard] Robinson's Boy or Apprentice: He Acted the Dutchess in the Tragedy of the Cardinal, which was the first Part that gave him Reputation."

John Fletcher (December 1579 – August 1625) was an English playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the Stuart Restoration, his fame rivalled Shakespeare's. Fletcher collaborated in writing plays, chiefly with Francis Beaumont or Philip Massinger, but also with Shakespeare and others.

Although his reputation has subsequently declined, he remains an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration.

In Renaissance-era London, playing company was the usual term for a company of actors. These companies were organised around a group of ten or so shareholders (or "sharers"), who performed in the plays but were also responsible for management. The sharers employed "hired men" – that is, the minor actors and the workers behind the scenes. The major companies were based at specific theatres in London; the most successful of them, William Shakespeare's company the King's Men, had the open-air Globe Theatre for summer seasons and the enclosed Blackfriars Theatre in the winters. The Admiral's Men occupied the Rose Theatre in the 1590s, and the Fortune Theatre in the early 17th century.

Less fortunate companies spent most of their existences touring the provinces; when Worcester's Men gained official permission to perform in London in 1602, they were, in a manner of speaking, "coming in from the cold" of a life of constant touring.

The Lord Chamberlain's Men was an English company of actors, or a "playing company" (as it then would likely have been described), for which William Shakespeare wrote during most of his career. Richard Burbage played most of the lead roles, including Hamlet, Othello, King Lear, and Macbeth. Formed at the end of a period of flux in the theatrical world of London, it had become, by 1603, one of the two leading companies of the city and was subsequently patronized by James I.

It was founded during the reign of Elizabeth I of England around 1594 under the patronage of Henry Carey, 1st Baron Hunsdon, then the Lord Chamberlain, who was in charge of court entertainments. After Carey's death on 23 July 1596, the company came under the patronage of his son, George Carey, 2nd Baron Hunsdon, for whom it was briefly known as Lord Hunsdon's Men. When George Carey in turn became Lord Chamberlain on 17 March 1597, it reverted to its previous name. The company became the King's Men in 1603 when King James ascended the throne and became the company's patron. The company held exclusive rights to perform Shakespeare's plays.

Richard Robinson (died March 1648) was an actor in English Renaissance theatre and a member of Shakespeare's company the King's Men.

The Alchemist is a comedy by English playwright Ben Jonson. First performed in 1610 by the King's Men, it is generally considered Jonson's best and most characteristic comedy; Samuel Taylor Coleridge believed that it had one of the three most perfect plots in literature. The play cleverly fulfills the classical unities and vividly depicts human folly, making it one of the handful of Renaissance plays that sees continued life on the modern stage.