Chromatic semitone in the context of "Augmented third"

In classical music from Western culture, a diminished seventh (play) is an interval produced by narrowing a minor seventh by a chromatic semitone, and its inversion is the augmented second. For instance, the interval from A to G is a minor seventh, ten semitones wide, and both the intervals from A♯ to G, and from A to G♭ are diminished sevenths, spanning nine semitones. Being diminished, it is considered a dissonant interval.

The diminished seventh is used quite readily in the minor key, where it is present in the harmonic minor scale between the seventh scale step and the sixth scale step in the octave above.

E♭ (E-flat) or mi bémol is the fourth semitone of the solfège.

It lies a diatonic semitone above D and a chromatic semitone below E, thus being enharmonic to D♯ (D-sharp) or re dièse. In equal temperament it is also enharmonic with F (F-double flat). However, in some temperaments, D♯ is not the same as E♭. E♭ is a perfect fourth above B♭, whereas D♯ is a major third above B.

In Western classical music, an augmented fifth (Play) is an interval produced by widening a perfect fifth by a chromatic semitone. For instance, the interval from C to G is a perfect fifth, seven semitones wide, and both the intervals from C♭ to G, and from C to G♯ are augmented fifths, spanning eight semitones. Being augmented, it is considered a dissonant interval.

Its inversion is the diminished fourth, and its enharmonic equivalent is the minor sixth.

In modern Western tonal music theory, a diminished second is the interval produced by narrowing a minor second by one chromatic semitone. In twelve-tone equal temperament, it is enharmonically equivalent to a perfect unison; therefore, it is the interval between notes on two adjacent staff positions, or having adjacent note letters, altered in such a way that they have no pitch difference in twelve-tone equal temperament. An example is the interval from a B to the C♭ immediately above; another is the interval from a B♯ to the C immediately above.

In particular, it may be regarded as the "difference" between a diatonic and chromatic semitone. For instance, the interval from B to C is a diatonic semitone, the interval from B to B♯ is a chromatic semitone, and their difference, the interval from B♯ to C is a diminished second.

In Western classical music, an augmented second is an interval created by widening a major second by a chromatic semitone, spanning three semitones and enharmonically equivalent to a minor third in 12-tone equal temperament. For instance, the interval from C to D is a major second, two semitones wide, and the interval from C to D♯ is an augmented second, spanning three semitones.

In classical music from Western culture, a diminished third (Play) is the musical interval produced by narrowing a minor third by a chromatic semitone. For instance, the interval from A to C is a minor third, three semitones wide, and both the intervals from A♯ to C, and from A to C♭ are diminished thirds, two semitones wide. Being diminished, it is considered a dissonant interval.

In 12-tone equal temperament a diminished third is enharmonic with the major second, both having a value of 200 cents. However, in meantone tunings with fifths flatter than 700 cents, the diminished third is wider than the major second. In 19 equal temperament it is in fact enharmonically equivalent to an augmented second, both having a value of 252.6 cents. In 31 equal temperament it has a more typical value of 232.3 cents. In a twelve-note keyboard tuned in a meantone tuning from E♭ to G♯, the dimininished third appears between C♯ and E♭, and again between G♯ and B♭.

In Western music and music theory, diminution (from Medieval Latin diminutio, alteration of Latin deminutio, decrease) has four distinct meanings. Diminution may be a form of embellishment in which a long note is divided into a series of shorter, usually melodic, values (also called "coloration"; Ger. Kolorieren). Diminution may also be the compositional device where a melody, theme or motif is presented in shorter note-values than were previously used. Diminution is also the term for the proportional shortening of the value of individual note-shapes in mensural notation, either by coloration or by a sign of proportion. A minor or perfect interval that is narrowed by a chromatic semitone is a diminished interval, and the process may be referred to as diminution (this, too, was sometimes referred to as "coloration").

A♭ (A-flat; also called la bémol) is the ninth semitone of the solfège.

It lies a diatonic semitone above G and a chromatic semitone below A, thus being enharmonic to G♯, even though in some musical tunings, A♭ will have a different sounding pitch than G♯.