Christoffer Wilhelm Eckersberg in the context of Golden Age of Danish Painting

Æsir (Old Norse; singular: áss) or ēse (Old English; singular: ōs) are gods in Germanic paganism. In Old Nordic religion and mythology, the precise meaning of the term "Æsir" is debated, as it can refer either to the gods in general or specifically to one of the main families of gods, in contrast to the Vanir, with whom the Æsir waged war, ultimately leading to a joining of the families. The term can further be applied to local gods that were believed to live in specific features in the landscape – such as fells. The Old English medical text Wið færstice refers to the Ēse, along with elves, as harmful beings that could cause a stabbing pain, although exactly how they were conceived of by the author of the text is unclear.

Áss and its cognate forms feature in many Germanic names, such as Oswald and Ásmundr, and in some place-names in Norway and Sweden. The Æsir further likely give their name to the A-rune, attested in the Elder Futhark, Anglo-Saxon Futhorc and Younger Futhark.

The Danish Golden Age (Danish: guldalderen, lit. 'the golden age') covers a period of exceptional creative production in Denmark, especially during the first half of the 19th century. Although Copenhagen had suffered from fires, bombardment and national bankruptcy, the arts took on a new period of creativity catalysed by Romanticism from Germany. The period is probably most commonly associated with the Golden Age of Danish Painting from 1800 to around 1850 which encompasses the work of Christoffer Wilhelm Eckersberg and his students, including Wilhelm Bendz, Christen Købke, Martinus Rørbye, Constantin Hansen and Wilhelm Marstrand, as well as the sculpture of Bertel Thorvaldsen.

It also saw the development of Danish architecture in the Neoclassical style. Copenhagen, in particular, acquired a new look, with buildings designed by Christian Frederik Hansen and Michael Gottlieb Bindesbøll.

Christen Dalsgaard (30 October 1824 – 11 February 1907) was a Danish painter, a late student of Christoffer Wilhelm Eckersberg.

Wilhelm Ferdinand Bendz (20 March 1804 – 14 November 1832) was a Danish painter mainly known for genre works and portraits which often portray his artist colleagues and their daily lives. He was one of the most talented artists in the successful generation of painters who studied under Christoffer Wilhelm Eckersberg but died early and has therefore left a relatively small oeuvre.

Christian Albrecht Jensen (26 June 1792 – 13 July 1870) was a Danish portrait painter who was active during the Golden Age of Danish Painting in the first half of the 19th century. Painting more than 400 portraits over the course of his career, he depicted most of the leading figures of the Danish Golden Age, including the writer Hans Christian Andersen, the painter Christoffer Wilhelm Eckersberg, the sculptor Bertel Thorvaldsen, the physicist Hans Christian Ørsted and the theologian N. F. S. Grundtvig.

Although Jensen experienced considerable commercial success, he received little official appreciation from the artistic establishment of his day. In particular, the art historian and critic Niels Lauritz Høyen criticized his style, finding his paintings 'unfinished'.