Christian Krohg (13 August 1852 – 16 October 1925) was a Norwegian naturalist painter, illustrator, author and journalist. Krohg was inspired by the realism art movement and often chose motifs from everyday life. He was the director and served as the first professor at the Norwegian Academy of Arts from 1909 to 1925.
A skald, or skáld (Old Norse: [ˈskɔːld]; Icelandic: [ˈskault], meaning "poet"), is one of the often named poets who composed skaldic poetry, one of the two kinds of Old Norse poetry in alliterative verse, the other being Eddic poetry. Skaldic poems were traditionally composed to honor kings, but were sometimes ex tempore. They include both extended works and single verses (lausavísur). They are characteristically more ornate in form and diction than eddic poems, employing many kennings, which require some knowledge of Norse mythology, and heiti, which are formal nouns used in place of more prosaic synonyms. Dróttkvætt metre is a type of skaldic verse form that most often use internal rhyme and alliteration.
More than 5,500 skaldic verses have survived, preserved in more than 700 manuscripts, including in several sagas and in Snorri Sturluson's Prose Edda, a handbook of skaldic composition that led to a revival of the art. Many of these verses are fragments of originally longer works, and the authorship of many is unknown. The earliest known skald from whom verses survive is Bragi Boddason, known as Bragi the Old, a Norwegian skald of the first half of the 9th century. Most known skalds were attached to the courts of Norwegian kings during the Viking Age, and increasingly were Icelanders. The subject matter of their extended poems was sometimes mythical before the conversion to Christianity, thereafter usually historical and encomiastic, detailing the deeds of the skald's patron. The tradition continued into the Late Middle Ages.
A lawspeaker or lawman (Swedish: lagman, Old Swedish: laghmaþer or laghman, Danish: lovsigemand, Norwegian: lagmann, Icelandic: lög(sögu)maður [ˈlœɣ(ˌsœːɣʏ)ˌmaːðʏr̥], Faroese: løgmaður, Finnish: laamanni, Greenlandic: inatsitinuk) is a unique Scandinavian legal office. It has its basis in a common Germanic oral tradition, where wise people were asked to recite the law, but it was only in Scandinavia that the function evolved into an office. At first, lawspeakers represented the people, and their duties and authority were connected to the assemblies (things). For most of the last thousand years, however, they were part of the king's administration.
Snorri Sturluson (1179–1241) of Iceland was a famous lawspeaker. He wrote about an 11th-century lawspeaker named Torgny, but historians doubt the account.
Gerhard Peter Frantz Munthe (19 July 1849 in Elverum, Hedmark – 15 January 1929 in Lysaker, Bærum) was a Norwegian painter and illustrator.
The Skagen Painters (Danish: Skagensmalerne) were a group of Scandinavian artists who gathered in the village of Skagen, the northernmost part of Denmark, from the late 1870s until the turn of the century. Skagen was a summer destination whose scenic nature, local milieu and social community attracted northern artists to paint en plein air, emulating the French Impressionists—though members of the Skagen colony were also influenced by Realist movements such as the Barbizon school. They broke away from the rather rigid traditions of the Royal Danish Academy of Fine Arts and the Royal Swedish Academy of Arts, espousing the latest trends that they had learned in Paris. Among the group were Anna and Michael Ancher, Peder Severin Krøyer, Holger Drachmann, Karl Madsen, Laurits Tuxen, Marie Krøyer, Carl Locher, Viggo Johansen and Thorvald Niss from Denmark, Oscar Björck and Johan Krouthén from Sweden, and Christian Krohg and Eilif Peterssen from Norway. The group gathered together regularly at the Brøndums Hotel.
Skagen, in the very north of Jutland, was the largest fishing community in Denmark, with more than half of its population so engaged. Among the locals, fishermen were by far the most common subject for the Skagen painters. Skagen's long beaches were exploited in the group's landscapes; P.S. Krøyer, one of the best known of the Skagen painters, was inspired by the light of the evening "blue hour", which made the water and sky seem to optically merge. This is captured in one of his most famous paintings, Summer Evening at Skagen Beach – The Artist and his Wife (1899). Although the painters had their own individual styles without any requirement to adhere to a common approach or manifest, one of their common interests was to paint scenes of their own social gatherings, playing cards, celebrating or simply eating together.