Christian Kabbalah in the context of "Johann Reuchlin"

Western esotericism and the arts surveys documented intersections between Western esotericism—notably Hermeticism, Christian Kabbalah, Alchemy, and Astrology—and the visual arts, literature, and the performing arts from the late Middle Ages to the present. Scholarship highlights recurring vectors: Renaissance and early modern image–text programmes (emblems, alchemical series, Kabbalistic diagrams) that formalised "operative images"; encyclopedic displays and diagrams in early modern erudition; nineteenth-century Spirit photography and related "psychic" image technologies; fin de siècle milieux linking occult orders with salon culture; early twentieth-century abstraction tied to Theosophy/Anthroposophy; ritual poetics on stage and in experimental film; and later artist-authored Tarot and neo-alchemical process art.

Aby Warburg's reading of the Palazzo Schifanoia frescoes in Ferrara established a foundational model for interpreting astrological programs in Renaissance art, while Barbara Obrist documented the late-medieval shift toward serial illustration and diagrammatic representation in alchemical manuscripts. Early modern encyclopedic projects—epitomized by Athanasius Kircher—wove hieroglyphs, cosmology, and spectacular display into ambitious image-systems that influenced the period's visual culture. In parallel, historians of science and craft have emphasized how chymistry's "wider worlds" intersected with literature, theatre, and the visual arts. Classic studies have traced how esoteric metaphysics and "spiritual" aesthetics contributed to early abstraction (e.g., Wassily Kandinsky and Hilma af Klint), while recent scholarship reassesses the role of Spiritualism/Spiritism within abstract art and Surrealism's image-making and poetics.

A guardian angel is a type of angel that is assigned to protect and guide a particular person, group or nation. Belief in tutelary beings can be traced throughout all antiquity. The idea of angels that guard over people played a major role in Ancient Judaism. In Christianity, the hierarchy of angels was extensively developed in the 5th century by Pseudo-Dionysius the Areopagite. The theology of angels and tutelary spirits has undergone many changes since the 5th century. The belief is that guardian angels serve to protect whichever person God assigns them to. The Memorial of the Holy Guardian Angels is celebrated on 2 October.

The idea of a guardian angel is central to the 15th-century book The Book of the Sacred Magic of Abramelin the Mage by Abraham of Worms, a German Cabalist. In 1897, this book was translated into English by Samuel Liddell MacGregor Mathers (1854–1918), a co-founder of the Hermetic Order of the Golden Dawn, who styled the guardian angel as the Holy Guardian Angel.

Giovanni Pico dei conti della Mirandola e della Concordia (/ˈpiːkoʊ ˌdɛlə mɪˈrændələ, -ˈrɑːn-/ PEE-koh DEL-ə mirr-A(H)N-də-lə; Italian: [dʒoˈvanni ˈpiːko della miˈrandola]; Latin: Johannes Picus de Mirandula; 24 February 1463 – 17 November 1494), known as Pico della Mirandola, was an Italian Renaissance nobleman and philosopher. He is famed for the events of 1486, when, at the age of 23, he proposed to defend 900 theses on religion, philosophy, natural philosophy, and magic against all comers, for which he wrote the Oration on the Dignity of Man, which has been called the "Manifesto of the Renaissance", and a key text of Renaissance humanism and of what has been called the "Hermetic Reformation". He was the founder of the tradition of Christian Kabbalah, a key tenet of early modern Western esotericism. The 900 Theses was the first printed book to be universally banned by the Church. Pico is sometimes seen as a proto-Protestant, because his 900 theses anticipated many Protestant views.

Renaissance magic was a resurgence in Hermeticism and Neoplatonic varieties of the magical arts which arose along with Renaissance humanism in the 15th and 16th centuries CE. During the Renaissance period, magic and occult practices underwent significant changes that reflected shifts in cultural, intellectual, and religious perspectives. C. S. Lewis, in his work on English literature, highlighted the transformation in how magic was perceived and portrayed. In medieval stories, magic had a fantastical and fairy-like quality, while in the Renaissance, it became more complex and tied to the idea of hidden knowledge that could be explored through books and rituals. This change is evident in the works of authors like Spenser, Marlowe, Chapman, and Shakespeare, who treated magic as a serious and potentially dangerous pursuit.

Heinrich Cornelius Agrippa, a scholar, physician, and astrologer, popularized the Hermetic and Cabalistic magic of Marsilio Ficino and Giovanni Pico della Mirandola. Agrippa's ideas on magic were revolutionary, and he faced persecution for his criticism of authorities and ruling classes. His work, De occulta philosophia, explored both benevolent and malevolent magic, but he rejected forbidden forms of sorcery. Similarly, Paracelsus, a Swiss physician and alchemist, combined medical practice with astrology. He introduced elemental beings and viewed the cosmos as interconnected, assigning spiritual significance to natural elements.

Hermetic Qabalah (from Hebrew קַבָּלָה (qabalah) 'reception, accounting') is a Western esoteric tradition involving mysticism and the occult. It is the underlying philosophy and framework for magical societies such as the Hermetic Order of the Golden Dawn, has inspired esoteric Christian organizations such as the Societas Rosicruciana in Anglia, is a key element within the Thelemic orders, and is important to mystical-religious societies such as the Builders of the Adytum and the Fellowship of the Rosy Cross.

Hermetic Qabalah arose from Christian Cabala, which itself was derived from Jewish Kabbalah, during the European Renaissance, becoming variously Esoteric Christian, non-Christian, or anti-Christian across its different schools in the modern era. It draws on a great many influences, most notably: Jewish Kabbalah, Western astrology, Alchemy, Pagan religions, especially Egyptian and Greco-Roman, Neoplatonism, Hermeticism, and the symbolism of the tarot. Hermetic Qabalah differs from the Jewish form in being a more syncretic system; however, it shares many concepts with Jewish Kabbalah.