Christ Pantocrator in the context of "Manuscript"

Christ Pantocrator of Saint Catherine's Monastery is one of the oldest Byzantine religious icons, dating from the 6th century AD. The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all), it is regarded by historians and scholars among the most important and recognizable works in the study of Byzantine art as well as Eastern Orthodox and Eastern Catholic Christianity.

The culture of North Macedonia refers the culture of the Republic of North Macedonia, a country in Southeast Europe. Macedonian culture has contributed to the culture of the Balkans, and the wider culture of the European continent.

The military saints, warrior saints and soldier saints are patron saints, martyrs and other saints associated with the military. They were originally composed of the early Christians who were soldiers in the Roman army during the persecution of Christians, especially the Diocletianic Persecution of AD 303–313.

Most of the early Christian military saints were soldiers of the Roman Empire who had become Christian and, after refusing to participate in Imperial cult rituals of loyalty to the Roman Emperor, were subjected to corporal punishment including torture and martyrdom.

In Byzantine art, and in later Eastern Orthodox iconography generally, the Deësis or Deisis (/deɪˈiːsɪs/, day-EE-siss; Greek: δέησις, "prayer" or "supplication") is a traditional iconic representation of Christ in Majesty or Christ Pantocrator: enthroned, carrying a book, and flanked by the Virgin Mary and St. John the Baptist, and sometimes other saints and angels. Mary and John, and any other figures, are shown facing towards Christ with their hands raised in supplication on behalf of humanity.

Early examples often appeared on the templon beam in Orthodox churches or above doors, though icons and devotional ivories also feature the Deesis.

Christ in Majesty or Christ in Glory (Latin: Maiestas Domini) is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, as a depiction of the Heavenly throne as described in 1 Enoch, Daniel 7, and The Apocalypse of John. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky.
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