Choreographer in the context of Lighting design

A dance costume is the clothing worn by a dancer when performing before an audience. A dance costume may be custom designed for use in a specific dance work, or it may have a traditional design, such as those used in some ceremonial and folk dances. Typically, dance costumes are designed to harmonize with the dance and not hinder the movements of the dancer.

When created for a specific work, a costume may be designed to expose or enhance the lines formed by the dancer's body, or to express the choreographer's artistic vision, or to engage the audience, or combinations of these. A costume may portray or relate to some characteristic, mood, or theme of the dance. It may fit loosely or it may be form-fitting to emphasize the form of the dancer's body. Costumes are designed in accordance with aesthetic requirements, the anticipated movements of the dancer, and budget. Various people may collaborate in designing a costume, including the choreographer, costume designer, costume maker (seamstress), and dancer.

Julius Wentsel Reisinger (1828 – 1893) was a Czech ballet choreographer. He created more than twenty works on various European stages and directed the Moscow company of the Bolshoi Theatre. Reisinger choreographed the first stage production of Swan Lake as well as the production of the first ballet performance for the opening of the Prague National Theatre in 1884. His work on Swan Lake was considered unsuccessful by contemporary critics, although the ballet was popular enough among the general public that it was kept in the active repertoire of the Bolshoi Theatre for seven years and was performed over thirty times.

Reisinger was born in February 1828 in Prague. He was also known by translations of his name as Vaclav or Jules.

Bernhard Wosien (19 September 1908, in Passenheim, Masuren – 29 April 1986, Munich) was a German Ballet master, choreographer and professor of expression education and dance. Wosien is the founder of the modern form of sacred dance; he was assisted by his daughter, Maria-Gabriele Wosien.

Rudolf (von) Laban, also known as Rudolph von Laban (Hungarian: Lábán Rudolf; 15 December 1879 – 1 July 1958), was an Austro-Hungarian dance artist, choreographer, and movement theorist. He is considered a "founding father of expressionist dance" and a pioneer of modern dance. His theoretical innovations included Laban movement analysis (a way of documenting human movement) and Labanotation (a movement notation system), which paved the way for further developments in dance notation and movement analysis. He initiated one of the main approaches to dance therapy. His work on theatrical movement has also been influential. He attempted to apply his ideas to several other fields, including architecture, education, industry, and management.

Following a dress rehearsal of Laban's last choral work, Of the Warm Wind and New Joy, which he had prepared for the 1936 Summer Olympics in Berlin, Joseph Goebbels cancelled the piece after which time Laban fell out of favor with the National Socialist government. He eventually left Germany for England in 1937 after four years of working with the Nazi regime. Between 1945 and 1946, he and his long-term collaborator and former student Lisa Ullmann founded the Laban Art of Movement Guild in London, and the Art of Movement Studio in Manchester, where he worked until his death. The Trinity Laban Conservatoire of Music and Dance in London has continued this legacy.

Frank Manning (May 26, 1914 – April 27, 2009) was an American dancer, instructor, and choreographer. Manning is considered one of the founders of Lindy Hop, an energetic form of the jazz dance style known as swing.

Katherine Mary Dunham (June 22, 1909 – May 21, 2006) was an American dancer, choreographer, anthropologist, and social activist. One of the most renowned modern dance artists of the 20th century, she has been called the "matriarch and queen mother of black dance."

While a student at the University of Chicago, Dunham also performed as a dancer, ran a dance school and earned an early bachelor's degree in anthropology. Receiving a postgraduate academic fellowship, she went to the Caribbean to study the African diaspora, ethnography and local dance. She returned to graduate school and submitted a master's thesis to the anthropology faculty. She did not complete the other requirements for that degree, however, as she realized that her professional calling was performance and choreography.

Eugene Louis Faccuito (March 20, 1925 – April 7, 2015), known professionally as Luigi, was an American jazz dancer, choreographer, teacher, and innovator who created the jazz exercise technique. The Luigi Warm Up Technique is a training program that promotes body alignment, balance, core strength, and "feeling from the inside". It is also used for rehabilitation. This method became the world's first standard technique for teaching jazz and musical theater dance.

Faccuito developed the technique, which consists of a series of ballet-based exercises, for his rehabilitation after suffering paralyzing injuries in a car accident at the age of 21. He couldn't stop dancing, so he first learned to regain control of his body by what he uses as a cornerstone of his technique – namely, to "lengthen and stretch the body without strain" and "put the good side into the bad side". He then focused on a way "to stabilize himself – as if he were pressing down on an invisible (dance) barre". He went on to have a successful dance career and became a world-renowned jazz teacher.

In theatre, a lighting designer (or LD) works with the director, choreographer, set designer, costume designer, and sound designer to create the lighting, atmosphere, and time of day for the production in response to the text while keeping in mind issues of visibility, safety, and cost. The LD also works closely with the stage manager or show control programming, if show control systems are used in that production. Outside stage lighting, the job of a lighting designer can be much more diverse, and they can be found working on rock and pop tours, corporate launches, art installations, or lighting effects at sporting events.

Juan Ignacio Duato Barcia, also known as Nacho Duato (born 8 January 1957) is a Spanish modern ballet dancer and choreographer. Since 2014, Duato has been artistic director of the Berlin State Ballet. He is openly gay.

José Carlos Martínez (born 29 April 1969 in Cartagena) is a Spanish dancer and choreographer. He was a danseur étoile of the Paris Opera Ballet and artistic director of the Spanish National Dance Company. He became the director of dance at Paris Opera Ballet in December 2022.

Throughout his career, he has won numerous ballet awards and competitions, such as the Prix Benois de la Danse, the Gold medal of the Varna International Ballet Competition, and a scholarship of Prix de Lausanne, among the most prestigious dance competitions in the world. The Japanese Shinshokan Dance Magazine recognized him as one of the best dancers of his era.

Anna Sokolow (February 9, 1910 – March 29, 2000) was an American dancer and choreographer. Sokolow's work is known for its social justice focus and theatricality. Throughout her career, Sokolow supported the development of modern dance around the world, including in Mexico and Israel.

At the beginning of her career, Sokolow was a principal dancer in the Martha Graham Company. Sokolow soon became an independent choreographer, who went on to form multiple dance companies throughout her life.

Frederick "Erick" Hawkins (April 23, 1909 – November 23, 1994) was an American modern-dance choreographer and dancer.

Meredith Jane Monk (born November 20, 1942) is an American composer, performer, director, vocalist, filmmaker, and choreographer. From the 1960s onwards, Monk has created multi-disciplinary works which combine music, theatre, and dance, recording extensively for ECM Records. In 1991, Monk composed Atlas, an opera, commissioned and produced by the Houston Opera and the American Music Theater Festival. Her music has been used in films by the Coen Brothers (The Big Lebowski, 1998) and Jean-Luc Godard (Nouvelle Vague, 1990 and Notre musique, 2004). Trip hop musician DJ Shadow sampled Monk's "Dolmen Music" on the song "Midnight in a Perfect World". In 2015, she was awarded the National Medal of Arts by Barack Obama.

Robert Doyle Marshall Jr. (born October 17, 1960) is an American film and theater director, producer, and choreographer. He is best known for directing the film version of the Broadway musical Chicago, which was based on the play of the same name by playwright Maurine Dallas Watkins. His work on the film earned him the Directors Guild of America Award for Outstanding Directing – Feature Film, as well as nominations for the Academy Award for Best Director, the Golden Globe Award for Best Director, and the BAFTA Award for Best Direction. He also directed the films Memoirs of a Geisha, Nine, Pirates of the Caribbean: On Stranger Tides, Into the Woods, Mary Poppins Returns, and The Little Mermaid.

"The Nutcracker and the Mouse King" (German: Nussknacker und Mausekönig) is a literary fairy tale from 1816 by the German author E. T. A. Hoffmann, in which a young girl's favorite Christmas toy, the Nutcracker, comes alive and, after defeating the evil Mouse King in battle, whisks her away to a magical kingdom populated by dolls. The story was originally published in Berlin in German as part of the collection Kinder-Mährchen ("children's stories").

In 1892, the Russian composer Pyotr Ilyich Tchaikovsky and choreographers Marius Petipa and Lev Ivanov turned Alexandre Dumas's adaptation of the story into the ballet The Nutcracker.

Wayne Louis Cilento (born August 28, 1949) is an American director, choreographer, actor and dancer. He is best known for originating the role of Mike in the Broadway show A Chorus Line, and later becoming one of Broadway's most prolific choreographers.

The positions of the feet in ballet is a fundamental part of classical ballet technique that defines standard placements of feet on the floor. There are five basic positions in modern-day classical ballet, known as the first through fifth positions. In 1725, dancing master Pierre Rameau credited the codification of these five positions to choreographer Pierre Beauchamp. Two additional positions, known as the sixth and seventh positions, were codified by Serge Lifar in the 1930s while serving as Ballet Master at the Paris Opéra Ballet, though their use is limited to Lifar's choreographies. The sixth and seventh positions were not Lifar's inventions, but revivals of positions that already existed in the eighteenth century, when there were ten positions of the feet in classical ballet.

Claude Balon (also Ballon, often incorrectly named Jean; 1671–1744) was a French dancer and choreographer. He is listed as a performer in 11 known choreographies, with the earliest during the reign of King William III, and was credited as the deviser of 23 published choreographies, with the first appearing in 1714

The ballet term ballon is sometimes said to be derived from his name, but Robert Greskovic calls this "dubious". Balon danced under the tutelage of the balletmaster Pierre Beauchamp at the Paris Opera. Marie Sallé is identified as a student of Balon's.