Choreographer in the context of "Anna Sokolow"

A dance costume is the clothing worn by a dancer when performing before an audience. A dance costume may be custom designed for use in a specific dance work, or it may have a traditional design, such as those used in some ceremonial and folk dances. Typically, dance costumes are designed to harmonize with the dance and not hinder the movements of the dancer.

When created for a specific work, a costume may be designed to expose or enhance the lines formed by the dancer's body, or to express the choreographer's artistic vision, or to engage the audience, or combinations of these. A costume may portray or relate to some characteristic, mood, or theme of the dance. It may fit loosely or it may be form-fitting to emphasize the form of the dancer's body. Costumes are designed in accordance with aesthetic requirements, the anticipated movements of the dancer, and budget. Various people may collaborate in designing a costume, including the choreographer, costume designer, costume maker (seamstress), and dancer.

Julius Wentsel Reisinger (1828 – 1893) was a Czech ballet choreographer. He created more than twenty works on various European stages and directed the Moscow company of the Bolshoi Theatre. Reisinger choreographed the first stage production of Swan Lake as well as the production of the first ballet performance for the opening of the Prague National Theatre in 1884. His work on Swan Lake was considered unsuccessful by contemporary critics, although the ballet was popular enough among the general public that it was kept in the active repertoire of the Bolshoi Theatre for seven years and was performed over thirty times.

Reisinger was born in February 1828 in Prague. He was also known by translations of his name as Vaclav or Jules.

Bernhard Wosien (19 September 1908, in Passenheim, Masuren – 29 April 1986, Munich) was a German Ballet master, choreographer and professor of expression education and dance. Wosien is the founder of the modern form of sacred dance; he was assisted by his daughter, Maria-Gabriele Wosien.

Rudolf (von) Laban, also known as Rudolph von Laban (Hungarian: Lábán Rudolf; 15 December 1879 – 1 July 1958), was an Austro-Hungarian dance artist, choreographer, and movement theorist. He is considered a "founding father of expressionist dance" and a pioneer of modern dance. His theoretical innovations included Laban movement analysis (a way of documenting human movement) and Labanotation (a movement notation system), which paved the way for further developments in dance notation and movement analysis. He initiated one of the main approaches to dance therapy. His work on theatrical movement has also been influential. He attempted to apply his ideas to several other fields, including architecture, education, industry, and management.

Following a dress rehearsal of Laban's last choral work, Of the Warm Wind and New Joy, which he had prepared for the 1936 Summer Olympics in Berlin, Joseph Goebbels cancelled the piece after which time Laban fell out of favor with the National Socialist government. He eventually left Germany for England in 1937 after four years of working with the Nazi regime. Between 1945 and 1946, he and his long-term collaborator and former student Lisa Ullmann founded the Laban Art of Movement Guild in London, and the Art of Movement Studio in Manchester, where he worked until his death. The Trinity Laban Conservatoire of Music and Dance in London has continued this legacy.

Frank Manning (May 26, 1914 – April 27, 2009) was an American dancer, instructor, and choreographer. Manning is considered one of the founders of Lindy Hop, an energetic form of the jazz dance style known as swing.

Katherine Mary Dunham (June 22, 1909 – May 21, 2006) was an American dancer, choreographer, anthropologist, and social activist. One of the most renowned modern dance artists of the 20th century, she has been called the "matriarch and queen mother of black dance."

While a student at the University of Chicago, Dunham also performed as a dancer, ran a dance school and earned an early bachelor's degree in anthropology. Receiving a postgraduate academic fellowship, she went to the Caribbean to study the African diaspora, ethnography and local dance. She returned to graduate school and submitted a master's thesis to the anthropology faculty. She did not complete the other requirements for that degree, however, as she realized that her professional calling was performance and choreography.

Eugene Louis Faccuito (March 20, 1925 – April 7, 2015), known professionally as Luigi, was an American jazz dancer, choreographer, teacher, and innovator who created the jazz exercise technique. The Luigi Warm Up Technique is a training program that promotes body alignment, balance, core strength, and "feeling from the inside". It is also used for rehabilitation. This method became the world's first standard technique for teaching jazz and musical theater dance.

Faccuito developed the technique, which consists of a series of ballet-based exercises, for his rehabilitation after suffering paralyzing injuries in a car accident at the age of 21. He couldn't stop dancing, so he first learned to regain control of his body by what he uses as a cornerstone of his technique – namely, to "lengthen and stretch the body without strain" and "put the good side into the bad side". He then focused on a way "to stabilize himself – as if he were pressing down on an invisible (dance) barre". He went on to have a successful dance career and became a world-renowned jazz teacher.

In theatre, a lighting designer (or LD) works with the director, choreographer, set designer, costume designer, and sound designer to create the lighting, atmosphere, and time of day for the production in response to the text while keeping in mind issues of visibility, safety, and cost. The LD also works closely with the stage manager or show control programming, if show control systems are used in that production. Outside stage lighting, the job of a lighting designer can be much more diverse, and they can be found working on rock and pop tours, corporate launches, art installations, or lighting effects at sporting events.