Chivalric in the context of "Paladins"

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⭐ Core Definition: Chivalric

Chivalry, or the chivalric language, is an informal and varying code of conduct that developed in Europe between 1170 and 1220. It is associated with the medieval Christian institution of knighthood, with knights being members of various chivalric orders, and with knights' and gentlemen's behaviours which were governed by chivalrous social codes. The ideals of chivalry were popularized in medieval literature, particularly the literary cycles known as the Matter of France, relating to the legendary companions of Charlemagne and his men-at-arms, the paladins, and the Matter of Britain, informed by Geoffrey of Monmouth's Historia Regum Britanniae, written in the 1130s, which popularized the legend of King Arthur and his knights of the Round Table.

The code of chivalry that developed in medieval Europe had its roots in earlier centuries. It arose in the Carolingian Empire from the idealisation of the cavalryman—involving military bravery, individual training, and service to others—especially in Francia, among horse soldiers in Charlemagne's cavalry. Over time, the meaning of chivalry in Europe has been refined to emphasize more general social and moral virtues. The code of chivalry, as it stood by the Late Middle Ages, was a moral system which combined a warrior ethos, knightly piety, and courtly manners, all combining to establish a notion of honour and nobility.

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Chivalric in the context of Paladin

The Paladins, also called the Twelve Peers (French: Douze Pairs), are twelve legendary knights, the foremost members of Charlemagne's court in the 8th century. They first appear in the medieval (12th century) chanson de geste cycle of the Matter of France, where they play a similar role to the Knights of the Round Table in Arthurian romance. In these romantic portrayals, the chivalric paladins represent Christianity against a Saracen (Muslim) invasion of Europe. The names of the paladins vary between sources, but there are always twelve of them (a number with Christian associations) led by Roland (spelled Orlando in later Italian sources). The paladins' most influential appearance is in The Song of Roland, written between 1050 and 1115, which narrates the heroic death of Roland at the Battle of Roncevaux Pass.

The legend is based on the historical Umayyad invasion of Gaul and subsequent conflict in the Marca Hispanica between the Frankish Empire and the Emirate of Córdoba. The term paladin is from Old French, deriving from the Latin comes palatinus (count palatine), a title given to close retainers.

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Chivalric in the context of Crusading movement

The Crusading movement was a major religious, political and military endeavour of the Middle Ages—began in 1095 when Pope Urban II, at the Council of Clermont, proclaimed the First Crusade to liberate Eastern Christians from Muslim rule. He framed it as a form of penitential pilgrimage, offering spiritual rewards. By then, papal authority in Western Christendom had grown through church reforms, and tensions with secular rulers encouraged the notion of holy war—combining classical just war theory, biblical precedents, and Augustine's teachings on legitimate violence. Armed pilgrimage aligned with the era's Christocentric and militant Catholicism, sparking widespread enthusiasm. Western expansion was further enabled by economic growth, the decline of older Mediterranean powers, and Muslim disunity. These factors allowed crusaders to seize territory and found four Crusader states. Their defence inspired successive Crusades, and the papacy extended spiritual privileges to campaigns against other targets—Muslims in Iberia, pagans in the Baltic, and other opponents of papal authority.

The Crusades fostered distinctive institutions and ideologies, having a great impact on medieval Europe and the Mediterranean. Though aimed primarily at the warrior elite through appeals to chivalric ideals, they depended on broad support from clergy, townspeople, and peasants. Women, despite being discouraged, were involved as participants, proxies for absent crusaders, or victims. Although many crusaders were motivated by indulgences (remission of sins), material gain also played a part. Crusades were typically initiated through papal bulls, with participants pledging to join by "taking the cross"—sewing a cross onto their garments. Failure to fulfil vows could result in excommunication. Periodic waves of zeal produced unsanctioned "popular crusades".

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Chivalric in the context of Sir Gawain and the Green Knight

Sir Gawain and the Green Knight is a late 14th-century chivalric romance in Middle English alliterative verse. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel, it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest that tests his prowess. It remains popular in modern English renderings from J. R. R. Tolkien, Simon Armitage, and others, as well as through film and stage adaptations.

The story describes how Sir Gawain, who was not yet a knight of King Arthur's Round Table, accepts a challenge from a mysterious "Green Knight" who dares any man to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him, after which the Green Knight stands, picks up his head, and reminds Gawain of the appointed time. In his struggles to keep his bargain, Gawain demonstrates chivalry and loyalty until his honour is called into question by a test involving the lord and the lady of the castle at which he is a guest. The poem survives in one manuscript, Cotton Nero A.x., which also includes three religious narrative poems: Pearl, Cleanness, and Patience. All four are written in a North West Midlands dialect of Middle English, and are thought to be by the same author, dubbed the "Pearl Poet" or "Gawain Poet".

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Chivalric in the context of Gendarme (historical)

A gendarme was a heavy cavalryman of noble birth, primarily serving in the French army from the Late Middle Ages to the early modern period. Heirs to the knights of French medieval feudal armies, French gendarmes enjoyed like their forefathers a great reputation and were regarded as the finest European heavy cavalry force until the decline of chivalric ideals largely due to the ever-evolving developments in gunpowder technology. They provided the King of France with a potent regular force of armored lancers which, when properly employed, dominated late medieval and early modern battlefields. Their symbolic demise is generally considered to be the Battle of Pavia, which saw the gendarmes suffer a disastrous defeat and inversely confirmed the rise of the Spanish Tercios as the new dominant military force, leading to the preeminence of the House of Habsburg in 16th century Europe.

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Chivalric in the context of Knightly Piety

Knightly Piety refers to a specific strand of Christian belief espoused by knights during the Middle Ages. The term comes from Ritterfrömmigkeit, coined by Adolf Waas in his book Geschichte der Kreuzzüge. Many scholars debate the importance of knightly piety, however it is apparent as an important part of the chivalric ethos based on its appearance within the Geoffroi de Charny's "Book of Chivalry" as well as much of the popular literature of the time.

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Chivalric in the context of Crusading

The Crusading movement was a major religious, political, and military endeavour of the Middle Ages, traditionally dated from 1095, when Pope Urban II, at the Council of Clermont, proclaimed an armed expedition by Western Christendom in support of Eastern Christians under Muslim rule. He framed it as a form of penitential pilgrimage, offering spiritual rewards. By then, papal authority had grown through church reforms, and tensions with secular rulers encouraged the notion of holy war—combining classical just war theory, biblical precedents, and Augustine's teachings on legitimate violence. Armed pilgrimage aligned with the era's Christocentric and militant Catholicism, sparking widespread enthusiasm. Western expansion was further enabled by economic growth, the decline of older Mediterranean powers, and Muslim disunity. These factors allowed crusaders to seize territory and found four Crusader states. Their defence inspired successive Crusades, and the papacy extended spiritual privileges to campaigns against other targets—Muslims in Iberia, pagans in the Baltic, and other opponents of papal authority.

The papal-sanctioned wars fostered distinctive institutions and ideologies, having a great impact on medieval Europe and the Mediterranean. Though aimed primarily at the warrior elite through appeals to chivalric ideals, they depended on broad support from clergy, townspeople, and peasants. Women, despite being discouraged, were involved as participants, proxies for absent crusaders, or victims. Although many crusaders were motivated by indulgences (remission of sins), material gain also played a part. Crusading campaigns were typically initiated through papal bulls, with participants pledging to join by "taking the cross"—sewing a cross onto their garments. Failure to fulfil vows could result in excommunication. Periodic waves of zeal produced unsanctioned "popular crusades".

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