Chinese ritual bronzes in the context of "Zun"

Antiquities are objects from antiquity, especially the civilizations of the Mediterranean such as the Classical antiquity of Greece and Rome, Ancient Egypt, and the other Ancient Near Eastern cultures such as Ancient Persia (Iran). Artifacts from earlier periods such as the Mesolithic, and other civilizations from Asia and elsewhere may also be covered by the term. The phenomenon of giving a high value to ancient artifacts is found in other cultures, notably China, where Chinese ritual bronzes, three to two thousand years old, have been avidly collected and imitated for centuries, and the Pre-Columbian cultures of Mesoamerica, where in particular the artifacts of the earliest Olmec civilization are found reburied in significant sites of later cultures up to the Spanish Conquest.

A person who studies antiquities, as opposed to just collecting them, is often called an antiquarian.

Chinese bronze inscriptions, also referred to as bronze script or bronzeware script, comprise Chinese writing made in several styles on ritual bronzes mainly during the Late Shang dynasty (c. 1250 – c. 1046 BC) and Western Zhou dynasty (c. 1046 – 771 BC). Types of bronzes include zhong bells and ding tripodal cauldrons. Early inscriptions were almost always made with a stylus into a clay mold, from which the bronze itself was then cast. Additional inscriptions were often later engraved onto bronzes after casting. The bronze inscriptions are one of the earliest scripts in the Chinese family of scripts, preceded by the oracle bone script.

A guang or gong is a particular shape used in Chinese art for vessels, originally made as Chinese ritual bronzes in the Shang dynasty (c. 1600 – c. 1046 BCE), and sometimes later in Chinese porcelain. They are a type of ewer which was used for pouring rice wine at ritual banquets, and often deposited as grave goods in high-status burial. Examples of the shape may be described as ewers, ritual wine vessels, wine pourers and similar terms, though all of these terms are also used of a number of other shapes, especially the smaller tripod jue and the larger zun.

The guang has a single thick foot, and a thick hollow body that represents one or more stylized animals (some have a head at both ends). Guangs have a vertical handle at one end and a spout at the other, both zoomorphic, and were often highly decorated with taotie. The handle of the guang is of often in the shape of the neck and head of an animal with stylized horns, and the spout of the vessel is in the form of the head of a creature whose mouth constitutes the end of the spout. The back and animal head at the pouring end usually are a removable lid, lifted off for pouring.

Ding (Chinese: 鼎; pinyin: dǐng) are prehistoric and ancient Chinese cauldrons standing upon legs with a lid and two fancy facing handles. They are one of the most important shapes used in Chinese ritual bronzes. They were made in two shapes: round vessels with three legs and rectangular ones with four, the latter often called fāng dǐng (Chinese: 方鼎; lit. 'square ding'). They were used for cooking, storage, and ritual offerings to the gods or to ancestors.

The earliest recovered examples are ceramic tripods from the Neolithic Peiligang culture, but they are better known from the Chinese Bronze Age, particularly after the Zhou deemphasized the ritual use of huangjiu alcohol practiced by the Shang kings. Under the Zhou, the ding and the privilege to perform the associated rituals became symbols of authority. The number of permitted ding varied according to one's rank in the Chinese nobility: the Nine Ding of the Zhou kings were a symbol of their rule over all China but were lost by the first emperor, Shi Huangdi in the late 3rd century BCE. Subsequently, imperial authority was represented by the Heirloom Seal of the Realm, carved out of the sacred Heshibi; it was lost at some point during the Five Dynasties after the collapse of the Tang.

The taotie is an ancient Chinese mythological creature that was commonly emblazoned on bronze and other artifacts during the 1st millennium BCE. Taotie are one of the Four Perils in Chinese classics like the Classic of Mountains and Seas, alongside the Hundun, Qiongqi, and Taowu.

The Taotie is often represented as a motif on dings, which are Chinese ritual bronze vessels from the Shang (c. 1600 – c. 1050 BCE) and Zhou dynasties (c. 1046 – 256 BCE). The design typically consists of a zoomorphic mask, described as being frontal, bilaterally symmetrical, with a pair of raised eyes and typically no lower jaw area. Some argue that the design can be traced back to jade pieces found at Neolithic sites belonging to the Liangzhu culture (3310–2250 BCE). There are notable similarities with the jades of the Shijiahe culture (2500-2000 BCE) and the painted pottery of the Lower Xiajiadian culture (2200–1600 BCE).