Chinese constellations in the context of "Azure Dragon"

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⭐ Core Definition: Chinese constellations

Traditional Chinese astronomy has a system of dividing the celestial sphere into asterisms or constellations, known as "officials" (Chinese: 星官; pinyin: xīng guān).

The Chinese asterisms are generally smaller than the constellations of Hellenistic tradition. The Song dynasty (13th-century) Suzhou planisphere shows a total of 283 asterisms, comprising a total of 1,565 individual stars.The asterisms are divided into four groups, the Twenty-Eight Mansions (二十八宿; Èrshíbā Xiù) along the ecliptic, and the Three Enclosures of the northern sky. The southern sky was added as a fifth group in the late Ming dynasty based on European star charts, comprising an additional 23 asterisms.

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👉 Chinese constellations in the context of Azure Dragon

The Azure Dragon (Chinese: 青龍; pinyin: Qīnglóng) is one of the Dragon Gods who represent the mount or chthonic forces of the Five Regions' Highest Deities (五方上帝; Wǔfāng Shàngdì). It is also one of the Four Symbols of the Chinese constellations, which are the astral representations of the Wufang Shangdi. The Azure Dragon represents the east and the spring season. It is also sometimes referred to as the Blue-green Dragon, Green Dragon, or the Blue Dragon (蒼龍; Cānglóng).

The Dragon is frequently referred to in the media, feng shui, other cultures, and in various venues as the Green Dragon and the Avalon Dragon. His cardinal direction's epithet is "Bluegreen Dragon of the East" (東方青龍; Dōngfāng Qīnglóng or 東方蒼龍; Dōngfāng Cānglóng).

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Chinese constellations in the context of Chinese star names

Chinese star names (Chinese: , xīng míng) are named according to ancient Chinese astronomy and astrology. The sky is divided into star mansions (宿, xīng xiù, also translated as "lodges") and asterisms (, xīng guān). The ecliptic is divided into four sectors that are associated with the Four Symbols, guardians in Chinese mythology, and further into 28 mansions. Stars around the north celestial pole are grouped into three enclosures (, yuán). The system of 283 asterisms under the Three Enclosures and Twenty-Eight Mansions was established by Chen Zhuo of the Three Kingdoms period, who synthesized ancient constellations and the asterisms created by early astronomers Shi Shen, Gan De and Wuxian. Since the Han and Jin dynasties, stars have been given reference numbers within their asterisms in a system similar to the Bayer or Flamsteed designations, so that individual stars can be identified. For example, Deneb (α Cyg) is referred to as (Tiān Jīn Sì, the Fourth Star of Celestial Ford).

In the Qing dynasty, Chinese knowledge of the sky was improved by the arrival of European star charts. Yixiang Kaocheng, compiled in mid-18th century by then deputy Minister of Rites Ignaz Kögler, expanded the star catalogue to more than 3000 stars. The newly added stars (, zēng xīng) were named as (zēng yī, 1st added star), (zēng èr, 2nd added star) etc. For example, γ Cephei is referred to as (Shào Wèi Zēng Bā, 8th Added Star of Second Imperial Guard). Some stars may have been assigned more than one name due to the inaccuracies of traditional star charts.

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Chinese constellations in the context of Twenty-eight mansions

The Twenty-Eight Mansions (Chinese: 二十八宿; pinyin: Èrshíbā Xiù), also called xiu or hsiu, are part of the Chinese constellations system. They can be considered as the equivalent to the zodiacal constellations in Western astronomy, though the Twenty-eight Mansions reflect the movement of the Moon through a sidereal month rather than the Sun in a tropical year.

The lunar mansion system was in use in other parts of East Asia, such as ancient Japan; the Bansenshūkai, written by Fujibayashi Yasutake, mentions the system several times and includes an image of the twenty-eight mansions.

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Chinese constellations in the context of Four Symbols

The Four Symbols are mythological creatures appearing among the Chinese constellations along the ecliptic, and viewed as the guardians of the four cardinal directions. These four creatures are also referred to by a variety of other names, including "Four Guardians", "Four Gods", and "Four Auspicious Beasts". They are the Azure Dragon of the East, the Vermilion Bird of the South, the White Tiger of the West, and the Black Tortoise (also called "Black Warrior") of the North. Each of the creatures is most closely associated with a cardinal direction and a color, but also additionally represents other aspects, including a season of the year, an emotion, virtue, and one of the Chinese "five elements" (wood, fire, earth, metal, and water). Each has been given its own individual traits, origin story and a reason for being. Symbolically, and as part of spiritual and religious belief and meaning, these creatures have been culturally important across countries in the Sinosphere.

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Chinese constellations in the context of Chen Zhuo

Chen Zhuo (fl. 3rd century) was a Chinese astronomer who lived in the Three Kingdoms period (220–280) of China. He served as an imperial astronomer in the state of Eastern Wu (222–280). He collected the works of earlier astronomers of the Han dynasty and combined them into a single system. His star catalogue listed 1,464 stars in 283 constellations. His works were lost over the course of history, but information on his system of constellations survives in Tang dynasty records, notably by Qutan Xida.

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Chinese constellations in the context of Purple Forbidden enclosure

The Purple Forbidden enclosure (紫微垣 Zǐ wēi yuán) is one of the San Yuan (三垣 Sān yuán) or Three Enclosures. Stars and constellations of this group lie near the north celestial pole and are visible all year from temperate latitudes in the Northern Hemisphere.

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Chinese constellations in the context of White Tiger (mythology)

The White Tiger (Chinese: 白虎; pinyin: Báihǔ), is one of the Four Symbols of the Chinese constellations. It is sometimes called the White Tiger of the West (西方白虎; Xīfāng Báihǔ). It represents the west in terms of direction and the autumn season.

It is known as Byakko in Japanese, Baekho in Korean, and Bạch Hổ in Vietnamese.

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