Character (symbol) in the context of Typography

A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its definition and numerous attempts to find specific criteria of the concept remain controversial. Different standards have been proposed, depending on the theoretical background and descriptive context; these do not converge on a single definition. Some specific definitions of the term "word" are employed to convey its different meanings at different levels of description, for example based on phonological, grammatical or orthographic basis. Others suggest that the concept is simply a convention used in everyday situations.

The concept of "word" is distinguished from that of a morpheme, which is the smallest unit of language that has a meaning, even if it cannot stand on its own. Words are made out of at least one morpheme. Morphemes can also be joined to create other words in a process of morphological derivation. In English and many other languages, the morphemes that make up a word generally include at least one root (such as "rock", "god", "type", "writ", "can", "not") and possibly some affixes ("-s", "un-", "-ly", "-ness"). Words with more than one root ("[type][writ]er", "[cow][boy]s", "[tele][graph]ically") are called compound words. Contractions ("can't", "would've") are words formed from multiple words made into one. In turn, words are combined to form other elements of language, such as phrases ("a red rock", "put up with"), clauses ("I threw a rock"), and sentences ("I threw a rock, but missed").

In physical typesetting, a sort or type is a block with a typographic character etched on it, used—when lined up with others—to print text. In movable-type printing, the sort or type is cast from a matrix mold and assembled by hand with other sorts bearing additional characters into lines of type to make up a form, from which a page is printed.

In computing and telecommunications, a character is the encoded representation of a natural language character (including letter, numeral and punctuation), whitespace (space or tab), or a control character (controls computer hardware that consumes character-based data). A sequence of characters is called a string.

Some character encoding systems represent each character using a fixed number of bits whereas other systems use varying sizes. Various fixed-length sizes were used for now obsolete systems such as the six-bit character code, the five-bit Baudot code and even 4-bit systems (with only 16 possible values). The more modern ASCII system uses the 8-bit byte for each character. Today, the Unicode-based UTF-8 encoding uses a varying number of byte-sized code units to define a code point which combine to encode a character.

A digraph (from Ancient Greek δίς (dís) 'double' and γράφω (gráphō) 'to write') or digram is a pair of characters used in the orthography of a language to write either a single phoneme (distinct sound), or a sequence of phonemes that does not correspond to the normal values of the two characters combined.

Some digraphs represent phonemes that cannot be represented with a single character in the writing system of a language, like ⟨ch⟩ in Spanish chico and ocho. Other digraphs represent phonemes that can also be represented by single characters. A digraph that shares its pronunciation with a single character may be a relic from an earlier period of the language when the digraph had a different pronunciation, or may represent a distinction that is made only in certain dialects, like the English ⟨wh⟩. Some such digraphs are used for purely etymological reasons, like ⟨ph⟩ in French.

Typesetting is the composition of text for publication, display, or distribution by means of arranging physical type (or sort) in mechanical systems or glyphs in digital systems representing characters (letters and other symbols). Stored types are retrieved and ordered according to a language's orthography for visual display. Typesetting requires one or more fonts (which are widely but erroneously confused with and substituted for typefaces).

One significant effect of typesetting was that authorship of works could be spotted more easily, making it difficult for copiers who have not gained permission.

In typography, line length is the width of a block of typeset text, usually measured in units of length like inches or points or in characters per line (in which case it is a measure). A block of text or paragraph has a maximum line length that fits a determined design. If the lines are too short then the text becomes disjointed; if they are too long, the content loses rhythm as the reader searches for the start of each line.

Line length is determined by typographic parameters based on a formal grid and template with several goals in mind: balance and function for fit and readability with a sensitivity to aesthetic style in typography. Typographers adjust line length to aid legibility or copy fit. Text can be flush left and ragged right, flush right and ragged left, or justified where all lines are of equal length. In a ragged right setting, line lengths vary to create a ragged right edge. Sometimes this can be visually satisfying. For justified and ragged right settings typographers can adjust line length to avoid unwanted hyphens, rivers of white space, and orphaned words/characters at the end of lines (e.g., "The", "I", "He", "We").

In typography, kerning is the process of adjusting the space between two specific characters, or letterforms, in a font. It is not to be confused with tracking, by which spacing is adjusted uniformly over a range of characters.

In a well-kerned font, the two-dimensional blank spaces between each pair of characters all have a visually similar area. The term "keming" is sometimes used informally to refer to poor kerning (the letters r and n placed too closely together being easily mistaken for the letter m).

Character encoding is a convention of using a numeric value to represent each character of a writing script. Not only can a character set include natural language symbols, but it can also include codes that have meanings or functions outside of language, such as control characters and whitespace. Character encodings have also been defined for some constructed languages. When encoded, character data can be stored, transmitted, and transformed by a computer. The numerical values that make up a character encoding are known as code points and collectively comprise a code space or a code page.

Early character encodings that originated with optical or electrical telegraphy and in early computers could only represent a subset of the characters used in languages, sometimes restricted to upper case letters, numerals and limited punctuation. Over time, encodings capable of representing more characters were created, such as ASCII, ISO/IEC 8859, and Unicode encodings such as UTF-8 and UTF-16.

In Chinese philosophy, a taijitu (Chinese: 太極圖; pinyin: tàijítú; Wade–Giles: tʻai⁴chi²tʻu²) is a symbol or diagram (圖; tú) representing taiji (太極; tàijí; 'utmost extreme') in both its monist (wuji) and its dualist (yin and yang) forms. A taijitu in application provides a deductive and inductive theoretical model. Such a diagram was first introduced by Neo-Confucian philosopher Zhou Dunyi of the Song Dynasty in his Taijitu shuo (太極圖說).

The Fourth Daozang, a Taoist canon compiled in the 1440s CE during the Ming dynasty,has at least half a dozen variants of the taijitu. The two most similar are the Taiji Xiantiandao and wujitu (無極圖; wújítú) diagrams, both of which have been extensively studied since the Qing period for their possible connection with Zhou Dunyi's taijitu.

In linguistics and semiotics, a notation system is a system of graphics or symbols, characters and abbreviated expressions, used (for example) in artistic and scientific disciplines to represent technical facts and quantities by convention. Therefore, a notation is a collection of related symbols that are each given an arbitrary meaning, created to facilitate structured communication within a domain knowledge or field of study.

Standard notations refer to general agreements in the way things are written or denoted. The term is generally used in technical and scientific areas of study like mathematics, physics, chemistry and biology, but can also be seen in areas like business, economics and music.

An emoticon (/əˈmoʊtəkɒn/, ə-MOH-tə-kon, rarely /ɪˈmɒtɪkɒn/, ih-MOTT-ih-kon), portmanteau of emotion and icon, is a pictorial representation of a facial expression using characters—usually punctuation marks, numbers and letters—to express a person's feelings, mood or reaction, without needing to describe it in detail.

ASCII emoticons can be traced back hundreds of years with various one-off uses. The protocol as a way to use them to communicate emotion in conversations is credited to computer scientist Scott Fahlman, who proposed what came to be known as "smileys"—:-) and :-(—in a message on the bulletin board system (BBS) of Carnegie Mellon University in 1982. In Western countries, emoticons are usually written at a right angle to the direction of the text. Users from Japan popularized a kind of emoticon called kaomoji, using Japanese's larger character sets. This style arose on ASCII NET of Japan in 1986. They are also known as verticons (from vertical emoticon) due to their readability without rotations. This is often seen as the 1st generation of emoticons.

The Baudot code (French pronunciation: [bodo]) is an early character encoding for telegraphy invented by Émile Baudot in the 1870s. It was the predecessor to the International Telegraph Alphabet No. 2 (ITA2), the most common teleprinter code in use before ASCII. Each character in the alphabet is represented by a series of five bits, sent over a communication channel such as a telegraph wire or a radio signal by asynchronous serial communication. The symbol rate measurement is known as baud, and is derived from the same name.