Chanson de geste in the context of "Paladins"

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⭐ Core Definition: Chanson de geste

The chanson de geste (Old French for 'song of heroic deeds', from Latin: gesta 'deeds, actions accomplished') is a medieval narrative, a type of epic poem that appears at the dawn of French literature. The earliest known poems of this genre date from the late 11th and early 12th centuries, shortly before the emergence of the lyric poetry of the troubadours and trouvères, and the earliest verse romances. They reached their highest point of acceptance in the period 1150–1250.

Composed in verse, these narrative poems of moderate length (averaging 4000 lines) were originally sung, or (later) recited, by minstrels or jongleurs. More than one hundred chansons de geste have survived in approximately three hundred manuscripts that date from the 12th to the 15th century.

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Chanson de geste in the context of Matter of France

The Matter of France (French: matière de France), also known as the Carolingian cycle, is a body of medieval literature and legendary material associated with the history of France, in particular involving Charlemagne and the Paladins. The cycle springs from the Old French chansons de geste, and was later adapted into a variety of art forms, including Renaissance epics and operas. It was one of the great European literary cycles that figured repeatedly in medieval literature.

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Chanson de geste in the context of Paladin

The Paladins, also called the Twelve Peers (French: Douze Pairs), are twelve legendary knights, the foremost members of Charlemagne's court in the 8th century. They first appear in the medieval (12th century) chanson de geste cycle of the Matter of France, where they play a similar role to the Knights of the Round Table in Arthurian romance. In these romantic portrayals, the chivalric paladins represent Christianity against a Saracen (Muslim) invasion of Europe. The names of the paladins vary between sources, but there are always twelve of them (a number with Christian associations) led by Roland (spelled Orlando in later Italian sources). The paladins' most influential appearance is in The Song of Roland, written between 1050 and 1115, which narrates the heroic death of Roland at the Battle of Roncevaux Pass.

The legend is based on the historical Umayyad invasion of Gaul and subsequent conflict in the Marca Hispanica between the Frankish Empire and the Emirate of Córdoba. The term paladin is from Old French, deriving from the Latin comes palatinus (count palatine), a title given to close retainers.

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Chanson de geste in the context of Chivalric romance

As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the chanson de geste and other kinds of epic, in which masculine military heroism predominates."

Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel Don Quixote. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word medieval evokes knights, damsels in distress, dragons, and other romantic tropes.

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Chanson de geste in the context of The Song of Roland

The Song of Roland (French: La Chanson de Roland) is an 11th-century chanson de geste based on the deeds of the Frankish military leader Roland at the Battle of Roncevaux Pass in AD 778, during the reign of Charlemagne. It is the oldest surviving major work of French literature. It exists in various manuscript versions, which testify to its enormous and enduring popularity in Medieval and Renaissance literature from the 12th to the 16th centuries.

It is an epic poem written in Old French and is the first example of the chanson de geste, a literary form that flourished between the 11th and 16th centuries in Medieval Europe and celebrated legendary deeds. An early version was composed around AD 1040, with additions and alterations made up to about AD 1115. The final poem contains about 4,000 lines.

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Chanson de geste in the context of Jean Bodel

Jean Bodel (c. 1165 – c. 1210), also spelled Jehan Bodel, was an Old French poet who wrote a number of chansons de geste as well as many fabliaux. He lived in Arras.

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Chanson de geste in the context of Aude

Aude (/d/ OHD; French: [od] ; Occitan: [ˈawðe]) is a department in southern France, located in Occitania and named after the river Aude. The departmental council also calls it "Cathar Country" (French: Pays cathare) after a group of religious dissidents active in the 12th to 14th centuries.

Its prefecture is Carcassonne and its subprefectures are Limoux and Narbonne. As of 2019, it had a population of 374,070. Aude is a frequent feminine French given name in Francophone countries, deriving initially from Aude or Oda, a wife of Bertrand, Duke of Aquitaine, and mother of Eudo, brother of Saint Hubertus. Aude was the name of Roland's fiancée in the chansons de geste.

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