Celtic harp in the context of "Irish traditional music"

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Celtic harp in the context of Irish folk music

Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a genre of folk music that developed in Ireland.

In A History of Irish Music (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the crwth (a small rubbed strings harp) and cláirseach (a bigger harp with typically 30 strings), the tiompán (a small string instrument played with a bow or plectrum), the feadán (a fife), the buinne (an oboe or flute), the guthbuinne (a bassoon-type horn), the beannbhuabhal and corn (hornpipes), the cuislenna (bagpipes – see Great Irish warpipes), the stoc and storgán (clarions or trumpets), and the cnámha (bones). Within the tradition, there is poetic reference to the use of a fiddle as far back as the 7th century, which predates the development of the modern violin by around 900 years.

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Celtic harp in the context of Carrickmacross lace

Carrickmacross lace is a form of lace that may be described as decorated net. A three-layer 'sandwich' is made consisting of the pattern (at the bottom), covered with, first, machine-made net and then fine muslin, through which the pattern can be seen. A thick outlining thread is stitched down along the lines of the pattern, sewing net and fabric together. Loops of thread known as 'twirls' are also couched along the outer edge. The excess fabric is then cut away. Some of the net is then usually decorated further with needle-run stitches or small button-holed rings known as 'pops'. Occasionally bars of buttonhole stitches are worked over fabric and net before both are cut away.

Carrickmacross skills continue to be taught to new lacemakers, and contemporary patterns that include traditional Irish motifs like the Celtic harp and the claddagh ring are available to textile artists today.

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