Catholic Mariology in the context of "Mariology of the saints"

The perpetual virginity of Mary is a Christian doctrine that Mary, the mother of Jesus, was a virgin "before, during and after" the birth of Christ. In Western Christianity, the Catholic Church adheres to the doctrine, as do many Lutherans, some Anglicans, Reformed, and other Protestants. In Eastern Christianity, the Oriental Orthodox Churches and the Church of the East both adhere to this doctrine as part of their ongoing tradition, and Eastern Orthodox churches recognize Mary as Aeiparthenos, meaning "ever-virgin". It is one of the four Marian dogmas of the Catholic Church. Most modern nonconformist Protestants, such as the Plymouth Brethren, reject the doctrine.

The extant written tradition of the perpetual virginity of Mary first appears in a late 2nd-century text called the Protoevangelium of James. The Second Council of Constantinople in 553 gave her the title "Aeiparthenos", meaning Perpetual Virgin, and at the Lateran Synod of 649 Pope Martin I emphasized the threefold character of the perpetual virginity, before, during, and after the birth of Christ. The Lutheran Smalcald Articles (1537) and the Reformed Second Helvetic Confession (1562) codified the doctrine of perpetual virginity of Mary as well.

The Assumption of Mary is one of the four Marian dogmas of the Catholic Church. Pope Pius XII defined it on 1 November 1950 in his apostolic constitution Munificentissimus Deus as the assumption of Mary, body and soul, into heaven. It is celebrated on 15 August.

It leaves open the question of whether Mary died or whether she was raised to eternal life without bodily death.

Mariology is the Christian theological study of Mary, mother of Jesus. Mariology seeks to relate doctrine or dogma about Mary to other doctrines of the faith, such as those concerning Jesus and notions about redemption, intercession and grace. Christian Mariology aims to place the role of the historic Mary in the context of scripture, tradition and the teachings of the Church on Mary. In terms of social history, Mariology may be broadly defined as the study of devotion to and thinking about Mary throughout the history of Christianity.

There exist a variety of Christian (and non-Christian) views on Mary as a figure ranging from the focus on the veneration of Mary in Roman Catholic Mariology to criticisms of "mariolatry" as a form of idolatry. The latter would include certain Protestant objections to Marian devotion. There are also more distinctive approaches to the role of Mary in Lutheran Mariology and Anglican Marian theology. As a field of theology, the most substantial developments in Mariology (and the founding of specific centers devoted to its study) in recent centuries have taken place within Roman Catholic Mariology. Eastern Orthodox concepts and veneration of Mary are integral to the rite as a whole, (the theotokos) and are mostly expressed in liturgy. The veneration of Mary is said to permeate, in a way, the entire life of the Church as a "dimension" of dogma as well as piety, of Christology as well as of Ecclesiology. While similar to the Roman Catholic view, barring some minor differences, the Orthodox do not see a need for a separate academic discipline of Mariology, as the Mother of God is seen as the self-evident apogee of God's human creation.

Mary has been one of the major subjects of Western art for centuries. There is an enormous quantity of Marian art in the Catholic Church, covering both devotional subjects such as the Virgin and Child and a range of narrative subjects from the Life of the Virgin, often arranged in cycles. Most medieval painters, and from the Reformation to about 1800 most from Catholic countries, have produced works, including old masters such as Michelangelo and Botticelli.

Marian art forms part of the fabric of Catholic Marian culture through their emotional impact on her veneration. Images such as Our Lady of Guadalupe and the many artistic renditions of it as statues are not simply works of art but are a central element of the daily lives of the Mexican people. Both Hidalgo and Zapata flew Guadalupan flags and depictions of the Virgin of Guadalupe continue to remain a key unifying element in the Mexican nation. The study of Mary via the field of Mariology is thus inherently intertwined with Marian art.

Catholic Marian music shares a trait with some other forms of Christian music in adding another emotional dimension to the process of veneration and in being used in various Marian ceremonies and feasts. Marian music is now an inherent element in many aspects of the veneration of the Blessed Virgin Mary in Catholic Mariology.

Throughout the centuries Marian music has grown and progressed, and witnessed a resurgence along with the Renaissance, e.g. with the composition of the Ave Maria motet by Josquin des Prez. The tradition continued with a number of great composers up to the late 19th century, e.g. with Giuseppe Verdi's Ave Maria in 1880 followed by his Laudi alla Vergine Maria.

Catholic Marian churches are religious buildings dedicated to the veneration of the Blessed Virgin Mary. These churches were built throughout the history of the Catholic Church, and today they can be found on every continent including Antarctica. The history of Marian church architecture tells the unfolding story of the development of Catholic Mariology.

The construction and dedication of Marian churches is often indicative of the Mariological trends within a period, such as a papal reign. For instance, the 1955 rededication by Pope Pius XII of the church of Saint James the Great in Montreal, with the new title Mary, Queen of the World, Cathedral, was a reflection of his being called "the most Marian pope". A year earlier, Pius had proclaimed that title for the Virgin Mary in his 1954 encyclical Ad Caeli Reginam. This encyclical on the Queen of Heaven is an example of how the interplay between churches and Marian art reinforces the effect of Marian devotions.