Cathedral of Our Lady (Antwerp) in the context of "Diocese of Antwerp"

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⭐ Core Definition: Cathedral of Our Lady (Antwerp)

The Cathedral of Our Lady (Dutch: Onze-Lieve-Vrouwekathedraal) is a Roman Catholic cathedral in Antwerp, Belgium. Today's seat of the Diocese of Antwerp started in 1352 and, although the first stage of construction was ended in 1521, has never been fully completed. It was constructed in the Gothic style by architects Jan and Pieter Appelmans. It contains a number of significant works by the Baroque painter Peter Paul Rubens, as well as paintings by artists such as Otto van Veen, Jacob de Backer and Marten de Vos. The cathedral is the largest Gothic church in Belgium, with its tower rising 123 meters (404 ft) over the city.

The belfry of the cathedral is included in the Belfries of Belgium and France entry in the list of UNESCO World Heritage Sites.

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👉 Cathedral of Our Lady (Antwerp) in the context of Diocese of Antwerp

The Diocese of Antwerp (Latin: Dioecesis Antverpiensis) is a Latin Church ecclesiastical territory or diocese of the Catholic Church in Belgium. The diocese was restored in 1961. It is a suffragan in the ecclesiastical province of the metropolitan Archdiocese of Mechelen-Brussels. Its cathedra is found within the Cathedral of Our Lady.

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Cathedral of Our Lady (Antwerp) in the context of Triptych

A triptych (/ˈtrɪptɪk/ TRIP-tik) is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry.

Beyond its usual meaning in the visual arts, the term is sometimes used as a title or descriptive term in other arts media such as music or the performing arts for works with three parts.

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Cathedral of Our Lady (Antwerp) in the context of Alcohol in the Bible

Alcoholic beverages appear in the Hebrew Bible, after Noah planted a vineyard and became inebriated. In the New Testament, Jesus miraculously made copious amounts of wine at the wedding at Cana (John 2). Wine is the most common alcoholic beverage mentioned in biblical literature, where it is a source of symbolism, and was an important part of daily life in biblical times. Additionally, the inhabitants of ancient Israel drank beer and wines made from fruits other than grapes, and references to these appear in scripture. However, the alcohol content of ancient alcoholic beverages was significantly lower than modern alcoholic beverages. The low alcohol content was due to the limitations of fermentation and the nonexistence of distillation methods in the ancient world. Rabbinic teachers wrote acceptance criteria on consumability of ancient alcoholic beverages after significant dilution with water, and prohibited undiluted wine.

In the early 19th century the temperance movement began. Evangelical Christians became prominent in this movement, and while previously almost all Christians had a much more relaxed attitude to alcohol, today many evangelical Christians abstain from alcohol. Bible verses would be interpreted in a way that encouraged abstinence, for example 1 Corinthians 10:21, which states, "You cannot drink the cup of the Lord and the cup of demons too..."

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Cathedral of Our Lady (Antwerp) in the context of The Elevation of the Cross (Rubens)

The Elevation of the Cross (also called The Raising of the Cross) is the name of two paintings, a very large triptych in oil on panel and a much smaller oil on paper painting. Both pieces were painted by the Flemish artist Peter Paul Rubens in Antwerp, Belgium, the original in 1610 and the latter in 1638. The original is a winged altarpiece, with the outside of the hinged wings also painted. These can be folded over the central panel, giving an 'open view' and a 'closed view'.

The original is in the Cathedral of Our Lady in Antwerp, as the church for which it was painted has been destroyed. The smaller version is now in the Art Gallery of Ontario, Canada. Another smaller triptych with a different composition, and an oil study, are in the Louvre in Paris.

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Cathedral of Our Lady (Antwerp) in the context of Pierre Bourla

Pierre Bruno Bourla (19 December 1783 – 31 December 1866) was a Paris-born Belgian architect. He was the city architect in Antwerp from 1819 to 1861, and a professor of architecture at the Royal Academy of Fine Arts Antwerp. His most famous work is the Royal Theatre built between 1827 and 1834, known popularly after him as the Bourla theatre. He also designed new buildings for the Antwerp Academy, built the entrance gate to the city's botanical gardens, expanded the St. Elizabeth's hospital, restored the cathedral, and renovated the town hall.

He died in Antwerp in 1866, and was buried at St. Lawrence's. His body was transferred to the Schoonselhof cemetery in 1930.

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