Castel Sant'Angelo (pronounced [kaˈstɛl sanˈtandʒelo] Italian for 'Castle of the Holy Angel'), also known as Mausoleum of Hadrian (Italian: Mausoleo di Adriano), is a towering rotunda (cylindrical building) in Parco Adriano, Rome, Italy. It was initially commissioned by the Roman Emperor Hadrian as a mausoleum for himself and his family. The popes later used the building as a fortress and castle, and it is now a museum. The structure was once the tallest building in Rome.
>>>PUT SHARE BUTTONS HERE<<<
👉 Castel Sant'Angelo in the context of La Tosca
La Tosca is a five-act drama by the 19th-century French playwright Victorien Sardou. It was first performed on 24 November 1887 at the Théâtre de la Porte Saint-Martin in Paris, with Sarah Bernhardt in the title role. Despite negative reviews from the Paris critics at the opening night, it became one of Sardou's most successful plays and was toured by Bernhardt throughout the world in the years following its premiere. The play itself had dropped from the standard theatrical repertoire by the mid-1920s, but its operatic adaptation, Giacomo Puccini's Tosca, has achieved enduring popularity. There have been several other adaptations of the play including two for the Japanese theatre and an English burlesque, Tra-La-La Tosca (all of which premiered in the 1890s) as well as several film versions.
La Tosca is set in Rome on 17 June 1800 following the French victory in the Battle of Marengo. The action takes place over an eighteen-hour period, ending at dawn on 18 June 1800. Its melodramatic plot centers on Floria Tosca, a celebrated opera singer; her lover, Mario Cavaradossi, an artist and Napoleon sympathiser; and Baron Scarpia, Rome's ruthless Regent of Police. By the end of the play, all three are dead. Scarpia arrests Cavaradossi and sentences him to death in the Castel Sant'Angelo. He then offers to spare her lover if Tosca will yield to his sexual advances. She appears to acquiesce, but as soon as Scarpia gives the order for the firing squad to use blanks, she stabs him to death. On discovering that Cavaradossi's execution had in fact been a real one, Tosca commits suicide by throwing herself from the castle's parapets.
In this Dossier
- ⭐ Core Definition: Castel Sant'Angelo
- 👉 Castel Sant'Angelo in the context of La Tosca
- Castel Sant'Angelo in the context of Culture of Europe
- Castel Sant'Angelo in the context of Sack of Rome (1527)
- Castel Sant'Angelo in the context of Ponte Sant'Angelo
- Castel Sant'Angelo in the context of Parco Adriano
Castel Sant'Angelo in the context of Culture of Europe
The culture of Europe is diverse, and rooted in its art, architecture, traditions, cuisines, music, folklore, embroidery, film, literature, economics, philosophy and religious customs.
Castel Sant'Angelo in the context of Sack of Rome (1527)
The Sack of Rome, then part of the Papal States, followed the capture of Rome on 6 May 1527 by the mutinous troops of Charles V, Holy Roman Emperor, during the War of the League of Cognac. Charles V only intended to threaten military action to make Pope Clement VII come to his terms. However, most of the Imperial army (14,000 Germans, including Lutherans, 6,000 Spaniards and some Italians) were largely unpaid. Despite being ordered not to storm Rome, they broke into the scarcely defended city and began looting, killing, and holding citizens for ransom without any restraint. Clement VII took refuge in Castel Sant'Angelo after the Swiss Guard were annihilated in a delaying rear guard action; he remained there until a ransom was paid to the pillagers.
Benvenuto Cellini, eyewitness to the events, described the sack in his works. It was not until February 1528 that the spread of a plague and the approach of the League forces under Marshal of France Odet de Foix forced the army to withdraw towards Naples from the city. Rome's population had dropped from 55,000 to 10,000 due to the atrocities, famine, an outbreak of plague, and flight from the city. The subsequent loss of the League army during the Siege of Naples secured a victory in the War of the League of Cognac for Charles V. The Emperor denied responsibility for the sack and came to terms again with Clement VII. On the other hand, the Sack of Rome further exacerbated religious hatred and antagonism between Catholics and Lutherans.
Castel Sant'Angelo in the context of Ponte Sant'Angelo
Ponte Sant'Angelo, originally the Aelian Bridge or Pons Aelius, is a Roman bridge in Rome, Italy, completed in 134 AD by Roman Emperor Hadrian (Publius Aelius Hadrianus), to span the Tiber from the city centre to his newly constructed mausoleum, now the towering Castel Sant'Angelo. The bridge is faced with travertine marble and spans the Tiber with five arches, three of which are Roman; it was approached by means of a ramp from the river. The bridge is now solely pedestrian and provides a scenic view of Castel Sant'Angelo. It links the rioni of Ponte (which was named after the bridge itself), and Borgo, to which the bridge administratively belongs.
Castel Sant'Angelo in the context of Parco Adriano
Parco Adriano is a park in Rome, Italy on the northern bank of the Tiber, just to the east of the Vatican. It contains the Castel Sant'Angelo.