Caryatid in the context of "Karyes"

Greek temples (Ancient Greek: ναός, romanized: nāós, lit. 'dwelling', semantically distinct from Latin templum, "temple") were structures built to house deity statues within Greek sanctuaries in ancient Greek religion. The temple interiors did not serve as meeting places, since the sacrifices and rituals dedicated to the deity took place outside them, within the wider precinct of the sanctuary, which might be large. Temples were frequently used to store votive offerings. They are the most important and most widespread surviving building type in Greek architecture. In the Hellenistic kingdoms of Southwest Asia and of North Africa, buildings erected to fulfill the functions of a temple often continued to follow the local traditions. Even where a Greek influence is visible, such structures are not normally considered as Greek temples. This applies, for example, to the Graeco-Parthian and Bactrian temples, or to the Ptolemaic examples, which follow Egyptian tradition. Most Greek temples were oriented astronomically.

Between the 9th century BC and the 6th century BC, the ancient Greek temples developed from the small mud brick structures into double-porched monumental "peripteral" buildings with colonnade on all sides, often reaching more than 20 metres in height (not including the roof). Stylistically, they were governed by the regionally specific architectural orders. Whereas the distinction was originally between the Doric and Ionic orders, a third alternative arose in late 3rd century with the Corinthian order. A multitude of different ground plans were developed, each of which could be combined with the superstructure in the different orders. Temples would be destroyed due to warfare in the Greek World or from lack of repairs. Some of these temples such as the temple of Poseidon Soter (The Savior) would be rebuilt outside of Athens after the defeat of the Persian Empire in 449. From the 3rd century onward, the construction of large temples became less common; after a short 2nd century BC flourish, it ceased nearly entirely in the 1st century BC. Thereafter, only smaller structures were started, while older temples continued to be renovated or brought to completion if in an unfinished state.

The Société de Géographie (French: [sɔsjete də ʒeɔgʁafi]; lit. '"Geography Society"'), is the world's oldest geographical society. It was founded in 1821 as the first Geographic Society. Since 1878, its headquarters have been at 184 Boulevard Saint-Germain, Paris. The entrance is marked by two gigantic caryatids representing Land and Sea. It was here, in 1879, that the construction of the Panama Canal was decided.

In ancient Greek religion Artemis Caryatis (Καρυᾶτις) was an epithet of Artemis that was derived from the small polis of Caryae in Laconia; there an archaic open-air temenos was dedicated to Carya, the Lady of the Nut-Tree, whose priestesses were called the caryatides, represented on the Athenian Acropolis as the marble caryatids supporting the porch of the Erechtheum. The late accounts made of the eponymous Carya a virgin who had been transformed into a nut-tree, whether for her unchastity (with Dionysus) or to prevent her rape. The particular form of veneration of Artemis at Karyai suggests that in pre-classical ritual Carya was goddess of the nut tree who was later assimilated into the Olympian goddess Artemis. Pausanias noted that each year women performed a dance called the caryatis at a festival in honor of Artemis Caryatis called the Caryateia.

Caryae or Karyai (Ancient Greek: Καρύαι) was a town of ancient Laconia upon the frontiers of Arcadia. It was originally an Arcadian town belonging to Tegea, but was conquered by the Spartans and annexed to their territory. Caryae revolted from Sparta after the Battle of Leuctra (371 BCE), and offered to guide a Theban army into Laconia; but shortly afterwards it was severely punished for its treachery, for Archidamus III took the town and put to death all the inhabitants who were made prisoners.

Caryae was celebrated for its temple of Artemis Caryatis, and for the annual festival of this goddess, at which the Lacedaemonian virgins used to perform a peculiar kind of dance. This festival was of great antiquity, for in the Second Messenian War, Aristomenes is said to have carried off the Lacedaemonian virgins, who were dancing at Caryae in honour of Artemis. It was, perhaps, from this ancient dance of the Lacedaemonian maidens, that the Greek artists gave the name of Caryatid to the female figures which were employed in architecture instead of pillars. The tale of Vitruvius respecting the origin of these figures, is not entitled to any credit. He relates that Caryae revolted to the Persians after the Battle of Thermopylae; that it was in consequence destroyed by the allied Greeks, who killed the men and led the women into captivity; and that to commemorate the disgrace of the latter, representations of them were employed in architecture instead of columns.

The Caryateia (Ancient Greek: Καρυάτεια) was an annual festival held at the ancient sanctuary of Artemis Caryatis in Karyes, Laconia, in honor of the goddess.

The festival had an agricultural character and was likely held before or after the summer harvest, as the faithful would seek to appease the goddess for a bountiful crop or to express their gratitude accordingly. During the festival, according to Pausanias: "Here, the maidens of the Lacedaemonians annually perform dances, and there is a local tradition of dancing...," where prominent maidens of Lacedaemon participated in the celebration as priestess-dancers of the goddess.These priestesses, with their beauty and stature, seem to have inspired the artists of the Classical period, who utilized the female figure type in art, particularly in architecture, which became widely known as Caryatids.