Cary Grant in the context of "Monkey Business (1952 film)"

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👉 Cary Grant in the context of Monkey Business (1952 film)

Monkey Business is a 1952 American screwball comedy film directed by Howard Hawks and starring Cary Grant, Ginger Rogers, Charles Coburn and Marilyn Monroe. To avoid confusion with the unrelated 1931 Marx Brothers film of the same name, the film is sometimes billed as Howard Hawks' Monkey Business.

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Cary Grant in the context of Philip Barry

Philip Jerome Quinn Barry (June 18, 1896 – December 3, 1949) was an American dramatist best known for his plays Holiday (1928) and The Philadelphia Story (1939), which were both made into films starring Katharine Hepburn and Cary Grant.

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Cary Grant in the context of To Catch a Thief

To Catch a Thief is a 1955 American romantic thriller film directed by Alfred Hitchcock, from a screenplay by John Michael Hayes based on the 1952 novel of the same name by David Dodge. The film stars Cary Grant as a retired cat burglar who has to save his reformed reputation by catching an impostor preying on wealthy tourists (including an oil-rich widow and her daughter played by Grace Kelly) on the French Riviera.

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Cary Grant in the context of Mr. Blandings Builds His Dream House

Mr. Blandings Builds His Dream House is a 1948 American comedy film directed by H. C. Potter, and starring Cary Grant, Myrna Loy and Melvyn Douglas. Written and produced by the team of Melvin Frank and Norman Panama, it was an adaptation of the 1946 novel of the same name written by Eric Hodgins and illustrated by William Steig.

The movie was the third and last pairing of Grant and Loy, who had shared a comfortable chemistry in The Bachelor and the Bobby-Soxer (1947) and Wings in the Dark (1935).

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Cary Grant in the context of Suspicion (1941 film)

Suspicion is a 1941 American romantic psychological thriller film noir directed by Alfred Hitchcock, and starring Cary Grant and Joan Fontaine as a married couple. It also features Sir Cedric Hardwicke, Nigel Bruce, Dame May Whitty, Isabel Jeans, Heather Angel, and Leo G. Carroll. Suspicion is based on Francis Iles's 1932 novel Before the Fact.

For her role as Lina, Joan Fontaine won the Academy Award for Best Actress in 1941, making it the only Oscar-winning acting performance in an Alfred Hitchcock film. In the film, a romantically inexperienced woman marries a charming playboy after initially rejecting him. He turns out to be penniless, a gambler, and dishonest in the extreme. She comes to suspect that he is also a murderer, and that he is attempting to kill her.

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Cary Grant in the context of Notorious (1946 film)

Notorious is a 1946 American spy film noir directed and produced by Alfred Hitchcock, starring Cary Grant, Ingrid Bergman, and Claude Rains as three people whose lives become intimately entangled during an espionage operation.

The film follows U.S. government agent T. R. Devlin (Grant), who enlists the help of Alicia Huberman (Bergman), the daughter of a convicted German spy, to infiltrate a group of German emigrés hiding out in Rio de Janeiro after World War II. The situation becomes complicated when the two fall in love as Huberman is instructed to seduce Alex Sebastian (Rains), an IG Farben executive who had previously been infatuated with her. It was shot in late 1945 and early 1946, and was released by RKO Radio Pictures in August 1946.

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Cary Grant in the context of RKO Radio Pictures

RKO Pictures, commonly known as simply RKO, is an American film, television and stage production company owned by Concord. In its original incarnation, as RKO Radio Pictures, Inc., it was one of the "Big Five" film studios of Hollywood's Golden Age. The business was formed after the Keith-Albee-Orpheum theater chain and Joseph P. Kennedy's Film Booking Offices of America studio were brought together under the control of the Radio Corporation of America (RCA) in October 1928. RCA executive David Sarnoff engineered the merger to create a market for the company's sound-on-film technology, RCA Photophone, and in early 1929 production began under the RKO name (an initialism of Radio-Keith-Orpheum). Two years later, another Kennedy concern, the Pathé studio, was folded into the operation. By the mid-1940s, RKO was controlled by investor Floyd Odlum.

RKO has long been renowned for its cycle of musicals starring Fred Astaire and Ginger Rogers in the mid- to late 1930s. Actors Katharine Hepburn and, later, Robert Mitchum had their first major successes at the studio. Cary Grant was a mainstay for years, with credits including touchstones of the screwball comedy genre with which RKO was identified. The work of producer Val Lewton's low-budget horror unit and RKO's many ventures into the field now known as film noir have been acclaimed, largely after the fact, by film critics and historians. The studio produced two of the most famous films in motion picture history: King Kong and producer/director/star Orson Welles's Citizen Kane. RKO was also responsible for notable coproductions such as It's a Wonderful Life and Notorious, and it distributed many celebrated films by animation pioneer Walt Disney and leading independent producer Samuel Goldwyn. Though it often could not compete financially for top star and director contracts, RKO's below-the-line personnel were among the finest, including composer Max Steiner, cinematographers Nicholas Musuraca and Gregg Toland, and designer Van Nest Polglase.

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