Cardinal number in the context of "Numeral (linguistics)"

A number is a mathematical object used to count, measure, and label. The most basic examples are the natural numbers: 1, 2, 3, 4, 5, and so forth. Individual numbers can be represented in language with number words or by dedicated symbols called numerals; for example, "five" is a number word and "5" is the corresponding numeral. As only a limited list of symbols can be memorized, a numeral system is used to represent any number in an organized way. The most common representation is the Hindu–Arabic numeral system, which can display any non-negative integer using a combination of ten symbols, called numerical digits. Numerals can be used for counting (as with cardinal number of a collection or set), labels (as with telephone numbers), for ordering (as with serial numbers), and for codes (as with ISBNs). In common usage, a numeral is not clearly distinguished from the number that it represents.

In mathematics, the notion of number has been extended over the centuries to include zero (0), negative numbers, rational numbers such as one half ${\displaystyle \left({\tfrac {1}{2}}\right)}$, real numbers such as the square root of 2 ${\displaystyle \left({\sqrt {2}}\right)}$, and π, and complex numbers which extend the real numbers with a square root of −1, and its combinations with real numbers by adding or subtracting its multiples. Calculations with numbers are done with arithmetical operations, the most familiar being addition, subtraction, multiplication, division, and exponentiation. Their study or usage is called arithmetic, a term which may also refer to number theory, the study of the properties of numbers.

Georg Ferdinand Ludwig Philipp Cantor (/ˈkæntɔːr/ KAN-tor; German: [ˈɡeːɔʁk ˈfɛʁdinant ˈluːtvɪç ˈfiːlɪp ˈkantoːɐ̯]; 3 March [O.S. 19 February] 1845 – 6 January 1918) was a mathematician who played a pivotal role in the creation of set theory, which has become a fundamental theory in mathematics. Cantor established the importance of one-to-one correspondence between the members of two sets, defined infinite and well-ordered sets, and proved that the real numbers are more numerous than the natural numbers. Cantor's method of proof of this theorem implies the existence of an infinity of infinities. He defined the cardinal and ordinal numbers and their arithmetic. Cantor's work is of great philosophical interest, a fact he was well aware of.

Originally, Cantor's theory of transfinite numbers was regarded as counter-intuitive – even shocking. This caused it to encounter resistance from mathematical contemporaries such as Leopold Kronecker and Henri Poincaré and later from Hermann Weyl and L. E. J. Brouwer, while Ludwig Wittgenstein raised philosophical objections; see Controversy over Cantor's theory. Cantor, a devout Lutheran Christian, believed the theory had been communicated to him by God. Some Christian theologians (particularly neo-Scholastics) saw Cantor's work as a challenge to the uniqueness of the absolute infinity in the nature of God – on one occasion equating the theory of transfinite numbers with pantheism – a proposition that Cantor vigorously rejected. Not all theologians were against Cantor's theory; prominent neo-scholastic philosopher Konstantin Gutberlet [de; it] was in favor of it and Cardinal Johann Baptist Franzelin accepted it as a valid theory (after Cantor made some important clarifications).

In set theory, Cantor's paradox states that there is no set of all cardinalities. This is derived from the theorem that there is no greatest cardinal number. In informal terms, the paradox is that the collection of all possible "infinite sizes" is not only infinite, but so infinitely large that its own infinite size cannot be any of the infinite sizes in the collection. The difficulty is handled in axiomatic set theory by declaring that this collection is not a set but a proper class; in von Neumann–Bernays–Gödel set theory it follows from this and the axiom of limitation of size that this proper class must be in bijection with the class of all sets. Thus, not only are there infinitely many infinities, but this infinity is larger than any of the infinities it enumerates.

This paradox is named for Georg Cantor, who is often credited with first identifying it in 1899 (or between 1895 and 1897). Like a number of "paradoxes" it is not actually contradictory but merely indicative of a mistaken intuition, in this case about the nature of infinity and the notion of a set. Put another way, it is paradoxical within the confines of naïve set theory and therefore demonstrates that a careless axiomatization of this theory is inconsistent.

In mathematics, particularly set theory, a finite set is a set that has a finite number of elements. Informally, a finite set is a set which one could in principle count and finish counting. For example,

is a finite set with five elements. The number of elements of a finite set is a natural number (possibly zero) and is called the cardinality (or the cardinal number) of the set. A set that is not a finite set is called an infinite set. For example, the set of all positive integers is infinite:

In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works.

To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed Moonlight Sonata) is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" (Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled Sonata quasi una Fantasia, the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the Piano Sonata, Op. 27 No. 2, in C-sharp minor is also catalogued as "Sonata No. 14", because it is the fourteenth sonata composed by Ludwig van Beethoven.

In mathematics, transfinite numbers or infinite numbers are numbers that are "infinite" in the sense that they are larger than all finite numbers. These include the transfinite cardinals, which are cardinal numbers used to quantify the size of infinite sets, and the transfinite ordinals, which are ordinal numbers used to provide an ordering of infinite sets. The term transfinite was coined in 1895 by Georg Cantor, who wished to avoid some of the implications of the word infinite. In particular he believed that "truly infinite" is a perfect and thus divine quality and so refused to attribute this term to mathematical constructs comprehensible by humans. Few contemporary writers share these qualms; it is now accepted usage to refer to transfinite cardinals and ordinals as infinite numbers. Nevertheless, the term transfinite also remains in use.

Notable work on transfinite numbers was done by Wacław Sierpiński: Leçons sur les nombres transfinis (1928 book) much expanded into Cardinal and Ordinal Numbers (1958, 2nd ed. 1965).