Cardinal-nephew in the context of "Renaissance Papacy"

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⭐ Core Definition: Cardinal-nephew

A cardinal-nephew (Latin: cardinalis nepos; Italian: cardinale nipote; Spanish: valido de su tío; Portuguese: cardeal-sobrinho; French: prince de fortune) was a cardinal elevated by a pope who was that cardinal's relative. The practice of creating cardinal-nephews originated in the Middle Ages, and reached its apex during the 16th and 17th centuries. The last cardinal-nephew was named in 1689 and the practice was abolished in 1692. The word nepotism originally referred specifically to this practice, when it appeared in the English language about 1669. From the middle of the Avignon Papacy (1309–1377) until Pope Innocent XII's anti-nepotism bull (a papal charter), Romanum decet pontificem (1692), a pope without a cardinal-nephew was the exception to the rule. Every Renaissance pope who created cardinals appointed a relative to the College of Cardinals, and the nephew was the most common choice, although one of Alexander VI's creations was his own son.

The institution of the cardinal-nephew evolved over seven centuries, tracking developments in the history of the papacy and the styles of individual popes. From 1566 until 1692, a cardinal-nephew held the curial office of the Superintendent of the Ecclesiastical State, known as the Cardinal Nephew, and thus the terms are sometimes used interchangeably. The curial office of the Cardinal Nephew as well as the institution of the cardinal-nephew declined as the power of the Cardinal Secretary of State increased and the temporal power of popes decreased in the 17th and 18th centuries.

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👉 Cardinal-nephew in the context of Renaissance Papacy

The Renaissance Papacy was a period of papal history between the Western Schism and the Reformation. From the election of Pope Martin V of the Council of Constance in 1417 to the Reformation in the 16th century, Western Christianity was largely free from schism as well as significant disputed papal claimants. There were many important divisions over the direction of the religion, but these were resolved through the then-settled procedures of the papal conclave.

The popes of this period were a reflection of the College of Cardinals that elected them. The College was dominated by cardinal-nephews (relatives of the popes that elevated them), crown-cardinals (representatives of the Catholic monarchies of Europe), and members of the powerful Italian families. There were two popes each from the House of Borgia, House of della Rovere, and House of Medici during this period. The wealthy popes and cardinals increasingly patronized Renaissance art and architecture, (re)building the landmarks of Rome from the ground up.

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