Capriccio (art) in the context of Hubert Robert

⭐ Core Definition: Capriccio (art)

In painting, a capriccio (Italian pronunciation: [kaˈprittʃo], plural: capricci [kaˈprittʃi]; in older English works often anglicized as "caprice") is an architectural fantasy, placing together buildings, archaeological ruins and other architectural elements in fictional and often fantastical combinations. These paintings may also include staffage (figures). Capriccio falls under the more general term of landscape painting. This style of painting was introduced in the Renaissance and continued into the Baroque.

By the late 18th century the term had expanded to mean any image with an equivalent degree of fantasy, for example as used in the titles of print series by Giovanni Battista Tiepolo and Goya, both of whom focus on figures rather than architecture.

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👉 Capriccio (art) in the context of Hubert Robert

Hubert Robert (French pronunciation: [ybɛʁ ʁɔbɛʁ]; 22 May 1733 – 15 April 1808) was a French painter in the school of Romanticism, noted especially for his landscape paintings and capricci, or semi-fictitious picturesque depictions of ruins in Italy and of France.

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⭐ Core Definition: Capriccio (art)
👉 Capriccio (art) in the context of Hubert Robert
Capriccio (art) in the context of Canaletto

Capriccio (art) in the context of Canaletto

Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto (Italian: [kanaˈletto]), was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of cityscapes or vedute, of Venice, Rome, and London, he also painted imaginary views (referred to as capricci), although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.

View the full Wikipedia page for Canaletto

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