Camille Pissarro in the context of "Neo-Impressionist"

Haussmann's renovation of Paris (known in French as the travaux haussmanniens, [tʁavo osmanjɛ̃], lit. 'Haussmannian works') was a vast public works programme commissioned by French Emperor Napoleon III and directed by his prefect of Seine, Georges-Eugène Haussmann, between 1853 and 1870.

It included the demolition of medieval neighbourhoods that were deemed overcrowded and unhealthy by officials at the time, the building of wide avenues, new parks and squares, the annexation of the suburbs surrounding Paris, and the construction of new sewers, fountains and aqueducts. Haussmann's work was met with fierce opposition, and he was ultimately dismissed by Napoleon III in 1870. The renovation allowed Paris to shine during the Belle Époque (1871–1914); work on his projects continued until 1927. The street plan and distinctive appearance of the centre of Paris today are largely the result of Haussmann's renovation.

In Paris, the Belle Époque (1871–1914) saw the construction of the Eiffel Tower, the Métro, the completion of the Opera, the Rue Réaumur and the beginning of the Basilica of Sacré-Cœur on Montmartre. Three lavish "universal expositions" in 1878, 1889, and 1900 brought millions of visitors to Paris to sample the latest innovations in commerce, art, and technology. Paris was the scene of the first public projection of a motion picture, and the birthplace of the Ballets Russes, Impressionism, and Modern Art.

The expression Belle Époque ("beautiful era") came into use after the First World War; it was a nostalgic term for what seemed a simpler time of optimism, elegance, and progress.

Berthe Marie Pauline Morisot (French: [bɛʁt mɔʁizo]; 14 January 1841 – 2 March 1895) was a French painter, printmaker and a member of the circle of painters in Paris who became known as the Impressionists.

In 1864, Morisot exhibited for the first time in the highly esteemed Salon de Paris, listed as a student of Joseph Guichard and Achille-Francois Oudinot. Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the "rejected" Impressionists in the first of their own exhibitions (15 April – 15 May 1874), which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir and Alfred Sisley. It was held at the studio of the photographer Nadar. Morisot went on to participate in all but one of the following eight impressionist exhibitions, between 1874 and 1886.

Alfred Sisley (/ˈsɪsli/; French: [sislɛ]; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air (i.e., outdoors). He deviated into figure painting only rarely and, unlike Renoir and Pissarro, he found that Impressionism fulfilled his artistic needs.

Among his important works are a series of paintings of the River Thames, mostly around Hampton Court, executed in 1874, and landscapes depicting places in or near Moret-sur-Loing. The notable paintings of the Seine and its bridges in the former suburbs of Paris are like many of his landscapes, characterised by tranquillity, in pale shades of green, pink, purple, dusty blue and cream. Over the years Sisley's power of expression and colour intensity increased.

Eugène Henri Paul Gauguin (/ɡoʊˈɡæn/; French: [øʒɛn ɑ̃ʁi pɔl ɡoɡɛ̃]; 7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his lifetime, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism.

Gauguin was born in Paris in 1848, amidst the tumult of Europe's revolutionary year. In 1850, Gauguin's family settled in Peru, where he experienced a privileged childhood that left a lasting impression on him. Later, financial struggles led them back to France, where Gauguin received formal education. Initially working as a stockbroker, Gauguin started painting in his spare time, his interest in art kindled by visits to galleries and exhibitions. The financial crisis of 1882 significantly impacted his brokerage career, prompting a shift to full-time painting. Gauguin's art education was largely self-taught and informal, shaped significantly by his associations with other artists rather than academic training. His entry into the art world was facilitated by his acquaintance with Camille Pissarro, a leading Impressionist. Pissarro took on a mentor role for Gauguin, introducing him to other Impressionist artists and techniques.

Les XX (French: Les Vingt, pronounced [le vɛ̃]; lit. 'The 20') was a group of twenty Belgian painters, designers and sculptors, formed in 1883 by the Brussels lawyer, publisher, and entrepreneur Octave Maus. For ten years, they held an annual exhibition of their art; each year 20 other international artists were also invited to participate in their exhibition. Painters invited include Camille Pissarro (1887, 1889, 1891), Claude Monet (1886, 1889), Georges Seurat (1887, 1889, 1891, 1892), Paul Gauguin (1889, 1891), Paul Cézanne (1890), and Vincent van Gogh (1890, 1891 retrospective).

Les XX was in some ways a successor to another group, L'Essor. The rejection of James Ensor's The Oyster Eater in 1883 by L'Essor Salon, following the earlier rejection by the Antwerp Salon, was one of the events that led to the formation of Les XX. The ideal of the group responded to the theories of Viollet le Duc, in particular that of the integration of the so-called minor arts (decorative arts) with the major arts (architecture).

The oldest traces of human occupation in Paris date from about 8000 BC, during the Mesolithic period. Between 250 and 225 BC, the Parisii settled on the banks of the Seine, built bridges and a fort, minted coins, and began to trade with other river settlements in Europe. In 52 BC, a Roman army led by Titus Labienus defeated the Parisii and established a Gallo-Roman garrison town called Lutetia. The town was Christianised in the 3rd century AD, and after the collapse of the Roman Empire, it was occupied by Clovis I, the King of the Franks, who made it his capital in 508.

During the Middle Ages, Paris was the largest city in Europe, an important religious and commercial centre, and the birthplace of the Gothic style of architecture. The University of Paris on the Left Bank, organised in the mid-13th century, was one of the first in Europe. It suffered from the Bubonic Plague in the 14th century and the Hundred Years' War in the 15th century, with recurrence of the plague. Between 1418 and 1436, the city was occupied by the Burgundians and English. In the 16th century, Paris became the book-publishing capital of Europe, though it was shaken by the French Wars of Religion between Catholics and Protestants. In the 18th century, Paris was the centre of the intellectual ferment known as the Enlightenment, and the main stage of the French Revolution from 1789. In the 19th century, Napoleon embellished the city with monuments to military glory. It became the European capital of fashion and the scene of two more revolutions (in 1830 and 1848). The centre of Paris was rebuilt between 1852 and 1870 with wide new avenues, squares and new parks, and the city was expanded to its present limits in 1860. In the latter part of the century, millions of tourists came to see the Paris International Expositions and the new Eiffel Tower.