Camera lens in the context of Camera


Camera lens in the context of Camera

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⭐ Core Definition: Camera lens

A camera lens, photographic lens or photographic objective is an optical lens or assembly of lenses (compound lens) used in conjunction with a camera body and mechanism to make images of objects either on photographic film or on other media capable of storing an image chemically or electronically.

There is no major difference in principle between a lens used for a still camera, a video camera, a telescope, a microscope, or other apparatus, but the details of design and construction are different. A lens might be permanently fixed to a camera, or it might be interchangeable with lenses of different focal lengths, apertures, and other properties.

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Camera lens in the context of Photographic film

Photographic film is a strip or sheet of transparent film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast, and resolution of the film. Film is typically segmented in frames, that give rise to separate photographs.

The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which can be chemically developed into a visible photograph. In addition to visible light, most films are sensitive to ultraviolet light, X-rays, gamma rays, and high-energy particles. Unmodified silver halide crystals are sensitive only to the blue part of the visible spectrum, producing unnatural-looking renditions of some colored subjects. This problem was resolved with the discovery that certain dyes, called sensitizing dyes, when adsorbed onto the silver halide crystals made them respond to other colors as well. First orthochromatic (sensitive to blue and green) and finally panchromatic (sensitive to all visible colors) films were developed. Panchromatic film renders all colors in shades of gray approximately matching their subjective brightness. By similar techniques, special-purpose films can be made sensitive to the infrared (IR) region of the spectrum.

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Camera lens in the context of Digital camera

A digital camera, also called a digicam, is a camera that captures photographs in digital memory. Most cameras produced since the turn of the 21st century are digital, largely replacing those that capture images on photographic film or film stock. Digital cameras are now widely incorporated into mobile devices like smartphones with the same or more capabilities and features of dedicated cameras. High-end, high-definition dedicated cameras are still commonly used by professionals and those who desire to take higher-quality photographs.

Digital cameras and film-based cameras have similar optical systems, typically using a lens with a variable diaphragm to focus light onto an image pickup device. The diaphragm and shutter admit a controlled amount of light to the image, just as with film, but the image pickup device is electronic rather than chemical. However, unlike film cameras, digital cameras can display images on a screen immediately after being recorded, and store and delete images from memory. Many digital cameras can also record moving videos with sound. Some digital cameras can crop and stitch pictures and perform other kinds of image editing.

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Camera lens in the context of Simple lens

In optics, a simple lens or singlet lens is a lens consisting of a single simple element. Typical examples include a magnifying glass or a lens in a pair of simple reading glasses.

Simple lenses are prone to aberrations, especially chromatic aberration. They cannot be used for precise imaging and make poor camera lenses. They are commonly used for laser applications, however, where the beams are both monochromatic (minimizing chromatic aberration) and narrow (minimizing spherical aberration).

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Camera lens in the context of Optical axis

An optical axis is an imaginary line that passes through the geometrical center of an optical system such as a camera lens, microscope or telescopic sight. Lens elements often have rotational symmetry about the axis.

The optical axis defines the path along which light propagates through the system, up to first approximation. For a system composed of simple lenses and mirrors, the axis passes through the center of curvature of each surface, and coincides with the axis of rotational symmetry. The optical axis is often coincident with the system's mechanical axis, but not always, as in the case of off-axis optical systems.

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Camera lens in the context of Airy disc

In optics, the Airy disk (or Airy disc) and Airy pattern are descriptions of the best-focused spot of light that a perfect lens with a circular aperture can make, limited by the diffraction of light. The Airy disk is of importance in physics, optics, and astronomy.

The diffraction pattern resulting from a uniformly illuminated, circular aperture has a bright central region, known as the Airy disk, which together with the series of concentric rings around is called the Airy pattern. Both are named after George Biddell Airy. The disk and rings phenomenon had been known prior to Airy; John Herschel described the appearance of a bright star seen through a telescope under high magnification for an 1828 article on light for the Encyclopedia Metropolitana:

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Camera lens in the context of F-number

An f-number is a measure of the light-gathering ability of an optical system such as a camera lens. It is defined as the ratio of the system's focal length to the diameter of the entrance pupil ("clear aperture"). The f-number is also known as the focal ratio, f-ratio, or f-stop, and it is key in determining the depth of field, diffraction, and exposure of a photograph. The f-number is dimensionless and is usually expressed using a lower-case hooked f with the format f/N, where N is the f-number.

The f-number is also known as the inverse relative aperture, because it is the inverse of the relative aperture, defined as the aperture diameter divided by the focal length. A lower f-number means a larger relative aperture and more light entering the system, while a higher f-number means a smaller relative aperture and less light entering the system. The f-number is related to the numerical aperture (NA) of the system, which measures the range of angles over which light can enter or exit the system. The numerical aperture takes into account the refractive index of the medium in which the system is working, while the f-number does not.

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Camera lens in the context of Zoom lens

A zoom lens is a system of camera lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed-focal-length (FFL) lens (prime lens).

A true zoom lens or optical zoom lens is a type of parfocal lens, one that maintains focus when its focal length changes. Most consumer zoom lenses do not maintain perfect focus, but are still nearly parfocal. Most camera phones that are advertised as having optical zoom actually use a few cameras of different but fixed focal length, combined with digital zoom to make a hybrid system.

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Camera lens in the context of Refracting telescope

A refracting telescope (also called a refractor) is a type of optical telescope that uses a lens as its objective to form an image (also referred to a dioptric telescope). The refracting telescope design was originally used in spyglasses and astronomical telescopes but is also used for long-focus camera lenses. Although large refracting telescopes were very popular in the second half of the 19th century, for most research purposes, the refracting telescope has been superseded by the reflecting telescope, which allows larger apertures. A refractor's magnification is calculated by dividing the focal length of the objective lens by that of the eyepiece.

Refracting telescopes typically have a lens at the front, then a long tube, then an eyepiece or instrumentation at the rear, where the telescope view comes to focus. Originally, telescopes had an objective of one element, but a century later, two and even three element lenses were made.

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Camera lens in the context of Photographic filter

In photography and cinematography, a filter is a camera accessory consisting of an optical filter that can be inserted into the optical path. The filter can be of a square or oblong shape and mounted in a holder accessory, or, more commonly, a glass or plastic disk in a metal or plastic ring frame, which can be screwed into the front of or clipped onto the camera lens.

Filters modify the images recorded. Sometimes they are used to make only subtle changes to images; other times the image would simply not be possible without them. In monochrome photography, coloured filters affect the relative brightness of different colours; red lipstick may be rendered as anything from almost white to almost black with different filters. Others change the colour balance of images, so that photographs under incandescent lighting show colours as they are perceived, rather than with a reddish tinge. There are filters that distort the image in a desired way, diffusing an otherwise sharp image, adding a starry effect, etc. Linear and circular polarising filters reduce oblique reflections from non-metallic surfaces.

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Camera lens in the context of Bayonet mount

A bayonet mount (mainly as a method of mechanical attachment, such as fitting a lens to a camera using a matching lens mount) or bayonet connector (for electrical use) is a fastening mechanism consisting of a cylindrical male side with one or more radial pegs, and a female receptor with matching L-shaped slot(s) and with spring(s) to keep the two parts locked together. The slots are shaped like a capital letter L with serif (a short upward segment at the end of the horizontal arm); the peg slides into the vertical arm of the L, rotates across the horizontal arm, then is pushed slightly upwards into the short vertical "serif" by the spring; the connector is no longer free to rotate unless pushed down against the spring until the peg is out of the "serif".

The bayonet mount is the standard light bulb fitting in the United Kingdom and in many countries that were members of the British Empire including Australia, Hong Kong, Fiji, India, Pakistan, Sri Lanka, Ireland and New Zealand, parts of the Middle East and Africa and, historically, in France and Greece.

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Camera lens in the context of Nikon

Nikon Corporation (株式会社ニコン, Kabushiki-gaisha Nikon) Japanese: [ɲiꜜkoɴ] ; (UK: /ˈnɪkɒn/; incorrect, but common: US: /ˈnkɒn/) is a Japanese optics and photographic equipment manufacturer. Nikon's products include cameras, camera lenses, binoculars, microscopes, ophthalmic lenses, measurement instruments, rifle scopes, spotting scopes, and equipment related to semiconductor fabrication, such as steppers used in the photolithography steps of such manufacturing. Nikon is the world's second largest manufacturer of such equipment.

Since July 2024, Nikon has been headquartered in Nishi-Ōi, Shinagawa, Tokyo where the plant has been located since 1918.

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Camera lens in the context of Mode dial

A mode dial or camera dial is a dial used on digital cameras to change the camera's mode. Most digital cameras, including dSLR and mirrorless cameras, support modes, selectable either by a rotary dial or from a menu. On point-and-shoot cameras which support modes a range of scene types is offered. On dSLR and mirrorless cameras, mode dials usually offer access to manual settings. The more compact point-and-shoot cameras, and cameras offering a great many modes, do not have mode dials, using menus instead. Some interchangeable lenses themselves offer control over things such as aperture, reducing the need for mode support in the camera body.

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Camera lens in the context of Digital single-lens reflex camera

A digital single-lens reflex camera (digital SLR or DSLR) is a digital camera that combines the optics and mechanisms of a single-lens reflex camera with a solid-state image sensor and digitally records the images from the sensor.

The reflex design scheme is the primary difference between a DSLR and other digital cameras. In the reflex design, light travels through the lens and then to a mirror that alternates to send the image to either a prism, which shows the image in the optical viewfinder, or the image sensor when the shutter release button is pressed. The viewfinder of a DSLR presents an image that will not differ substantially from what is captured by the camera's sensor, as it presents it as a direct optical view through the main camera lens rather than showing an image through a separate secondary lens.

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Camera lens in the context of Thin-film interference

Thin-film interference is a natural phenomenon in which light waves reflected by the upper and lower boundaries of a thin film interfere with one another, increasing reflection at some wavelengths and decreasing it at others. When white light is incident on a thin film, this effect produces colorful reflections.

Thin-film interference explains the multiple colors seen in light reflected from soap bubbles and oil films on water. It is also the mechanism behind the action of antireflection coatings used on glasses and camera lenses. If the thickness of the film is much larger than the coherence length of the incident light, then the interference pattern will be washed out due to the linewidth of the light source.

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