César Baldaccini in the context of "La Défense station"

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👉 César Baldaccini in the context of La Défense station

La Défense station (French pronunciation: [la defɑ̃s]) is a station of the Transilien (Réseau Saint-Lazare) suburban rail lines, RER commuter rail network, Paris Métro, as well as a stop of the Île-de-France tram network. In the future, Paris Metro Line 15 of Grand Paris Express will pass through here, making it a huge railway hub. It is underneath the Grande Arche building in La Défense, the business district just west of Paris. The station is the western terminus of Métro Line 1 and connects the RER A line to the Métro Line 1 station since 1992, the Line 2 tramway since 1994 and SNCF (Transilien) train station. It is also attached to a major shopping centre. There are over 25 million entries and exits each year. A temporary special SNCF service began in April 1959 (1959-04) to serve the newly-built Centre of New Industries and Technologies (CNIT); the RER entered service on 19 January 1970 (1970-01-19). The RER E station built under the CNIT opened on 6 May 2024.

Highlights on the surface nearby include the monumental Grande Arche, skyscrapers that host the headquarters of important French and foreign companies, and works of urban art such as Le Pouce by César Baldaccini. From the central esplanade the Arc de Triomphe can be seen further down the Axe historique. Until May 2004, this part of La Défense hosted an information centre of the European Union managed by the European Parliament. Like the district it serves, the station takes its name from the 19th-century statue La Défense de Paris, commemorating the Franco-Prussian War.

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César Baldaccini in the context of Nouveau réalisme

Nouveau réalisme (French for "new realism") is an art movement founded in 1960 by the art critic Pierre Restany and the painter Yves Klein during the first collective exposition in the Apollinaire gallery in Milan. Restany wrote the original manifesto for the group, titled the "Constitutive Declaration of New Realism," in April 1960, proclaiming, "Nouveau Réalisme—new ways of perceiving the real." This joint declaration was signed on 27 October 1960, in Yves Klein's workshop, by nine people: Yves Klein, Arman, Martial Raysse, Pierre Restany, Daniel Spoerri, Jean Tinguely and the Ultra-Lettrists, Francois Dufrêne, Raymond Hains, and Jacques de la Villeglé. In 1961 the aforementioned nine were joined by César, Mimmo Rotella, then Niki de Saint Phalle and Gérard Deschamps. The artist Christo showed with the group. It was dissolved in 1970.

Contemporary with American pop art, and often conceived as its transposition in France, new realism was, along with Fluxus and other groups, one of the numerous tendencies of the avant-garde in the 1960s. The group initially chose Nice, on the French Riviera, as its home base since Klein and Arman both originated there; new realism is thus often retrospectively considered by historians to be an early representative of the École de Nice movement.

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