Buridan's ass in the context of "Al-Ghazali"

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⭐ Core Definition: Buridan's ass

Buridan's ass is an illustration of a paradox in philosophy in the conception of free will. It refers to a hypothetical situation wherein an ass (or donkey) that is equally hungry and thirsty is placed precisely midway between a stack of hay and a pail of water. Since the paradox assumes the ass will always go to whichever is closer, it dies of both hunger and thirst since it cannot make any rational decision between the hay and water. A common variant of the paradox substitutes the hay and water for two identical piles of hay; the ass, unable to choose between the two, dies of hunger.

The paradox is named after the 14th-century French philosopher Jean Buridan, whose philosophy of moral determinism it satirizes. Although the illustration is named after Buridan, philosophers have discussed the concept before him, notably Aristotle, who put forward the example of a man equally hungry and thirsty, and Al-Ghazali, who used a man faced with the choice of equally good dates.

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Buridan's ass in the context of Jean Buridan

Jean Buridan (/ˈbjʊərɪdən/; French: [byʁidɑ̃]; Latin: Johannes Buridanus; c. 1301c. 1359/62) was an influential 14th‑century French scholastic philosopher.

Buridan taught in the faculty of arts at the University of Paris for his entire career and focused in particular on logic and on the works of Aristotle. Buridan sowed the seeds of the Copernican Revolution in Europe. He developed the concept of impetus, the first step toward the modern concept of inertia and an important development in the history of medieval science. His name is most familiar through the thought experiment known as Buridan's ass, but the thought experiment does not appear in his extant writings.

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Buridan's ass in the context of Oblomov

Oblomov (Russian: Обломов, pronounced [ɐˈbloməf]) is the second novel by Russian writer Ivan Goncharov, first published in 1859. Ilya Ilyich Oblomov is the central character of the novel, portrayed as the ultimate incarnation of the superfluous man, a symbolic character in 19th-century Russian literature. Oblomov is a young, generous nobleman who seems incapable of making important decisions or undertaking any significant actions. Throughout the novel, he rarely leaves his room or bed. In the first 50 pages, he only manages to move from his bed to a chair.

The novel was popular when it came out, and some of its characters and devices have imprinted on Russian culture and language.

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