Bull-leaping in the context of "Aegean art"

The history of Crete goes back to the 7th millennium BC, preceding the ancient Minoan civilization by more than four millennia. The Minoan civilization was the first civilization in Europe.

During the Iron Age, Crete developed an Ancient Greece-influenced organization of city-states, then successively became part of the Roman Empire, the Byzantine Empire, the Venetian Republic, the Ottoman Empire, an autonomous state, and the modern state of Greece.

The Heraklion Archaeological Museum is a museum located in Heraklion on Crete. It is one of the largest museums in Greece, and the best in the world for Minoan art, as it contains by far the most important and complete collection of artefacts of the Minoan civilization of Crete. It is normally referred to scholarship in English as "AMH" (for "Archaeological Museum of Heraklion"), a form still sometimes used by the museum in itself.

The museum holds the great majority of the finds from the Minoan palace at Knossos and other Minoan sites in Crete.

The Bull-Leaping Fresco is the most completely restored of several stucco panels originally sited on the upper-story portion of the east wall of the Minoan palace at Knossos in Crete. It shows a bull-leaping scene. Although they were frescos, they were painted on stucco relief scenes. They were difficult to produce. The artist had to manage not only the altitude of the panel but also the simultaneous molding and painting of fresh stucco. The panels, therefore, do not represent the formative stages of the technique. In Minoan chronology, their polychrome hues – white, pale red, dark red, blue, black – exclude them from the Early Minoan (EM) and early Middle Minoan (MM) Periods. They are, in other words, instances of the "mature art" created no earlier than MM III. The flakes of the destroyed panels fell to the ground from the upper story during the destruction of the palace, probably by earthquake, in Late Minoan (LM) II. By that time the east stairwell, near which they fell, was disused, being partly ruinous.

The subject is common in Minoan art, one of a number depicting the handling of bulls. Arthur Evans, Keeper of the Ashmolean Museum, owner of the palace and director of excavation, presents the topic in Chapter III of his monumental work on Knossos and Minoan Civilization, Palace of Minos. There he calls the several frescos "The Taureador Frescos."

The course landaise (Occitan: Curs landés) is an ancient form of bullfighting and bull-leaping held in oval or rectangular arenas covered in sand, that involves no bloodshed. Experienced cows, with large horns, aged generally from 2 to 14 years old, are used instead of bulls. They are athletic but (by modern standards) small animals selected from the same breed as the bulls used for the Spanish corridas. In Gascony, it is a major spectator sport, counting as many as 600 events each year.

The course landaise is one of various forms of entertainment involving a bull or a cow found throughout the south of France, and the Iberian peninsula. The course landaise is for the most part the main attraction of the yearly celebrations held in villages of western Gascony (Bas-Armagnac, Chalosse, and Bearn) and as far west as Bayonne. Other forms of related entertainments are the running of the bulls made famous in the neighboring Spanish Basque Country by the Ferias of Pamplona, but also enjoyed in Bayonne and smaller towns of Gascony such as Nogaro. The course landaise can in a way be compared with the steer-wrestling events in American rodeos to the extent that they are related expressions of a rural culture that can be traced to the ancient Basque tradition of Iberia. of running in front of bulls.