Buckminster Fuller in the context of "Dymaxion house"

The Dymaxion map projection, also called the Fuller projection, is a kind of polyhedral map projection of the Earth's surface onto the unfolded net of an icosahedron. The resulting map is heavily interrupted in order to reduce shape and size distortion compared to other world maps, but the interruptions are chosen to lie in the ocean.

The projection was invented by Buckminster Fuller. In 1943, Fuller proposed a projection onto a cuboctahedron, which he called the Dymaxion World, using the name Dymaxion which he also applied to several of his other inventions. In 1954, Fuller and cartographer Shoji Sadao produced an updated Dymaxion map, the Airocean World Map, based on an icosahedron with a few of the triangular faces cut to avoid breaks in landmasses.

A polyhedral map projection is a map projection based on a spherical polyhedron. Typically, the polyhedron is overlaid on the globe, and each face of the polyhedron is transformed to a polygon or other shape in the plane. The best-known polyhedral map projection is Buckminster Fuller's Dymaxion map. When the spherical polyhedron faces are transformed to the faces of an ordinary polyhedron instead of laid flat in a plane, the result is a polyhedral globe.

Often the polyhedron used is a Platonic solid or Archimedean solid. However, other polyhedra can be used: the AuthaGraph projection makes use of a polyhedron with 96 faces, and the myriahedral projection allows for an arbitrary large number of faces.Although interruptions between faces are common, and more common with an increasing number of faces, some maps avoid them: the Lee conformal projection only has interruptions at its border, and the AuthaGraph projection scales its faces so that the map fills a rectangle without internal interruptions. Some projections can be tesselated to fill the plane, the Lee conformal projection among them.

Dymaxion is a term coined by architect and inventor Buckminster Fuller and associated with much of his work, prominently his Dymaxion house and Dymaxion car. A portmanteau of the words dynamic, maximum, and tension, Dymaxion sums up the goal of his study, "maximum gain of advantage from minimal energy input".

Shoji Sadao (貞尾 昭二, January 1927 – November 3, 2019) was a Japanese American architect, best known for his work and collaborations with R. Buckminster Fuller and Isamu Noguchi. During World War II he was stationed in Germany and was a cartographer for the U.S. Army.

Edward Twitchell Hall Jr. (May 16, 1914 – July 20, 2009) was an American anthropologist and cross-cultural researcher. He is remembered for developing the concept of proxemics and exploring cultural and social cohesion, and describing how people behave and react in different types of culturally defined personal space. Hall was an influential colleague of Marshall McLuhan and Buckminster Fuller.

Neo-futurism is a late-20th to early-21st-century movement in the arts, design, and architecture.

Described as an avant-garde movement, as well as a futuristic rethinking of the thought behind aesthetics and functionality of design in growing cities, the movement has its origins in the mid-20th-century structural expressionist work of architects such as Alvar Aalto and Buckminster Fuller.

In geometry, the truncated icosahedron is a polyhedron that can be constructed by truncating all of the regular icosahedron's vertices. Intuitively, it may be regarded as footballs (or soccer balls) that are typically patterned with white hexagons and black pentagons. Geodesic dome structures such as those whose architecture Buckminster Fuller pioneered are often based on this structure. It is an example of an Archimedean solid, as well as a Goldberg polyhedron.

Intermedia is an art theory term coined in the mid-1960s by Fluxus artist Dick Higgins to describe the strategies of interdisciplinarity that occur within artworks existing between artistic genres. It was also used by John Brockman to refer to works in expanded cinema that were associated with Jonas Mekas' Film-Makers’ Cinematheque. Gene Youngblood also described intermedia, beginning in his Intermedia column for the Los Angeles Free Press beginning in 1967 as a part of a global network of multiple media that was expanding consciousness. Youngblood gathered and expanded upon intermedia ideas from this series of columns in his 1970 book Expanded Cinema, with an introduction by Buckminster Fuller. Over the years, intermedia has been used almost interchangeably with multi-media and more recently with the categories of digital media, technoetics, electronic media and post-conceptualism.