Bronze in the context of High-relief

The Bronze Age is an archaeological and anthropological term defining a phase in the development of material culture among ancient societies in Asia, the Near East and Europe. An ancient civilisation is deemed to be part of the Bronze Age if it either produced bronze by smelting its own copper and alloying it with tin, arsenic, or other metals, or traded other items for bronze from producing areas elsewhere. The Bronze Age is the middle principal period of the three-age system, following the Stone Age and preceding the Iron Age. Conceived as a global era, the Bronze Age follows the Neolithic ("New Stone") period, with a transition period between the two known as the Chalcolithic ("copper-Stone") Age. These technical developments took place at different times in different places, and therefore each region's history is framed by a different chronological system.

Bronze Age cultures were the first to develop writing. According to archaeological evidence, cultures in Mesopotamia, which used cuneiform script, and Egypt, which used hieroglyphs, developed the earliest practical writing systems. In the archaeology of the Americas, a five-period system is conventionally used instead, which does not include a Bronze Age, though some cultures there did smelt copper and bronze. No evidence of metalworking has been found on the Australian continent prior to the establishment of European settlements in 1788.

The three-age system is the division of human prehistory (with some overlap into the historical periods in a few regions) into three time-periods: the Stone Age, the Bronze Age and the Iron Age, although the concept may also refer to other tripartite divisions of historic time periods. In some systems, a fourth Copper Age is added as between the Stone Age and Bronze Age. The Copper, Bronze and Iron Ages are also known collectively as the Metal Ages.

In history, archaeology and physical anthropology, the three-age system is a methodological concept adopted during the 19th century according to which artefacts and events of late prehistory and early history could be broadly ordered into a recognizable chronology. C. J. Thomsen initially developed this categorization in the period 1816 to 1825, as a result of classifying the collection of an archaeological exhibition chronologically – there resulted broad sequences with artefacts made successively of stone, bronze, and iron.

The Stone Age was a broad prehistoric period during which stone was widely used to make stone tools with an edge, a point, or a percussion surface. The period lasted for roughly 3.4 million years and ended between 4000 BC and 2000 BC, with the advent of metalworking. Because of its enormous timescale, it encompasses 99% of human history.

Though some simple metalworking of malleable metals, particularly the use of gold and copper for purposes of ornamentation, was known in the Stone Age, it is the melting and smelting of copper that marks the end of the Stone Age. In Western Asia, this occurred by about 3000 BC, when bronze became widespread. The term Bronze Age is used to describe the period that followed the Stone Age, as well as to describe cultures that had developed techniques and technologies for working copper alloys (bronze: originally copper and arsenic, later copper and tin) into tools, supplanting stone in many uses.

The Iron Age (c. 1200 – c. 550 BC) is the final epoch of the three historical Metal Ages, after the Copper Age and Bronze Age. It has also been considered as the final age of the three-age division starting with prehistory (before recorded history) and progressing to protohistory (before written history). In this usage, it is preceded by the Stone Age (subdivided into the Paleolithic, Mesolithic and Neolithic) and Bronze Age. These concepts originated for describing Iron Age Europe and the ancient Near East. In the archaeology of the Americas, a five-period system is conventionally used instead; indigenous cultures there did not develop an iron economy in the pre-Columbian era, though some did work copper and silver. Indigenous metalworking arrived in Australia with European contact. Although meteoric iron has been used for millennia in many regions, the beginning of the Iron Age is defined locally around the world by archaeological convention when the production of smelted iron (especially steel tools and weapons) replaces their bronze equivalents in common use.

In Anatolia and the Caucasus, or Southeast Europe, the Iron Age began c. 1300 BC. In the ancient Near East, this transition occurred simultaneously with the Late Bronze Age collapse, during the 12th century BC. The technology soon spread throughout the Mediterranean basin region and to South Asia between the 12th and 11th centuries BC. Its further spread to Central Asia, Eastern Europe, and Central Europe was somewhat delayed, and Northern Europe was not reached until c. the 5th century BC.

Relief is a sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term relief is from the Latin verb relevare, to raise (lit. 'to lift back'). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs are made by casting.

There are different degrees of relief depending on the degree of projection of the sculpted form from the field, for which the Italian and French terms are still sometimes used in English. The full range includes high relief (Italian alto-rilievo, French haut-relief), where more than 50% of the depth is shown and there may be undercut areas, mid-relief (Italian mezzo-rilievo), low relief (Italian basso-rilievo, French: bas-relief), and shallow-relief (Italian rilievo schiacciato), where the plane is only very slightly lower than the sculpted elements. There is also sunk relief, which was mainly restricted to Ancient Egypt (see below). However, the distinction between high relief and low relief is the clearest and most important, and these two are generally the only terms used to discuss most work.

Hoplites (/ˈhɒplaɪts/ HOP-lytes) (Ancient Greek: ὁπλῖται, romanized: hoplîtai [hoplîːtai̯]) were citizen-soldiers of Ancient Greek city-states who were primarily armed with spears and shields. Hoplite soldiers used the phalanx formation to be effective in war with fewer soldiers. The formation discouraged the soldiers from acting alone, for this would compromise the formation and minimize its strengths. The hoplites were primarily represented by free citizens – propertied farmers and artisans – who were able to afford a linen or bronze armour suit and weapons (estimated at a third to a half of its able-bodied adult male population). Some states maintained a small elite professional unit, known as the epilektoi or logades ('the chosen') because they were picked from the regular citizen infantry. These existed at times in Athens, Sparta, Argos, Thebes, and Syracuse, among other places. Hoplite soldiers made up the bulk of ancient Greek armies.

In the 8th century BC, Greek armies started to adopt the phalanx formation. The formation proved successful in defeating the Persians when employed by the Athenians at the Battle of Marathon in 490 BC during the First Greco-Persian War. The Persian archers and light troops who fought in the Battle of Marathon failed because their bows were too weak for their arrows to penetrate the wall of Greek shields of the phalanx formation. The phalanx was also employed by the Greeks at the Battle of Thermopylae in 480 BC and at the Battle of Plataea in 479 BC during the Second Greco-Persian War.

Ancient Greek technology developed during the 5th century BC, continuing up to and including the Roman period, and beyond. Inventions that are credited to the ancient Greeks include the gear, screw, rotary mills, bronze casting techniques, water clock, water organ, the torsion catapult, the use of steam to operate some experimental machines and toys, and a chart to find prime numbers. Many of these inventions occurred late in the Greek period, often inspired by the need to improve weapons and tactics in war. However, peaceful uses are shown by their early development of the watermill, a device which pointed to further exploitation on a large scale under the Romans. They developed surveying and mathematics to an advanced state, and many of their technical advances were published by philosophers, like Archimedes and Heron.

The Capitoline Wolf (Italian: Lupa Capitolina) is a bronze sculpture depicting a scene from the legend of the founding of Rome. The sculpture shows a she-wolf suckling the mythical twin founders of Rome, Romulus and Remus. According to the legend, when King Numitor, grandfather of the twins, was overthrown by his brother Amulius in Alba Longa, the usurper ordered them to be cast into the Tiber River. They were rescued by a she-wolf that cared for them until a herdsman, Faustulus, found and raised them.

The age and origin of the Capitoline Wolf are controversial. The statue was long thought to be an Etruscan work of the fifth century BC, with the twins added in the late 15th century AD, probably by sculptor Antonio del Pollaiuolo. However, radiocarbon and thermoluminescence dating in the 21st century has suggested that the wolf portion of the statue may have been cast between 1021 and 1153, though the results are inconsistent, and there is yet no consensus for a revised dating. In a conference on this theme, most academics continued to support an ancient Etruscan origin. An analysis of the metal suggests that it contains lead from a source not known to have operated during medieval times.

The antoninianus or pre-reform radiate was a coin used during the Roman Empire thought to have been valued at 2 denarii. It was initially silver, but was slowly debased to bronze with a minimal silver content. The coin was introduced by Caracalla in early 215 AD. It was silver, similar to the denarius, except that it was slightly larger and featured the emperor wearing a radiate crown, indicating it was a double denomination. Antoniniani depicting women (usually the emperor's wife) featured the bust resting upon a crescent moon.

Even at its introduction, the silver content of the antoninianus was only equal to 1.5 denarii. This created inflation: people rapidly hoarded the denarii (Gresham's law), while both buyers and sellers recognized the new coin had a lower intrinsic value and elevated their prices to compensate. Silver bullion supplies began running short because the Roman Empire was no longer conquering new territory, the Iberian silver mines had been exhausted, and a series of soldier emperors and usurpers needed coin to pay their troops and buy their loyalty. Each new issue of the antoninianus thus had less silver in it than the last, and thus contributed to ever-increasing inflation.

The as (pl.: assēs), occasionally assarius (pl.: assarii; Ancient Greek: ἀσσάριον, romanized: assárion), was a bronze, and later copper, coin used during the Roman Republic and Roman Empire.

The European Bronze Age is characterized by bronze artifacts and the use of bronze implements. The regional Bronze Age succeeds the Neolithic and Copper Age and is followed by the Iron Age. It starts with the Aegean Bronze Age in 3200 BC and spans the entire 2nd millennium BC (including the Únětice culture, Ottomány culture, British Bronze Age, Argaric culture, Nordic Bronze Age, Tumulus culture, Nuragic culture, Terramare culture, Urnfield culture and Lusatian culture), lasting until c. 800 BC in central Europe.

Arsenical bronze was produced in some areas from the 4th millennium BC onwards, prior to the introduction of tin bronze. Tin bronze foil had already been produced in southeastern Europe on a small scale in the Chalcolithic era, with examples from Pločnik in Serbia dated to c. 4650 BC, as well as 14 other artefacts from Bulgaria and Serbia dated to before 4000 BC, showing that early tin bronze developed independently in Europe 1500 years before the first tin bronze alloys in the Near East. This bronze production lasted for c. 500 years in the Balkans but disappeared at the end of the 5th millennium, coinciding with the "collapse of large cultural complexes in north-eastern Bulgaria and Thrace in the late fifth millennium BC". Tin bronzes using cassiterite tin were subsequently reintroduced to the area some 1500 years later.

Copper is a chemical element; it has symbol Cu (from Latin cuprum) and atomic number 29. It is a soft, malleable, and ductile metal with very high thermal and electrical conductivity. A freshly exposed surface of pure copper has a pinkish-orange color. Copper is used as a conductor of heat and electricity, as a building material, and as a constituent of various metal alloys, such as sterling silver used in jewelry, cupronickel used to make marine hardware and coins, and constantan used in strain gauges and thermocouples for temperature measurement.

Copper is one of the few native metals, meaning metals that occur naturally in a directly usable, unalloyed metallic form. This led to very early human use in several regions, from c. 8000 BC. Thousands of years later, it was the first metal to be smelted from sulfide ores, c. 5000 BC; the first metal to be cast into a shape in a mold, c. 4000 BC; and the first metal to be purposely alloyed with another metal, tin, to create bronze, c. 3500 BC.

Ballaios (Ancient Greek: Βαλλαῖος; ruled c. 260 – c. 230 BC) was an Illyrian king of the Ardiaei tribe. Attested only in coinage, Ballaios is considered as the predecessor of Agron. He is considered to have been a powerful and influential king as testified by the abundance of his silver and bronze coinage found along both coasts of the Adriatic. A hoard found in 2010 is one of the biggest hoards of ancient coins known, not only from Illyria. The capital of Ballaios' kingdom was Rhizon.

His silver issues are rare, but bronze coins, without the royal title, occur on Hvar, both in single finds and in hoards, and at Rhizon in a different series bearing the royal title. In the city of Ulcinj there is still a fully functioning water source bearing his name: "Kroni i Ballos". The coins of Ballaios were widely imitated in the region, sometimes so crudely that they are unintelligible.

The study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry.

The strengths of Roman sculpture are in portraiture, where they were less concerned with the ideal than the Greeks or Ancient Egyptians, and produced very characterful works, and in narrative relief scenes. Examples of Roman sculpture are abundantly preserved, in total contrast to Roman painting, which was very widely practiced but has almost all been lost. Latin and some Greek authors, particularly Pliny the Elder in Book 34 of his Natural History, describe statues, and a few of these descriptions match extant works. While a great deal of Roman sculpture, especially in stone, survives more or less intact, it is often damaged or fragmentary; life-size bronze statues are much more rare as most have been recycled for their metal.