Bronze in the context of "Blade"

The Bronze Age is an archaeological and anthropological term defining a phase in the development of material culture among ancient societies in Asia, the Near East and Europe. An ancient civilisation is deemed to be part of the Bronze Age if it either produced bronze by smelting its own copper and alloying it with tin, arsenic, or other metals, or traded other items for bronze from producing areas elsewhere. The Bronze Age is the middle principal period of the three-age system, following the Stone Age and preceding the Iron Age. Conceived as a global era, the Bronze Age follows the Neolithic ("New Stone") period, with a transition period between the two known as the Chalcolithic ("copper-Stone") Age. These technical developments took place at different times in different places, and therefore each region's history is framed by a different chronological system.

Bronze Age cultures were the first to develop writing. According to archaeological evidence, cultures in Mesopotamia, which used cuneiform script, and Egypt, which used hieroglyphs, developed the earliest practical writing systems. In the archaeology of the Americas, a five-period system is conventionally used instead, which does not include a Bronze Age, though some cultures there did smelt copper and bronze. No evidence of metalworking has been found on the Australian continent prior to the establishment of European settlements in 1788.

The three-age system is the division of human prehistory (with some overlap into the historical periods in a few regions) into three time-periods: the Stone Age, the Bronze Age and the Iron Age, although the concept may also refer to other tripartite divisions of historic time periods. In some systems, a fourth Copper Age is added as between the Stone Age and Bronze Age. The Copper, Bronze and Iron Ages are also known collectively as the Metal Ages.

In history, archaeology and physical anthropology, the three-age system is a methodological concept adopted during the 19th century according to which artefacts and events of late prehistory and early history could be broadly ordered into a recognizable chronology. C. J. Thomsen initially developed this categorization in the period 1816 to 1825, as a result of classifying the collection of an archaeological exhibition chronologically – there resulted broad sequences with artefacts made successively of stone, bronze, and iron.

The Stone Age was a broad prehistoric period during which stone was widely used to make stone tools with an edge, a point, or a percussion surface. The period lasted for roughly 3.4 million years and ended between 4000 BC and 2000 BC, with the advent of metalworking. Because of its enormous timescale, it encompasses 99% of human history.

Though some simple metalworking of malleable metals, particularly the use of gold and copper for purposes of ornamentation, was known in the Stone Age, it is the melting and smelting of copper that marks the end of the Stone Age. In Western Asia, this occurred by about 3000 BC, when bronze became widespread. The term Bronze Age is used to describe the period that followed the Stone Age, as well as to describe cultures that had developed techniques and technologies for working copper alloys (bronze: originally copper and arsenic, later copper and tin) into tools, supplanting stone in many uses.

The Iron Age (c. 1200 – c. 550 BC) is the final epoch of the three historical Metal Ages, after the Copper Age and Bronze Age. It has also been considered as the final age of the three-age division starting with prehistory (before recorded history) and progressing to protohistory (before written history). In this usage, it is preceded by the Stone Age (subdivided into the Paleolithic, Mesolithic and Neolithic) and Bronze Age. These concepts originated for describing Iron Age Europe and the ancient Near East. In the archaeology of the Americas, a five-period system is conventionally used instead; indigenous cultures there did not develop an iron economy in the pre-Columbian era, though some did work copper and silver. Indigenous metalworking arrived in Australia with European contact. Although meteoric iron has been used for millennia in many regions, the beginning of the Iron Age is defined locally around the world by archaeological convention when the production of smelted iron (especially steel tools and weapons) replaces their bronze equivalents in common use.

In Anatolia and the Caucasus, or Southeast Europe, the Iron Age began c. 1300 BC. In the ancient Near East, this transition occurred simultaneously with the Late Bronze Age collapse, during the 12th century BC. The technology soon spread throughout the Mediterranean basin region and to South Asia between the 12th and 11th centuries BC. Its further spread to Central Asia, Eastern Europe, and Central Europe was somewhat delayed, and Northern Europe was not reached until c. the 5th century BC.

Relief is a sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term relief is from the Latin verb relevare, to raise (lit. 'to lift back'). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs are made by casting.

There are different degrees of relief depending on the degree of projection of the sculpted form from the field, for which the Italian and French terms are still sometimes used in English. The full range includes high relief (Italian alto-rilievo, French haut-relief), where more than 50% of the depth is shown and there may be undercut areas, mid-relief (Italian mezzo-rilievo), low relief (Italian basso-rilievo, French: bas-relief), and shallow-relief (Italian rilievo schiacciato), where the plane is only very slightly lower than the sculpted elements. There is also sunk relief, which was mainly restricted to Ancient Egypt (see below). However, the distinction between high relief and low relief is the clearest and most important, and these two are generally the only terms used to discuss most work.

Hoplites (/ˈhɒplaɪts/ HOP-lytes) (Ancient Greek: ὁπλῖται, romanized: hoplîtai [hoplîːtai̯]) were citizen-soldiers of Ancient Greek city-states who were primarily armed with spears and shields. Hoplite soldiers used the phalanx formation to be effective in war with fewer soldiers. The formation discouraged the soldiers from acting alone, for this would compromise the formation and minimize its strengths. The hoplites were primarily represented by free citizens – propertied farmers and artisans – who were able to afford a linen or bronze armour suit and weapons (estimated at a third to a half of its able-bodied adult male population). Some states maintained a small elite professional unit, known as the epilektoi or logades ('the chosen') because they were picked from the regular citizen infantry. These existed at times in Athens, Sparta, Argos, Thebes, and Syracuse, among other places. Hoplite soldiers made up the bulk of ancient Greek armies.

In the 8th century BC, Greek armies started to adopt the phalanx formation. The formation proved successful in defeating the Persians when employed by the Athenians at the Battle of Marathon in 490 BC during the First Greco-Persian War. The Persian archers and light troops who fought in the Battle of Marathon failed because their bows were too weak for their arrows to penetrate the wall of Greek shields of the phalanx formation. The phalanx was also employed by the Greeks at the Battle of Thermopylae in 480 BC and at the Battle of Plataea in 479 BC during the Second Greco-Persian War.

Ancient Greek technology developed during the 5th century BC, continuing up to and including the Roman period, and beyond. Inventions that are credited to the ancient Greeks include the gear, screw, rotary mills, bronze casting techniques, water clock, water organ, the torsion catapult, the use of steam to operate some experimental machines and toys, and a chart to find prime numbers. Many of these inventions occurred late in the Greek period, often inspired by the need to improve weapons and tactics in war. However, peaceful uses are shown by their early development of the watermill, a device which pointed to further exploitation on a large scale under the Romans. They developed surveying and mathematics to an advanced state, and many of their technical advances were published by philosophers, like Archimedes and Heron.

The Capitoline Wolf (Italian: Lupa Capitolina) is a bronze sculpture depicting a scene from the legend of the founding of Rome. The sculpture shows a she-wolf suckling the mythical twin founders of Rome, Romulus and Remus. According to the legend, when King Numitor, grandfather of the twins, was overthrown by his brother Amulius in Alba Longa, the usurper ordered them to be cast into the Tiber River. They were rescued by a she-wolf that cared for them until a herdsman, Faustulus, found and raised them.

The age and origin of the Capitoline Wolf are controversial. The statue was long thought to be an Etruscan work of the fifth century BC, with the twins added in the late 15th century AD, probably by sculptor Antonio del Pollaiuolo. However, radiocarbon and thermoluminescence dating in the 21st century has suggested that the wolf portion of the statue may have been cast between 1021 and 1153, though the results are inconsistent, and there is yet no consensus for a revised dating. In a conference on this theme, most academics continued to support an ancient Etruscan origin. An analysis of the metal suggests that it contains lead from a source not known to have operated during medieval times.