Breton mythology in the context of "Cornish folklore"

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⭐ Core Definition: Breton mythology

Breton mythology is the mythology or corpus of explanatory and heroic tales originating in Brittany. The Bretons are the descendants of insular Britons who settled in Brittany from at least the third century. While the Britons were already Christianised in this era, the migrant population maintained an ancient Celtic mythos, similar to those of Wales and Cornwall.

Breton mythology has many gods and mythical creatures specifically associated with nature cults. In this tradition of gods and creatures rooted in nature, there exist traces of certain Breton Catholic saints.

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👉 Breton mythology in the context of Cornish folklore

Cornish mythology is the folk tradition and mythology of the Cornish people. It consists partly of folk traditions developed in Cornwall and partly of traditions developed by Britons elsewhere before the end of the first millennium, often shared with those of the Breton and Welsh peoples. Some of this contains remnants of the mythology of pre-Christian Britain.

The folklore of Cornwall often consists of tales of giants, mermaids, Bucca, piskies or the 'pobel vean' (little folk.) These tales are still popular today, with some events hosting a 'droll teller' or storyteller, to share Cornish myths and legends. The myths and stories of Cornwall have found much publishing success, particularly in children's books. The fairy tale Jack the Giant Killer takes place in Cornwall. Many early British legends associate King Arthur with Cornwall, putting his birthplace at Tintagel, the court of King Mark of Cornwall, uncle of Tristan and husband of Iseult, the most famous Cornish lovers.

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Breton mythology in the context of Jack the Giant Killer

"Jack the Giant Killer" is a Cornish fairy tale and legend about a man who slays a number of bad giants during King Arthur's reign. The tale is characterised by violence, gore and blood-letting. Giants are prominent in Cornish folklore, Breton mythology and Welsh Bardic lore. Some parallels to elements and incidents in Norse mythology have been detected in the tale, and the trappings of Jack's last adventure with the giant Galigantus suggest parallels with French and Breton fairy tales such as Bluebeard. Jack's belt is similar to the belt in "The Valiant Little Tailor", and his magical sword, shoes, cap, and cloak are similar to those owned by Tom Thumb or those found in Welsh and Norse mythology.

Jack and his tale are rarely referenced in English literature prior to the eighteenth century (there is an allusion to Jack the Giant Killer in William Shakespeare's King Lear, where in Act 3, one character, Edgar, in his feigned madness, cries, "Fie, foh, and fum,/ I smell the blood of a British man"). Jack's story did not appear in print until 1711. One scholar speculates the public had grown weary of King Arthur and Jack was created to fill the role. Henry Fielding, John Newbery, Samuel Johnson, Boswell, and William Cowper were familiar with the tale.

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