Boris Mikhailovich Eikhenbaum (Russian: Борис Михайлович Эйхенбаум, IPA: [ɨjxʲɪnˈbaʊm]; 16 October 1886 – 2 November 1959) was a Russian and Soviet literary scholar and historian of Russian literature. He is a representative of Russian formalism.
>>>PUT SHARE BUTTONS HERE<<<
👉 Boris Eikhenbaum in the context of OPOJAZ
OPOJAZ (ОПОЯЗ) (Russian: Общество изучения Поэтического Языка, Obščestvo izučenija POètičeskogo JAZyka, "Society for the Study of Poetic Language") was a prominent group of linguists and literary critics in St. Petersburg founded in 1916 and dissolved by the early 1930s. The group included Viktor Shklovsky, Boris Eikhenbaum, Osip Brik, Boris Kušner and Yury Tynianov. Along with the Moscow linguistic circle it was responsible for the development of Russian formalism and literary semiotics. It was dissolved under political pressure as "formalism" came to be a political term of opprobrium in the Soviet state.
In this Dossier
Boris Eikhenbaum in the context of Russian formalism
Russian formalism was a school of literary theory in Russia from the 1910s to the 1930s. It includes the work of a number of highly influential Russian and Soviet scholars, such as Viktor Shklovsky, Yuri Tynianov, Vladimir Propp, Boris Eikhenbaum, Roman Jakobson, Boris Tomashevsky, and Grigory Gukovsky, who revolutionised literary criticism between 1914 and the 1930s by establishing the specificity and autonomy of poetic language and literature. Russian formalism exerted a major influence on thinkers like Mikhail Bakhtin and Juri Lotman as well as on structuralism as a whole. The movement's members had a large impact on modern literary criticism as it developed in the structuralist and post-structuralist periods. Under Stalin it became a pejorative term for elitist art.
Russian formalism was a diverse movement, producing no unified doctrine, and no consensus amongst its proponents on a central aim to their endeavours. In fact, "Russian Formalism" describes two distinct movements: the OPOJAZ (Obshchestvo Izucheniia Poeticheskogo Yazyka, Society for the Study of Poetic Language) in St. Petersburg and the Moscow Linguistic Circle. Therefore, it is more precise to refer to the "Russian Formalists," rather than to use the broader and more abstract term of "Formalism."
Boris Eikhenbaum in the context of David Bordwell
David Jay Bordwell (/ˈbɔːrdwəl/; July 23, 1947 – February 29, 2024) was an American film theorist and film historian. After receiving his PhD from the University of Iowa in 1973, he wrote more than fifteen volumes on the subject of cinema including Narration in the Fiction Film (1985), Ozu and the Poetics of Cinema (1988), Making Meaning (1989), and On the History of Film Style (1997).
With his wife Kristin Thompson, Bordwell wrote the textbooks Film Art (1979) and Film History (1994). Film Art, in its 12th edition as of 2019, is still used as a text in introductory film courses. With aesthetics philosopher Noël Carroll, Bordwell edited the anthology Post-Theory: Reconstructing Film Studies (1996), a polemic on the state of contemporary film theory. His largest work was The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 (1985), written in collaboration with Thompson and Janet Staiger. Several of his more influential articles on theory, narrative, and style were collected in Poetics of Cinema (2007), named in homage to the famous anthology of Russian formalist film theory Poetika Kino, edited by Boris Eikhenbaum in 1927.