Bookbinding in the context of Guestbook

A treasure binding or jewelled bookbinding is a luxurious book cover using metalwork in gold or silver, jewels, or ivory, perhaps in addition to more usual bookbinding material for book covers such as leather, velvet, or other cloth. The actual bookbinding technique is the same as for other medieval books, with the folios, normally of vellum, stitched together and bound to wooden cover boards. The metal furnishings of the treasure binding are then fixed, normally by tacks, onto these boards. Treasure bindings appear to have existed from at least Late Antiquity, though there are no surviving examples from so early, and Early Medieval examples are very rare. They were less used by the end of the Middle Ages, but a few continued to be produced in the West even up to the present day, and many more in areas where Eastern Orthodoxy predominated. The bindings were mainly used on grand illuminated manuscripts, especially gospel books designed for the altar and use in church services, rather than study in the library.

The vast majority of these bookbindings were later destroyed as their valuable gold and jewels were removed by looters, or the owners when in need of cash. Others survive without their jewels, and many are either no longer attached to a book, or have been moved to a different book. Some survive in major libraries; for example, the Morgan Library in New York City, the John Rylands Library in Manchester, the British Library in London, the Bayerische Staatsbibliothek in Munich and the Bibliothèque Nationale in Paris. As the carved ivory reliefs often used could not usually be recycled, these survive in much larger numbers, giving a better idea of the numbers of treasure bindings that once existed. Other examples are recorded in documentary sources but though the books survive the covers do not. The Book of Kells lost its binding after a robbery, and the fate of the missing cover of the Book of Lindisfarne is not recorded.

A book is a written work of substantial length by one or more authors. They can be distributed in various forms including as printed books, audiobooks, and electronic books (ebooks). Books are broadly classified into fiction (containing invented content, often narratives) and non-fiction (containing content intended as factual truth).

The term can also refer to the physical or electronic object that contains such a work. Modern printed books are typically composed of many pages bound together and protected by a cover. This is known as the codex format. Codices have been created for centuries and were used even before printed books were available to create manuscript books by hand. Older formats include scrolls and clay tablets.

The codex (pl.: codices /ˈkoʊdɪsiːz/) was the historical ancestor format of the modern book. Technically, the vast majority of modern books use the codex format of a stack of pages bound at one edge, along the side of the text. However, the term codex is now reserved for older manuscript books, which mostly used sheets of vellum, parchment, or papyrus, rather than paper.

By convention, the term is also used for any Aztec codex (although the earlier examples do not actually use the codex format), Maya codices and other pre-Columbian manuscripts. Library practices have led to many European manuscripts having "codex" as part of their usual name, as with the Codex Gigas, while most do not.

A Torah scroll (Hebrew: סֵפֶר תּוֹרָה, romanized: Sefer Torah, lit. 'Book of Torah'; pl. סִפְרֵי תוֹרָה, Sifrei Torah) is a handwritten copy of the Torah, meaning the five books of Moses (the first books of the Hebrew Bible). The Torah scroll is mainly used in the ritual of Torah reading during Jewish prayers. At other times, it is stored in the holiest spot within a synagogue, the Torah ark, which is usually an ornate curtained-off cabinet or section of the synagogue built along the wall that most closely faces Jerusalem, the direction Jews face when praying.

The text of the Torah is also commonly printed and bound in book form for non-ritual functions, called a Chumash (plural Chumashim; "five-part", for the five books of Moses), and is often accompanied by commentaries or translations.

A book is a written work of substantial length created by one or more authors. They can be distributed in various forms such as printed books, audiobooks, and electronic books (ebooks). Books are broadly classified into fiction, containing invented narrative or other imaginary content; and non-fiction, containing content intended as factual truth.

The term may also refer to the physical or electronic object containing such a work. Modern books are typically printed in a codex format, composed of many pages bound together and protected by a cover. Before the wide adoption of the modern printing press, codices were used to create handwritten manuscripts. Older writing mediums include scrolls and clay tablets.

A lost literary work (referred throughout this article just as a lost work) is a document, literary work, or piece of multimedia, produced of which no surviving copies are known to exist, meaning it can be known only through reference, or literary fragments. This term most commonly applies to works from the classical world, although it is increasingly used in relation to modern works. A work may be lost to history through the destruction of an original manuscript and all later copies.

Works—or, commonly, small fragments of works—have survived by being found by archaeologists during investigations, or accidentally by laypersons such as, for example, the finding Nag Hammadi library scrolls. Works also survived when they were reused as bookbinding materials, quoted or included in other works, or as palimpsests, where an original document is imperfectly erased so the substrate on which it was written can be reused. The discovery, in 1822, of Cicero's De re publica was one of the first major recoveries of a lost ancient text from a palimpsest. Another famous example is the discovery of the Archimedes Palimpsest, which was used to make a prayer book almost 300 years after the original work was written. A work may be recovered in a library, as a lost or mislabeled codex, or as a part of another book or codex.

A book cover is any protective covering used to bind together the pages of a book. Beyond the familiar distinction between hardcovers and paperbacks, there are further alternatives and additions, such as dust jackets, ring-binding, and older forms such as the nineteenth-century "paper-boards" and the traditional types of hand-binding. The term bookcover is also commonly used for a book cover image in library management software. This article is concerned with modern mechanically produced covers.

Calfskin or calf leather is a leather or membrane produced from the hide of a calf, or juvenile domestic cattle. Calfskin is particularly valuable because of its softness and fine grain, as well as durability. It is commonly used for high-quality clothing, shoes, wallets, and similar products, as well as traditional leather bookbindings. In these contexts, just "calf" is commonly used. Fine calfskin is one of the skins used for vellum and parchment manuscripts.

In Spanish, the word is Ternera/Novillo, referring to leather from animals less than three years old. Chickenskin, despite its name, is a form of calfskin made using the skin of unborn calves.

A pamphlet is an unbound book (that is, without a hard cover or binding). Pamphlets may consist of a single sheet of paper that is printed on both sides and folded in half, in thirds, or in fourths, called a leaflet or it may consist of a few pages that are folded in half and saddle stapled at the crease to make a simple book.

In the "International Standardization of Statistics Relating to Book Production and Periodicals", UNESCO defines a pamphlet as "a non-periodical printed publication of 5 to 48 pages, excluding covers, published in a specific country and available to the public," while a book is "a non-periodical printed publication of at least 49 pages, excluding covers." These definitions are intended solely for UNESCO's book production statistics.

In typography, a dingbat (sometimes more formally known as a printer's ornament or printer's character) is an ornament, specifically, a glyph used in typesetting, often employed to create box frames (similar to box-drawing characters), or as a dinkus (section divider). Some of the dingbat symbols have been used as signature marks or used in bookbinding to order sections.

In the computer industry, a dingbat font or pi font is a computer font that has symbols and shapes located at the code points normally designated for alphabetical or numeric characters. This practice was necessitated by the limited number of code points available in 20th century operating systems. Modern computer fonts containing dingbats are based on Unicode encoding, which has unique code points for dingbats.

In art history, the French term objet d'art (/ˌɒbʒeɪ ˈdɑːr/ ; French pronunciation: [ɔbʒɛ daʁ]) describes an ornamental work of art, and the term objets d’art describes a range of works of art, usually small and three-dimensional, made of high-quality materials, and a finely-rendered finish that emphasises the aesthetics of the artefact. Artists create and produce objets d’art in the fields of the decorative arts and metalwork, porcelain and vitreous enamel; figurines, plaquettes, and engraved gems; ivory carvings and semi-precious hardstone carvings; tapestries, antiques, and antiquities; and books with fine bookbinding.

The National Maritime Museum, Greenwich, London, describes their accumulated artworks as a: "collection of objets d’art [which] comprises over 800 objects. These are mostly small, decorative art items that fall outside the scope of the Museum’s ceramic, plate, textiles and glass collections." The artwork collection also includes metal curtain ties, a lacquered papier-maché tray, tobacco boxes, cigarette cases, découpage (cut-paper items), portrait miniatures, a gilt-brass clock finial, plaques, statuettes, plaquettes, a horse brass, a metal pipe tamper, a small glass painting, et cetera.

Book design is the graphic art of determining the visual and physical characteristics of a book. The design process begins after an author and editor finalize the manuscript, at which point it is passed to the production stage. During production, graphic artists, art directors, or professionals in similar roles will work with printing press operators to decide on visual elements—including typography, margins, illustrations, and page layout—and physical features, such as trim size, type of paper, kind of printing, binding.

From the late Middle Ages to the 21st century, the basic structure and organization of Western books have remained largely unchanged. Front matter introduces readers to the book, offering practical information like the title, author and publisher details, and an overview of the content. It may also include editorial or authorial notes providing context. This is followed by the main content of the book, often broadly organized into chapters or sections. The book concludes with back matter, which may include bibliographies, appendices, indexes, glossaries, or errata.

A stitching awl is a tool with which holes can be punctured in a variety of materials, or existing holes can be enlarged. It is also used for sewing heavy materials, such as leather or canvas. It is a thin, tapered metal shaft, coming to a sharp point, either straight or slightly bent. These shafts are often in the form of interchangeable needles. They usually have an eye piercing at the pointed end to aid in drawing thread through holes for the purpose of manual lockstitch sewing, in which case it is also called a sewing awl. Stitching awls are frequently used by shoe repairers and other leatherworkers. Sewing awls are used to make lock stitches. The needle, with the thread in the eye is pushed through the material. The thread is then pulled through the eye to extend it. As the needle is pushed through the material, the extra thread from the first stitch is then threaded through the loops of successive stitches creating a lock stitch. The action is likened to that of a "miniature sewing machine". Styles may vary, as they are adapted to specific trades, such as making shoes or saddles. They are also used in the printing trades to aid in setting movable type and in bookbinding.

The conservation and restoration of books, manuscripts, documents and ephemera is an activity dedicated to extending the life of items of historical and personal value made primarily from paper, parchment, and leather. When applied to cultural heritage, conservation activities are generally undertaken by a conservator. The primary goal of conservation is to extend the lifespan of the object as well as maintaining its integrity by keeping all additions reversible. Conservation of books and paper involves techniques of bookbinding, restoration, paper chemistry, and other material technologies including preservation and archival techniques.

Book and paper conservation seeks to prevent and, in some cases, reverse damage due to handling, inherent vice, and the environment. Conservators determine proper methods of storage for books and documents, including boxes and shelving to prevent further damage and promote long term storage. Carefully chosen methods and techniques of active conservation can both reverse damage and prevent further damage in batches or single-item treatments based on the value of the book or document.

A private collection is a privately owned collection of works (usually artworks) or valuable items. In a museum or art gallery context, the term signifies that a certain work is not owned by that institution, but is on loan from an individual or organization, either for temporary exhibition or for the long term. This source is usually an art collector, although it could also be a school, church, bank, or some other company or organization. By contrast, collectors of books, even if they collect for aesthetic reasons (fine bookbindings or illuminated manuscripts for example), are called bibliophiles, and their collections are typically referred to as libraries.

Goatskin refers to the skin of a goat, which by long term usage, is denoted by the term Morocco leather. Kidskin, used for gloves, shoes and other accessories, is traditionally goatskin, although other leathers such as sheep and kangaroo can be used to make kid.

Tanned leather from goatskin is considered extremely durable and is commonly used to make rugs (for example in Indonesia) and carpet binding. It is often used for gloves, boots, and other products that require a soft hide. Kid gloves, popular in Victorian times, are still made today. It has been a major material for leather bookbindings for centuries, and the oldest European binding, that of the St Cuthbert Gospel in the British Library, is in red goatskin. Goatskin is used for a traditional Spanish container for wine bota bag (or called goatskin). Traditional kefir was made in bags from goatskin.

George Merriam (/ˈmɛriəm/; January 20, 1803 – June 22, 1880) was an American publisher. With his brother Charles, he founded G. and C. Merriam, which eventually became Merriam-Webster, Inc.

The Merriam family were printers, book manufacturers, and booksellers in Worcester County in the latter part of the 18th century. George worked on his father's farm in West Brookfield until he was age 15, then entered his uncle Ebenezer's West Brookfield printing office as an apprentice, and on reaching his majority became a partner. In 1831 he moved to Springfield with his brother Charles, and established in 1832 the publishing house of G. and C. Merriam. Their earliest publications were law books, editions of the Bible, and school books. After the death of Noah Webster, the lexicographer, the Merriams purchased the right of future publication of Webster's Dictionary.

The St Cuthbert Gospel, also known as the Stonyhurst Gospel or the St Cuthbert Gospel of St John, is an early 8th-century pocket gospel book, written in Latin. Its finely decorated leather binding is the earliest known Western bookbinding to survive, and both the 94 vellum folios and the binding are in outstanding condition for a book of this age. With a page size of only 138 by 92 millimetres (5.4 in × 3.6 in), the St Cuthbert Gospel is one of the smallest surviving Anglo-Saxon manuscripts. The essentially undecorated text is the Gospel of John in Latin, written in a script that has been regarded as a model of elegant simplicity.

The book takes its name from Saint Cuthbert of Lindisfarne, North East England, in whose tomb it was placed, probably a few years after his death in 687. Although it was long regarded as Cuthbert's personal copy of the Gospel, to which there are early references, and so a relic of the saint, the book is now thought to date from shortly after Cuthbert's death. It was probably a gift from Monkwearmouth–Jarrow Abbey, where it was written, intended to be placed in St Cuthbert's coffin in the few decades after this was placed behind the altar at Lindisfarne in 698. It presumably remained in the coffin through its long travels after 875, forced by Viking invasions, ending at Durham Cathedral. The book was found inside the coffin and removed in 1104 when the burial was once again moved within the cathedral. It was kept there with other relics, and important visitors were able to wear the book in a leather bag around their necks. It is thought that after the Dissolution of the Monasteries in England by Henry VIII between 1536 and 1541, the book passed to collectors. It was eventually given to Stonyhurst College, the Jesuit school in Lancashire.